video/film

• a Billedkunstner jurvinart

  Kunstner er en generel betegnelse for en person, der producerer kunst uanset hvilken genre, det drejer sig om... Uddannet som kunstner på Det Kongelige Danske Kunstakademi 24 December 1981 Jurij Vinogrodskij Arturij født i Vilnius Lituaen opvokset i Danmark. Hans kunstnerisk navn er jurvinart. Uddannet som kunstner på Det Kongelige Danske Kunstakademi. Læs mere

  Kunstner er en generel betegnelse for en person, der producerer kunst uanset hvilken genre, det drejer sig om... Uddannet som kunstner på Det Kongelige Danske Kunstakademi 24 December 1981 Jurij Vinogrodskij Arturij født i Vilnius Lituaen opvokset i Danmark. Hans kunstnerisk navn er jurvinart. Uddannet som kunstner på Det Kongelige Danske Kunstakademi. Afgang 2010. Arbejder med maleriets udtryksform olie ratning på nuverener tilspunk er NAIVISME. Billedekunst olie maling er primere renskab at framstile kunst men skulprur har også store infliuelse på jurvinart. Han arbejdet meget med svaisning jern. Skabt uteliger tel små skulpture i metal. Til skulpture brugt often glas. Hans studietid arbejdet med skulpturen. Granit bronser tree glas og jern. Uddannelser og kurser 2000 Haderslev Kommunale Ungdomsskole 2002 VUC Kolding 2004-2010 Det Kongelige Danske Kunstakademi 2005-2006 Vilnius Academy of Art See jurvinart`s youtube Channel Minimer

• Alibadi, Mahmoud
• Assenholt, Søren
• Bagge, Thomas Gunnar
• Basten, Berit
• Beck, Jens Axel
• benandsebastian, Ben Clement og Sebastian de la Cour
• Benborg, Rikke
• Benveniste, Eli

  Eli Benveniste, f. 1961, dansk billedhugger. Autodidakt og debuterede i 1988 på Veksølund-udstillingen; i 1995 medlem af Koloristerne. Leret er det foretrukne materiale, men i de senere år har glasset været anvendt til flere udsmykningsopgaver. Tematikken i skulpturerne er eksistentiel. I 2000 modtog hun Astrid Noacks Billedhuggerlegat. Læs mere

  Eli Benveniste, f. 1961, dansk billedhugger. Autodidakt og debuterede i 1988 på Veksølund-udstillingen; i 1995 medlem af Koloristerne. Leret er det foretrukne materiale, men i de senere år har glasset været anvendt til flere udsmykningsopgaver. Tematikken i skulpturerne er eksistentiel. I 2000 modtog hun Astrid Noacks Billedhuggerlegat. Menneskets relationer og forhold har altid interesseret mig, fænomenologi kunne man kalde det. Vores fælles reaktioner på de samme hændelser. Det viser sig i mange forskellige situationer i vores hverdag, i parforholdet, i forholdet til vores børn eller i de reaktionsmønstre, der kommer til syne, når vi møder fremmede. Det forekommer mig under alle omstændigheder, at vi reagerer meget ens. Et formildende træk når jeg ser på en verden, der er dækket af røg. Selv er jeg født i 61, som fjerde datter af en dansk mor og en far, der var græsk jøde fra Thessaloniki. De mødtes i 1948 under den græske borgerkrig i Lamia, hvor min mor var udsendt af Red Barnet og min far arbejdede som læge på en klinik i en flygningelejr for græsk Røde Kors. I 1953 flyttede de til Danmark og senere til Falster, da han fik en overlægestilling på Centralsygehuset i Nykøbing. Her voksede jeg, mine tre storesøstre og vores lillebror op indtil familien splittedes. Da jeg var 23 tog jeg til Barcelona og boede der i 6 år. Idag bor jeg og min mand i Italien og i Portugal, lande der er forbundet med mit arbejde som billedkunstner. At være gæst og ikke rigtig høre til nogen steder er en tilstand, som passer godt til erhvervet. Afstanden, der følger med, er et godt redskab at betragte verden ud fra, ligesom den usikkerhed der følger med udlændingheden passer til den tvivl, som er en del af kunstnerisk arbejde. Jeg har arbejdet med skulptur, siden jeg var helt ung, det er først i de senere år, jeg er begyndt at skrive og fotografere. I mit arbejde såvel som i mit liv spekulerer jeg på, i hvor høj grad man egentlig træffer individuelle valg i forhold til den vægt som tiden og stedets situationer indvirker på os. Derfor forsøger jeg så vidt muligt at sætte det, jeg oplever og ser, i et historisk perspektiv. Minimer

• Bertelsen, Louise

  Louise Bertelsen er en tværfaglig kunstner, uddannet i performance og multimedia kunst. Hendes fokus er sted-specifik kunst. I 1999 grundlage hun kunstgruppen LIVING LENSES (DK/USA), hvis fokus er multi-disciplinær udforskning af det offentlige rum, i form af Public Art, video, installationskunst, fotografi og Live Art Happenings.

  Louise Bertelsen er en tværfaglig kunstner, uddannet i performance og multimedia kunst. Hendes fokus er sted-specifik kunst. I 1999 grundlage hun kunstgruppen LIVING LENSES (DK/USA), hvis fokus er multi-disciplinær udforskning af det offentlige rum, i form af Public Art, video, installationskunst, fotografi og Live Art Happenings. Minimer

• Bigum, Martin
• Bjørn, Katja

  Between the body and the sculpture The starting point of my work is the investigation of the expression of the sculpture. Through the times I have been investigating a broad field from land art sculptures, large scale installations, objet trouvés and video art to more classical and material sculptures. Especially interesting to me is the sculpt Læs mere

  Between the body and the sculpture The starting point of my work is the investigation of the expression of the sculpture. Through the times I have been investigating a broad field from land art sculptures, large scale installations, objet trouvés and video art to more classical and material sculptures. Especially interesting to me is the sculptures relationship to the human body. The sculptures are therefore formed to create an active role for the viewer, either by directly interaction with the sculpture or by the sensuous perception. The sculptures can be build up from everyday objects. At first they appear as trivial tableaus: A chest of drawers with perfume bottles and jars, a shower or a closed door. But a glance through the keyhole or in the drawer expose an intimate situation, we ought not to have witnessed. The narratives of the videos are often about human beings performing simple actions. A boy turning in a tight space, a naked woman grooming her self. Through the videos I take the sculptures into another sphere and implant everyday situations or actions that through the sculptures transforms into an intimate confrontation and a play of the voyeurism of the viewer. In this crossover between the sensuous physics of the sculpture and the narrative of the video I create an aesthetic space, in which I examine the boundaries of exceeding the intimate sphere of both the artist and the viewer. In this space, what seems to be innocent, an everyday occurrence turns out to explore the unpleasant far side. Minimer

• Bolther, Helle
• Bonde, Niels
• Bonnén, Suste
• Bork, Trine
• Brackman, Yvette
• Brøgger, Søren
• Buchardt , Lars
• Burchardi, Sofia
• Busk, Henrik

  Jeg arbejder med udvikling af platforme for mellemmenneskelige relationer og har fælles social ansvarlighed, som et underliggende tema.

  Jeg arbejder med udvikling af platforme for mellemmenneskelige relationer og har fælles social ansvarlighed, som et underliggende tema. Minimer

• Callesen, Peter

  Udgangspunktet for mine seneste papirskulpturer er som oftest et almindeligt stykke hvidt A4 kopipapir, hvorfra der rejser sig en 3-dimensionel papirskulptur, som så efterlader sig en negativ tegning af det bortklippede. Jeg finder det interessant at arbejde med A4-papiret; Det er stadig i dag et af de mest brugte medier til bærere af information Læs mere

  Udgangspunktet for mine seneste papirskulpturer er som oftest et almindeligt stykke hvidt A4 kopipapir, hvorfra der rejser sig en 3-dimensionel papirskulptur, som så efterlader sig en negativ tegning af det bortklippede. Jeg finder det interessant at arbejde med A4-papiret; Det er stadig i dag et af de mest brugte medier til bærere af information, hvilket gør materialet kendt af alle, men derfor også let overset som et materiale i sig selv. Denne fraværende opmærksomhed på det uprætentiøse materiale, kombineret med den lille skala, giver mig en frihed til at fortælle store og dramatiske fortællinger ind i små og romantiske papirlandskaber. Foruden det fortællende element, fungerer skulpturerne som undersøgelser af forholdet mellem flade og rum – illusion og virkelighed. Mine seneste papirklip har taget form som billedobjekter, hvor det fraklippede papir er faldet ud af billedet og er transformeret til 3-dimensionelle objekter, der ligger i bunden af rammen. Men for mig rummer materialiseringen af et stykke papir fra noget 2-dimensionelt til noget 3-dimensionelt ikke blot formelle undersøgelser – men ligeså meget en slags magi, som peger på et poetisk og eventyrligt element. Minimer

• Capetillo, Henrik
• Carlsen, Jesper
• Christensen, Sonja Lillebæk
• Creutz, Andrea
• Dahlgaard, Søren

  Søren Dahlgaard studied at the Slade School of Fine Arts in London and graduated in 2002. His teachers were Professors Phyllida Barlow, Stuart Brisley, Bruce McLean. History of art and theory professor Norman Bryson and lecture Andrew Renton. In the work of Søren Dahlgaard, method is challenged though narrative. He incorporates a type of u Læs mere

  Søren Dahlgaard studied at the Slade School of Fine Arts in London and graduated in 2002. His teachers were Professors Phyllida Barlow, Stuart Brisley, Bruce McLean. History of art and theory professor Norman Bryson and lecture Andrew Renton. In the work of Søren Dahlgaard, method is challenged though narrative. He incorporates a type of understated slapstick in his work. This is mostly apparent in his performances and staged photography series. Visually he draws from the aesthetics of minimalism. Recently he has exhibited at P.S.1 Contemporary Arts Center MoMA New York, Ileana Tounta Contemporary Arts Center, Athens, International Prize for Performance, Galleria Civica Museum of contemporary art, Trento, Italy and Statens Museum for Kunst - the National Gallery, Copenhagen. He lives in Copenhagen (DK) www.sorendahlgaard.com Minimer

• Domke, Johanna

  Johanna Domke´s approach to work with film/video is about walking the line between authenticity and fictionalization in order to talk about our construction of reality and its representation as image. Her practice derives from an observing origin and a fascination in social/urban contexts, focusing on the individual in relation to its social environmen Læs mere

  Johanna Domke´s approach to work with film/video is about walking the line between authenticity and fictionalization in order to talk about our construction of reality and its representation as image. Her practice derives from an observing origin and a fascination in social/urban contexts, focusing on the individual in relation to its social environment, public space and power structures. Her work implies both documentary and fictional strategies of filmmaking, resulting in a mixture of hyperrealism and artificiality. She creates a plane of references to reality which has fiction discernibly woven into it. She is not interested in purely documentary films, but often borrows their conventions, that she uses as potential for fictionalization. Minimer

• Dröse, Berit
• Durakovic, Nermin
• Dysgaard, Morten
• Ehlers, Jeannette

  Among other things Ehlers is concerned with creating computer manipulated video works on the basis of existing video and film material – so-called found footage. The principle behind her approach consists of taking single scenes from classic films or popular TV-shows and deconstructing the narrative contents of the scenes in question by, for instanc Læs mere

  Among other things Ehlers is concerned with creating computer manipulated video works on the basis of existing video and film material – so-called found footage. The principle behind her approach consists of taking single scenes from classic films or popular TV-shows and deconstructing the narrative contents of the scenes in question by, for instance, leaving out or adding a character. With the meticulous precision of a surgeon Ehlers works her way through the selected material frame by frame. The technique demands extreme patience, for each second consists of about 25 frames and each frame has to be treated individually. If just one frame is skipped, the manipulation becomes too evident and the desired ”vanishing act” is rendered impossible. Jeannette Ehlers is especially interested in the removal or manipulation of the human body. Jeannette Ehlers is educated from the Royal Danish Academy of Fine Arts 2006. She lives and works in Copenhagen. Minimer

• Eistrup, Michelle
• Ejdrup Hansen, Elle-Mie

  Elle-Mie Ejdrup Hansen arbejder i flere forskellige medier som tegning, det klassiske oliemaleri og ikke mindst i store site-specifikke arbejder, der kredser omkring rum, teknologi og mennesker. Udgangspunktet for de store arbejder er en særlig topografi. Det kan være strandstrækningen fra Skagen til Sild, en stubmark i Vestjylland, eller et bygnings Læs mere

  Elle-Mie Ejdrup Hansen arbejder i flere forskellige medier som tegning, det klassiske oliemaleri og ikke mindst i store site-specifikke arbejder, der kredser omkring rum, teknologi og mennesker. Udgangspunktet for de store arbejder er en særlig topografi. Det kan være strandstrækningen fra Skagen til Sild, en stubmark i Vestjylland, eller et bygningskompleks som Gellerup Parken i Brabrand eller en kirke. Fælles for de store værker er anvendelsen af ny teknologi, som kan være forskellige former for lys, video, eller helt ny software, udviklet særligt til værket. I de store arbejder involveres ofte komponister og musikere, men også andre discipliner, som programmører, interaktions designere og teknikkere. Et særligt kendetegn for de store værker er, at de er skabt i tæt samarbejde med og involverer en række forskellige mennesker. Minimer

• Eken, Rose

  I work in a variety of media focusing on video installation, drawing, painting, embroidery and sculpture. My work addresses the nature of particular interior spaces and the aura, fragility and physical detritus surrounding a concert or a performance is a major source of inspiration. Drawing on the melancholy and romance of popular music I aim to unpick the Læs mere

  I work in a variety of media focusing on video installation, drawing, painting, embroidery and sculpture. My work addresses the nature of particular interior spaces and the aura, fragility and physical detritus surrounding a concert or a performance is a major source of inspiration. Drawing on the melancholy and romance of popular music I aim to unpick the processes through which certain places or pop-cultural objects have become embedded within the collective consciousness. Minimer

• Ellgaard, Jette
• Enghoff, Tina
• Eskildsen, Mikkel Olaf
• Falsnaes, Christian

  Christian Falsnaes (b. 1980 in Copenhagen) studied philosophy and was active in the graffiti-, and squatting- scene before he began his studies at the Academy of fine Arts in Vienna. He lives and works in Vienna and Copenhagen.

  Christian Falsnaes (b. 1980 in Copenhagen) studied philosophy and was active in the graffiti-, and squatting- scene before he began his studies at the Academy of fine Arts in Vienna. He lives and works in Vienna and Copenhagen. Minimer

• Finn, Maria

  Maria Finn’s work deals with the relationship between image and text. Her projects revolve around existing film narratives, deconstructed and re-enacted by the artist herself or by actors in an attempt to highlight the duplicitous nature of filmic language. By shifting perspective from male to female as well as by replacing and transforming scenes in diff Læs mere

  Maria Finn’s work deals with the relationship between image and text. Her projects revolve around existing film narratives, deconstructed and re-enacted by the artist herself or by actors in an attempt to highlight the duplicitous nature of filmic language. By shifting perspective from male to female as well as by replacing and transforming scenes in different time and allowing for a more porous narration, Finn poses questions on authorship and the construction of meaning. Minimer

• flensberg, rikke
• Fog, Jørgen
• Fomsgaard, Jes
• Frankel, Bernhard
• Fromm, Jonas
• Frøsig, Helle
• Funder, Søren Thilo

  Soren Thilo Funders' works deal with diverse cultural fields and integrates aspects of critical theory, sociology, psychoanalysis, art theory, history, literature, metaphysics, theater, cinema, Sci-Fi, Horror, political activism and various counter-cultural disciplines. The works are formal investigations of the power relations of modern day soc Læs mere

  Soren Thilo Funders' works deal with diverse cultural fields and integrates aspects of critical theory, sociology, psychoanalysis, art theory, history, literature, metaphysics, theater, cinema, Sci-Fi, Horror, political activism and various counter-cultural disciplines. The works are formal investigations of the power relations of modern day society. Through the use of cinematic narratives, choreography and mise en scène, the works strive to expose the precariousness of contemporary society and the broken link between politics and the political. In the works the nostalgic is juxtaposed with the current and unpredictable lifeworld of the political subject, often moving beyond the mere present and into the yet-to-come or the parallel now. Soren Thilo Funder creates visual communiqués dissecting and revealing the invisibles of urban society, using the fictional and extra-real to pose new questions and generate a new potential space , a third place, for political contemplations and counter-memory. Minimer

• Goll, Morten

  Jeg har i flere år beskæftiget mig med kommunikation og identitet og den måde hvorpå disse to begreber interagerer. Dette har udmøntet sig i en række kunstværker som aktivt indgår i en reformulering af en given social diskurs, i den hensigt at skabe social forandring og en serie tv-programmer der eksperimenterer med politisk kommunikation. Socialt desig Læs mere

  Jeg har i flere år beskæftiget mig med kommunikation og identitet og den måde hvorpå disse to begreber interagerer. Dette har udmøntet sig i en række kunstværker som aktivt indgår i en reformulering af en given social diskurs, i den hensigt at skabe social forandring og en serie tv-programmer der eksperimenterer med politisk kommunikation. Socialt design, der intervenerer en diskurs ved at ændre et interface, for at muliggøre en etisk og demokratisk forsvarlig omfortolkning af mulighederne i det sociale rum. Nøgleord: third wave feminism, socio-politisk, politisk kunst, post strukturalisme, den anden, kommunikation, etik, social, kollaborativ, proces, pragmatisk, idealisitisk. Minimer

• Grahn, Lennard

  Lennard Grahn is a generous and attentive lover, a brilliant cook, drives a BMW 730d Sport, holds PhD's in psychology, bio chemestry and nuklear physics and lives in a fully restored 18'th century mansion just outside a major European metropolis (with an international airport)

  Lennard Grahn is a generous and attentive lover, a brilliant cook, drives a BMW 730d Sport, holds PhD's in psychology, bio chemestry and nuklear physics and lives in a fully restored 18'th century mansion just outside a major European metropolis (with an international airport) Minimer

• Gravesen, Cecilie Nusselein
• Grum, Charlotte

  Mine kunstprojekter fokuserer primært på det socialt konstruerede rum, det konstruerende subjekt og på forholdet mellem de to. Ved at ændre de fysiske eller mentale kvaliteter ved et rum kalder mine projekter på andre former for subjektiv væren, handlen eller tænkning i det rum.

  Mine kunstprojekter fokuserer primært på det socialt konstruerede rum, det konstruerende subjekt og på forholdet mellem de to. Ved at ændre de fysiske eller mentale kvaliteter ved et rum kalder mine projekter på andre former for subjektiv væren, handlen eller tænkning i det rum. Minimer

• Hanne Nielsen & Birgit Johnsen
• Hansen, Karen Land

  Karen Land Hansen arbejder med skulptur, installation, tegning og animation. Hun tog afgang fra Royal College of Art i London (MA, Fine Art) i 2003 og har derudover studeret på National College of Art and Design, Dublin (BA, Fine Art Painting), og Chelsea College of Art, London. Fra 2003 har hendes primære arbejdsbase været i København, siden 2006 Læs mere

  Karen Land Hansen arbejder med skulptur, installation, tegning og animation. Hun tog afgang fra Royal College of Art i London (MA, Fine Art) i 2003 og har derudover studeret på National College of Art and Design, Dublin (BA, Fine Art Painting), og Chelsea College of Art, London. Fra 2003 har hendes primære arbejdsbase været i København, siden 2006 på Fabrikken for Kunst og Design. Statement: Mit arbejde fokuserer på spændingsfeltet mellem det fiktive og det faktuelle, og det har ofte et ikke didaktisk politisk aspekt. Installationerne er ’iscenesatte’ eller ’teatralske’ rum, der inkorporerer scenografiske effekter som lys og video i det skulpturelle. Jeg interesserer mig for illusion i det tre-dimensionale rum, bl.a. inspireret af illusionsmaleriet. Værkerne kan operere på såvel konkret, historisk som metaforisk plan. Jeg arbejder med for-skydninger af det genkendelige henimod det mere obskure, men værket er konceptuelt og konkret forankret den ’virkelige’ verden – f.eks. i en konkret historisk begivenhed. Gennem kombinationen af enkle, ofte dokumentariske videoprojektioner og skulpturelle objekter undersøger jeg forholdet mellem nærvær og distance; beskueren er selv en fysisk del af værket og samtidig, gennem videomediet, en observatør på afstand af den bestemte begivenhed eller det særlige sted. Mennesket i relation til teknologi og teknologisk udvikling er et andet vigtigt tema. Manuelt bearbejdede, ’håndlavede’, skulpturelle modeller af maskiner eller objekter fra byrummet er tilbagevendende i mit arbejde med skulptur. Tidligere tog jeg primært udgangspunkt i det historiske og af vores opfattelse af historien, mens jeg de senere år har koncentreret mig om de forestillinger og fantasier, der ligger i det nutidige og samtidig peger ud mod noget fremtidigt. Karen Land Hansen Minimer

• Hansen, Marianne Holm
• Hansen, Thorgej Steen
• Hasle, Gudrun
• Haslund-Christensen, Charlotte

  Jeg arbejder fortrinsvis med fotografi, men har også lavet videoinstallationen No airport to travel from. I mit seneste projekt "De indfødte" vender jeg det koloniale blik og kigger på danskerne som en stamme. Jeg drager på ekspeditioner i Danmark og undersøger hvad det vil sige at være dansk. Selve repræsentationen i fotografiet bliver udfordret.

  Jeg arbejder fortrinsvis med fotografi, men har også lavet videoinstallationen No airport to travel from. I mit seneste projekt "De indfødte" vender jeg det koloniale blik og kigger på danskerne som en stamme. Jeg drager på ekspeditioner i Danmark og undersøger hvad det vil sige at være dansk. Selve repræsentationen i fotografiet bliver udfordret. Minimer

• Heiberg, Lars
• Heilmann, Hannah
• Heise, Henriette
• High Heel Sisters, _

  Performance and artists group based in Denmark, Norway and Sweden. www.highheelsisters.com

  Performance and artists group based in Denmark, Norway and Sweden. www.highheelsisters.com Minimer

• Hjerl, Sophie

  Sophie Hjerl (født 1971) Uddannet fra Det Kgl. Danske Kunstakademi Billedkunstskolerne, Mediekunstskolen + cand.mag i Kunstteori -og Formidling 2002. Arbejder primært med videomediet, men benytter sig også af andre medier. Hendes værker er poetiske, direkte og refleksive, samt tilfører et suggestivt indspark i den syntetiske verden af de digitale medie Læs mere

  Sophie Hjerl (født 1971) Uddannet fra Det Kgl. Danske Kunstakademi Billedkunstskolerne, Mediekunstskolen + cand.mag i Kunstteori -og Formidling 2002. Arbejder primært med videomediet, men benytter sig også af andre medier. Hendes værker er poetiske, direkte og refleksive, samt tilfører et suggestivt indspark i den syntetiske verden af de digitale medier. Hun undersøger samtiden og samtidig synes hun interesseret i at fremstille en verden udenfor tid og sted. Hun ønsker at sætte spørgsmål ved vores oplevelse af ting og tingenes tilstand og ved deres umiddelbare betydninger. Hendes værker bærer tydeligt præg af hendes oprindelige udgangspunkt i skulpturen, kroppen og bevægelsen, samt interessen for at opløse betydningerne, for at de kan samles sig på ny. Minimer

• Hoeck, Honza
• Holm, Uffe
• Hvejsel, Ulla

  visual artist working interdisciplinary and experimentally with theatre, film, parenthood, performance, television, journalism, and selfdeceit. Ulla Hvejsel has been part of the artist-run tvstation”tv-tv”, sailed the Caribbean as embedded journalist on a European mission, proposed a new experimental approach to watching tv, has collected jokes fro Læs mere

  visual artist working interdisciplinary and experimentally with theatre, film, parenthood, performance, television, journalism, and selfdeceit. Ulla Hvejsel has been part of the artist-run tvstation”tv-tv”, sailed the Caribbean as embedded journalist on a European mission, proposed a new experimental approach to watching tv, has collected jokes from warfilms and enacted them for three years - and she regularly gives lectures about her interest in Selfdeceit, the Sublime, and the whiteness of the White Bear Minimer

• Ingen Frygt, _

  Ingen Frygt har eksisteret som kunstgruppe og fælles bevidsthed siden 2001. Igennem otte år har Ingen Frygt søgt at skabe vedkommende popkunst baseret på en blanding af kulturelle klichéer og selvoplevelser, for herigennem at udforske og beskrive selvets magt og positurer. Ingen Frygts kunstneriske produktion foregår som en konstant spejling mellem to ve Læs mere

  Ingen Frygt har eksisteret som kunstgruppe og fælles bevidsthed siden 2001. Igennem otte år har Ingen Frygt søgt at skabe vedkommende popkunst baseret på en blanding af kulturelle klichéer og selvoplevelser, for herigennem at udforske og beskrive selvets magt og positurer. Ingen Frygts kunstneriske produktion foregår som en konstant spejling mellem to verdener: En jordbunden og en mere fantastisk. Selviscenesættelsen og de ambivalente symboler går igen i en manende retorik, en slags skizofren ekspressionisme hvori fraktaler af kulturelle referencer opløses og stivner igen i betydningshallucinationer. Et nøglemotiv er f.eks. eksotisme som medium for følelsen af skyld – men også længsel. Et andet er den freudianske tænknings dybe forankring i den vestlige verdens forestillinger om selvet, der nærmest grænser til en slags overtro. Penge er en tredje tilbagevende besættelse, gennem hvilket Ingen Frygt søger at beskrive samfundsmæssige magtstrukturer som de udspiller sig i det individuelle liv. Vi kalder det ”følelsespolitik”. Den seneste tid har vi søgt at fremmane billeder af selvets overlevelsesstrategier som de kommer til udtryk i fantasmeagtige mentale forskydninger. Hvordan ser bevidstheden overhovedet ud? Dette elektriske sorte ingenting som trækker med tankernes flugt i mørke skygger? Hvad er præmisserne for at få to hjernehalvdele, der er uhjælpeligt badet i mørke, til at passe sammen og ind i tilværelsens trummerum? Minimer

• Ingerslev, Maja
• Ipsen, Thore
• Isaksen, Else Ploug
• Iversen, Marie Kølbæk

  Marie Kølbæk Iversen’s installations employ closed circuit video technology and various cybernetic systems to explore ideas of perception and representation. By foregrounding the technical process and the creative potential of the viewer, her work focuses on the moment at which language stops and immediate perception takes over.

  Marie Kølbæk Iversen’s installations employ closed circuit video technology and various cybernetic systems to explore ideas of perception and representation. By foregrounding the technical process and the creative potential of the viewer, her work focuses on the moment at which language stops and immediate perception takes over. Minimer

• J&K / Janne Schäfer og Kristine Agergaard

  The artist-duo J&K (Janne Schäfer, D / Kristine Agergaard, DK) have been working in collaboration since 1999 and are based in Berlin and Copenhagen. J&K work with mixed media installations, performance and interventions in public and institutional spaces. Travel, rituals and mythologies majorly inspire their work in which they play with signs, clichés and iden Læs mere

  The artist-duo J&K (Janne Schäfer, D / Kristine Agergaard, DK) have been working in collaboration since 1999 and are based in Berlin and Copenhagen. J&K work with mixed media installations, performance and interventions in public and institutional spaces. Travel, rituals and mythologies majorly inspire their work in which they play with signs, clichés and identities in a fiercely entertaining and colour-saturated universe. With humour and a surprising and almost shameless pilfering of symbolism from different cultures, audiences are lead into constructed worlds where neo-colonial and cross-cultural problems are examined and thematized. J&K explore the creative potential that underlies any modeling of reality and playfully question concepts of truth production, writing of history and cultural identity. Minimer

• Jacobi, Frans
• Jacobsen, Mogens
• Jacobsen, Stine Marie
• Jafri, Maryam
• Jensen, Astrid Kruse
• Jensen, Jakob

  installation fotografi skulptur video mv. arbejder på Vestsjælland og i Berlin

  installation fotografi skulptur video mv. arbejder på Vestsjælland og i Berlin Minimer

• Jensen, Mette Kit

  Jeg arbejder med værker behandler det offentlige og sociale rum. Mine processer starter oftest med undersøgelser af et givet urbant rum. Formelle, funktionelle, poetiske og historiske aspekter bliver observeret inden jeg skrider til en kunstnerisk omsætning. Jeg har udført site-specifikke projekter i forskellige europæiske byer: Hamburg, København, Læs mere

  Jeg arbejder med værker behandler det offentlige og sociale rum. Mine processer starter oftest med undersøgelser af et givet urbant rum. Formelle, funktionelle, poetiske og historiske aspekter bliver observeret inden jeg skrider til en kunstnerisk omsætning. Jeg har udført site-specifikke projekter i forskellige europæiske byer: Hamburg, København, Geneve, Liverpool og Berlin m.fl. Indgrebene inddrager oftest publikum og består af kombinationer af objekter, design og tekst. Minimer

• Jessen, Jacob
• Johansen, Andreas Stoubye
• Johansen, Charlotte Bergmann

  Charlotte Bergmann Johansen arbejder selvstændigt og i gruppe, skulpturelt og performativ. Jeg er oftest inspireret af fotografier, billeder eller optegnelser fra kunst- og kulturhistorien, og ændrer gerne materialers hverdagsfunktion som i mine glas med miniaturelysekroner, de uforgængelige abeskulpturer af blød modellervoks, det potente hjortehoved indgnedet i jord og den for længe siden udstoppede dansekjole.

  Charlotte Bergmann Johansen arbejder selvstændigt og i gruppe, skulpturelt og performativ. Jeg er oftest inspireret af fotografier, billeder eller optegnelser fra kunst- og kulturhistorien, og ændrer gerne materialers hverdagsfunktion som i mine glas med miniaturelysekroner, de uforgængelige abeskulpturer af blød modellervoks, det potente hjortehoved indgnedet i jord og den for længe siden udstoppede dansekjole. Minimer

• Juul, Mette
• Jørgensen, Henrik Lund
• Kaisen, Jane Jin

  http://janejinkaisen.org Jane Jin Kaisen is a visual artist working in a project-based manner within the mediums of film, video installation, performance and text. From a transnational feminist and postcolonial perspective, she is interested in the re-writing of history and official narratives in order to suggest new genealogies and readings.

  http://janejinkaisen.org Jane Jin Kaisen is a visual artist working in a project-based manner within the mediums of film, video installation, performance and text. From a transnational feminist and postcolonial perspective, she is interested in the re-writing of history and official narratives in order to suggest new genealogies and readings. Minimer

• Kalsmose-Hjelmborg, Mille

  The Quest for (a new) identity Text by: Art historian and Art Critic Trine Ross The Works of Mille Kalsmose-Hjelmborg evolves around the concept of TRANSFORMING IDENTITY both in her private research and in site specific assignments. We tend to forget that our personal identity is negotiable and is constantly being negotiated around an Læs mere

  The Quest for (a new) identity Text by: Art historian and Art Critic Trine Ross The Works of Mille Kalsmose-Hjelmborg evolves around the concept of TRANSFORMING IDENTITY both in her private research and in site specific assignments. We tend to forget that our personal identity is negotiable and is constantly being negotiated around and inside us. But when we forget, the artworks of Mille Kalsmose-Hjelmborg are here to remind us. One such work is the ongoing project ’All My Suicides’ which has so far resulted in both a Part One and a Part Two. The first part consists of Kalsmose-Hjelmborg’s many new name certificates – from the name, ”Henriette Olesen”, she was christened through several variations until she reached her present name, ”Mille Kalsmose-Hjelmborg”, in 2008. The name we are given by our parents reveals many aspects of our selves. Most names are gender specific, but they often also reveal our nationality, age and background. But names can be changed and maybe we can change with them. And behind each new name taken by Kalsmose-Hjelmborg lies a wish for change and a will to take charge of her own destiny – and identity. In ’All My Suicides - Part Two’ Kalsmose-Hjelmborg lies her former identities to rest and carves a headstone in memory of each and every one of them. Thereby reminding us, that even as we change, evolve or just grow older, we still carry our past as part of the present, painful or joyous as it may be. And only by facing this fundamental fact we can truly ... change. The works of Kalsmose is based on classical stories about the family-concept, and "Happiness" related to the stereotype illusions hereof created via the media and the general society. In Her work she seeks to decode the story of what it means to be part of a family, to be someone's daughter or mother. Accordingly, her artwork becomes an almost anthropological survey of the romantic family-dream, where she applies the nuclear family as a readymade. It is a piece of work that tells the story of a reality that amalgamates with the illusion of the person to which she tries to construct a new reality, via the wishful image. Mille Kalsmose has been exhibited nationally in juried exhibitions and solo shows. Internationally she has exhibited in places such as Chelsea Art Museum in New York and ITAMI, Museum for arts And Craft in Hygo and been featured in publications and TV-shows. Minimer

• Karlström, Line Skywalker
• Keck, Kirsten Otzen

  Jeg arbejder med fotocollager og animation,tegning, installation, og video baseret på eget og eksisterende biledmateriale. I mit arbejde er jeg interesseret i hvordan den personlige erfaring med virkeligheden og omverdenen udvikler sig i sammenhæng med de medierede opfattelser af virkeligheden og normerne i samfundet. I work with photo collag Læs mere

  Jeg arbejder med fotocollager og animation,tegning, installation, og video baseret på eget og eksisterende biledmateriale. I mit arbejde er jeg interesseret i hvordan den personlige erfaring med virkeligheden og omverdenen udvikler sig i sammenhæng med de medierede opfattelser af virkeligheden og normerne i samfundet. I work with photo collages, animation, drawing, installation and video based, with my own and appropriated image material. In my work I am interested in how our individual notion of reality evolves along with the mediated versions of reality and the norms in society. Minimer

• Kilde, Kim

  Arbejder med konceptuel science fiction med fokus på subjektivitet og tid.

  Arbejder med konceptuel science fiction med fokus på subjektivitet og tid. Minimer

• Kilsmark, Nikolaj

  I work in collaboration / partnership with Nynne Haugaard. We have been working together in art projects in a mixed field of relations between dokumentary, fiction, political, social, journalistic, and aesthetic considerations since 1999. We began our artistic collaboration in Gellerup (a suburb of Aarhus, with a high percentage of immigrants and Læs mere

  I work in collaboration / partnership with Nynne Haugaard. We have been working together in art projects in a mixed field of relations between dokumentary, fiction, political, social, journalistic, and aesthetic considerations since 1999. We began our artistic collaboration in Gellerup (a suburb of Aarhus, with a high percentage of immigrants and refugees), where we were living at the time. Our aim was to differentiate the media produced image of Gellerup by presenting other images and stories than the ones offered by the established media at that time. Since then we have produced “Montage from the Middle East ” in conjunction with Aarhus Festival 2001, in which we portrayed families in Turkey and Lebanon with family relations in Denmark, with the intention of distinguishing between the situation of refugees and the situation of immigrants. In 2001, we were invited to participate in the project CUDI ( Center of Urban Culture, Dialogue and Information) in Vollsmose (a suburb of Odense, Denmark – similar to Gellerup in Aarhus ). Our project attempted to investigate and uncover the possibilities for resident initiatives in the housing complex, and facilitate actions/initiatives on dreams. Since then we have taken part in 20 Minutes in Denmark, a project launched by DR (Danish Broadcasting Corporation) and Aarhus Film Workshop addressing Danish identity, and in the exhibition project Running in the Family for which the proposals of societal utopian ideas within a familiar context. We represented the Danish prisoner in Guantanamo in the Danish media by way of an interview made in Gellerup in 2000. In March 2003, when the identity of the Danish prisoner became known to the public, we decided to air the interview on the two Danish television channels, DR 1 and DR 2 - an interview in its full length. The intention was to attract attention to the Dane's case, as to Danish government pressure to act on claiming rights for a Danish citizen. Minority report – Aarhus Festival of contemporary Art 2004: We Participated with “Where do you believe from? ” 2004 a Site-specific video projections out from the local library and in Billund airports main gate area. “Where do you believe from?” constitutes an analysis of media realities and realities perceived through media and elements of fiction. Here and now we are based in Katmandu - Nepal, where we are investigating and working on how art can be a tool in development work and how to create other communication strategies together with Nepali citizens. - How to use artistic methods to communicate within different contexts both culturally and in specific areas e.g. to create conceptual strong images that create dialogues in different environments. In our work we are highly interested in different issues around migration and globalization. Our concern lies within using aesthetic language to communicate political issues in conceptual ways. Minimer

• Kjær, Bruno
• Kleivan, Nina Maria
• Knudsen, Vibeke
• Koch, Eva
• Kristensen, Birgitte
• Kristiansen, Jesper
• Kromann, Elin Kristine
• Krull, Carl

  Carl Krull is a consummate draftsman whose practice primarily centers around drawing, various kinds of animation techniques and video documentation of the drawing process. Through his work with capturing the process the spectator is invited to enter the evolution and constantly changing world of his creations. Carl Krull (b. 1975) is a danish artist ba Læs mere

  Carl Krull is a consummate draftsman whose practice primarily centers around drawing, various kinds of animation techniques and video documentation of the drawing process. Through his work with capturing the process the spectator is invited to enter the evolution and constantly changing world of his creations. Carl Krull (b. 1975) is a danish artist based in Copenhagen. He graduated from the Academy of Fine Arts in Cracow, Poland in 1999 and has ever since contributed to a wide range of exhibitions in both Denmark and abroad. His latest exhibitions has been at Kunsthal Charlottenborg and ARoS. For more information: www.carlkrull.com Minimer

• Krøyer, Dagmar

  Dagmar Krøyer graduated from the Jutland Academy of Fine Arts in 2006. She mainly works with video, sound and installation. In her art the most common themes are narration, underlying structures, homemade experiments and humour. Food is often used as ingredient in her work. (stop-motion-films and photos).

  Dagmar Krøyer graduated from the Jutland Academy of Fine Arts in 2006. She mainly works with video, sound and installation. In her art the most common themes are narration, underlying structures, homemade experiments and humour. Food is often used as ingredient in her work. (stop-motion-films and photos). Minimer

• Kvetny, Ida
• Kærn, Simone Aaberg

  Simone Aaberg Kærn, in the early 1990s, began working with projects relating to surveillance and control. This, however, soon turned into a fascination for the unreachable and impossible task of floating: flying in the space. Through animated flying videos, such as Air (1994), wanna fly (1995), and Royal Greenland (196), Simone Aaberg Kærn invest Læs mere

  Simone Aaberg Kærn, in the early 1990s, began working with projects relating to surveillance and control. This, however, soon turned into a fascination for the unreachable and impossible task of floating: flying in the space. Through animated flying videos, such as Air (1994), wanna fly (1995), and Royal Greenland (196), Simone Aaberg Kærn investigated and soon found a symbolic free space in the air. At first, it was animated spaces, in which she flew across the skies of Copenhagen, New York and Greenland seeking the limits of gravity and individual unassisted human flight. Soon after Simone Aaberg Kærn achieved her own flight certificate in order to produce the work, Sisters in the Sky. This was demanded by Anne Noggle, one of the female pilots, who also was portrayed in the work Sisters in the Sky (1997). Simone Aaberg Kærn’s painted portraits of female fighter pilots from Second World War was shown at and acquired by Louisiana Museum of Modern Art, Humlebæk. Sisters in the Sky is an impressive aesthetic and intellectual peephole of how women at that time could realize their dream of flying in a time of hardship. In the painting and sound installation, Simone Aaberg Kærn narrated their stories with a poetic, political and feministic gesture and introduced the notion of aero feminism – an aero feministic sisterhood across cultures and generations. One of Simone Aaberg Kærn’s most spectacular projects started in 2002. One day the artist read an article in a Danish newspaper about the girl Farial from Kabul in Afghanistan. Farial’s greatest wish was to become a fighter pilot. Simone Aaberg Kærn had no doubts; she had to attempt to reach her and show her how to fly. In Micro-Global Performance (2002-03) Aaberg Kærn took off in her fragile Piper Colt flight from Little Skensved, Denmark, to Kabul, Afghanistan. Micro-Global Performance is produced in collaboration with Magnus Bejmar. They flew across borders; crossing the enormous mountain range Hindukush (the Hindu Killer) to Kabul with the risk of the American Air Force would attack them. In the film Smiling in a War Zone (2005) Simone Aaberg Kærn crosses war zones and defies the military power in order to make contact to the girl Farial. She risked her own life so she could give Farial a journey in the air. In the film Farial flies the plane over Kabul. From a global perspective, the sky and the airspace are a place of battles – over power, prestige and politics. At the same time, the sky is a place of refuge for individuals, a place onto which you may project your own wishes and dreams. by Lars Grambye, Jacob Fabricius & Lotte Juul Petersen from the exhibition catalogue Simone Aaberg Kærn: Open Sky, Malmö Konsthall (Sweden) 2006 Used with permission of the authors and Galerie Asbæk © The authors Minimer

• Käszner, Smike
• la Cour, Eva

  Eva la Cour has a background in the field of fine art as well as media and visual anthropology. Drawing from a broad spectrum of sources of everyday life, she is engaged in a praxis often looking into the relationship between image-making and the composition of urban and/or national space by investigating social bodies and their capacities to express themselves in both words and actions.

  Eva la Cour has a background in the field of fine art as well as media and visual anthropology. Drawing from a broad spectrum of sources of everyday life, she is engaged in a praxis often looking into the relationship between image-making and the composition of urban and/or national space by investigating social bodies and their capacities to express themselves in both words and actions. Minimer

• Lassen, Lotte Tauber

  Uddannet på Det Kongelige Danske Kunstakademi og Skolen for Mediekunst og Kunstformidling. Har fra begyndelsen af 90erne arbejdet med fotografiet og fra år 2000 med store stedsspecifikke ruminstallationer, med brug af det levende billede, lys og lyd. Værkerne inddrager beskueren som den aktivt sansende, og fungerer ofte som en slags meditativ Læs mere

  Uddannet på Det Kongelige Danske Kunstakademi og Skolen for Mediekunst og Kunstformidling. Har fra begyndelsen af 90erne arbejdet med fotografiet og fra år 2000 med store stedsspecifikke ruminstallationer, med brug af det levende billede, lys og lyd. Værkerne inddrager beskueren som den aktivt sansende, og fungerer ofte som en slags meditative (mellem)rum. Som udsagn, der ansporer publikums indre orienteringssans og appellerer til egenskaber som åbent, sanseligt nærvær og introspektiv erkendelse. Nødvendigheden af, at vende blikket mod det indre for at kunne navigere og orientere sig i det ydre. Minimer

• Lau , Lasse

  Biografi (scroll down for english version) Lasse Lau (født 1974 Sønderborg) er billedkunstner, samt queer og social aktivist, bosiddende i København og Bruxelles. Han har studeret ved Whitney Museum of American Art Independent Study Program i New York, samt det Fynske Kunstakademi i Danmark. Lau's arbejde fokuserer på den disharmoni og amnesi der er i Læs mere

  Biografi (scroll down for english version) Lasse Lau (født 1974 Sønderborg) er billedkunstner, samt queer og social aktivist, bosiddende i København og Bruxelles. Han har studeret ved Whitney Museum of American Art Independent Study Program i New York, samt det Fynske Kunstakademi i Danmark. Lau's arbejde fokuserer på den disharmoni og amnesi der er i den globale økonomi, og de afstedkommende parallelle sociale forskydninger, som finder sted i en rumlig dimension. Lau ofte insistere på den sociale deltagelse af beskueren selv i den æstetiske produktion. He fastholder at sådan deltagelse, kan åbne kunstens muligheder for at resonere i en mere kritisk relation til dets eget indhold. Han søger en æstetik der kan skabe rammen for en dialog som åbner op for muligheden for forandring. Lau har udstillet på Westfälischer Kunstverein, Hamburger Bahnhof og Wolfsburg Kunstverein i Tyskland, Aarhus Kunst Museum og Brandts Klædefabrik i Denmark, The Museum of Contemporary Art i Kroatien, The Turin Biennial of Contemporary Art i Italien, Contemporary Museum i Maryland, Smack Mellon Gallery og PS1 Contemporary Art Center i New York. Han er desuden redaktør for www.c-m-l.org - et online arkiv for socialt engageret kunst, samt medstifter af Kran Film Kollektiv - www.kranfilm.net Biography (english version) Lasse Lau (born 1974 Denmark) is a queer and social activist, visual artist and filmmaker based in Brussels and Copenhagen. He studied at the Whitney Museum of American Art Independent Study Program in New York and at the Funen Academy of Fine Art in Denmark. "Agency of Public Resources" (APR) is the imaginary common subject matter from which most of Lau's recent interdisciplinary art projects originate. It is an agency that through the means of art and collectiveness accumulates on site knowledge, and through dialogue facilitates re-negotiations of space and democracy. His work continues to expose the amnesia of today's crises in the global economy, and the parallel social displacement of people in spatial terms. Lau often insists on the participation of the viewer in the aesthetic production. He believes that this will opens up the possibility for art to resonate in a different and more critical relation to the subject matter. He seeks to utilize aesthetics as a framework that can open dialogical paths for social change. Lau has exhibited in Westfälischer Kunstverein, Hamburger Bahnhof and Wolfsburg Kunstverein in Germany, Aarhus Art Museum and Brandts Klaedefabrik in Denmark, The Museum of Contemporary Art in Croatia, The Turin Biennial of Contemporary Art in Italy, the Contemporary Museum in Baltimore, Smack Mellon Gallery and PS1 Contemporary Art Center in New York. Beside his exhibition activity Lau is the editor of the www.c-m-l.org - an online archive for social engaged art. Further he is a founding member of Kran Film Collective - www.kranfilm.net Minimer

• Lauta, Lærke
• Lind, Peter
• Lislegaard, Ann
• Livbjerg, Nynne
• Ljungdalh, Stine

  Stine Ljungdalh graduated in 2005 with a MA in Printmaking from The Royal College of Art. Stine has exhibited in Europe and the US and are about to start her Ph.D at Kingston University. By working with a number of alter egos or personas - all drawn to idea of capturing the hidden or invisible – she aim to create an experimental zone. Her art practi Læs mere

  Stine Ljungdalh graduated in 2005 with a MA in Printmaking from The Royal College of Art. Stine has exhibited in Europe and the US and are about to start her Ph.D at Kingston University. By working with a number of alter egos or personas - all drawn to idea of capturing the hidden or invisible – she aim to create an experimental zone. Her art practice includes writing, photography, films and props from these personas - all evidence of the existence of the imaginary zone and questioning the subjective reality of the autonomous self. Minimer

• Lomholt, Astrid

  Astrid Lomholt 1974 bor og arbejder i KBH Jeg har udstillet både internationalt som nationalt, i øjeblikket, deltager hun med sin dvd ’Changeless’ ,på Gallery Nanda-kan i Saku City, hun deltager på kultur udstillingen i Damaskus med tegning. Jeg producere lyd og video til eksperimenterende performances både på Musikteateret Plex og performance i de Læs mere

  Astrid Lomholt 1974 bor og arbejder i KBH Jeg har udstillet både internationalt som nationalt, i øjeblikket, deltager hun med sin dvd ’Changeless’ ,på Gallery Nanda-kan i Saku City, hun deltager på kultur udstillingen i Damaskus med tegning. Jeg producere lyd og video til eksperimenterende performances både på Musikteateret Plex og performance i det offentlige rum. hun har opført adskillige støjkoncerter i samarbejde med lydkunstneren Tanja Schlander. Mine to seneste udstillinger har været et arbejde med lyden i to forskellige, men dog meget ens i deres skrøbelighed. Jeg deltog i Total Aktion på Museet for Samtidskunst i Roskilde med værket ’Ved at opdage lyden, forandres den’(www.erindring.com, reallyd) og i Torpedo18 eksperiment om utilgængelig kunst med værket ’Lyden af vind – refleksion over menneske og vind’ Jeg tog min afgang fra Det Fynske Kunstakademi 2005 og har siden beskæftigede mig med undersøgelserne af soniske og visuelle rums æstetik og abstraktion. Jeg er rettet i mod menneskets væren i værkets tilstedeværelse og tilfældet, hvor en eventuel ændring er med skabende. Minimer

• Lose, Søren

  Billedkunstner Søren Lose (1972) bor og arbejder i København og Berlin. Gennem fotografi, film og installation undersøger Søren Lose emner som den private og kollektive erindring, narrativer, historie, arkitektur, turisme og tilhørsforhold.

  Billedkunstner Søren Lose (1972) bor og arbejder i København og Berlin. Gennem fotografi, film og installation undersøger Søren Lose emner som den private og kollektive erindring, narrativer, historie, arkitektur, turisme og tilhørsforhold. Minimer

• Lundme, Tomas Lagermand

  Arbejder som forfatter, dramatiker, scenograf og billedkunstner

  Arbejder som forfatter, dramatiker, scenograf og billedkunstner Minimer

• Lührssen, Tine Bay
• Lysholt-Hansen , Nanna
• Madsen, Mikael
• Madsen, Pernille With
• Maegaard, Pernelle
• Malmros, Janne

  Janne Malmros is a Slade School of Fine Art Graduate (MFA). She is based in London and Copenhagen.

  Janne Malmros is a Slade School of Fine Art Graduate (MFA). She is based in London and Copenhagen. Minimer

• Martensen, Peter
• Martinsen, Søren
• Meander, Isis

  Educated from: Malmö Art Academy 2003-2008 UIC, Chicago 2007

  Educated from: Malmö Art Academy 2003-2008 UIC, Chicago 2007 Minimer

• Mølgaard, Bo

  Med baggrund i den klassiske trykgrafik arbejder jeg med de formsprog jeg finder passende til det, der skal siges - fra tidstung farvefotogravure til balloner. Aktuelt mest med pigmenttryk baseret på det oplevede fotografiske udgangspunkt. Gerne i en stram fortælleramme relaterende til den kontekst værkerne skal indgå i.

  Med baggrund i den klassiske trykgrafik arbejder jeg med de formsprog jeg finder passende til det, der skal siges - fra tidstung farvefotogravure til balloner. Aktuelt mest med pigmenttryk baseret på det oplevede fotografiske udgangspunkt. Gerne i en stram fortælleramme relaterende til den kontekst værkerne skal indgå i. Minimer

• Møller, Sofie Bird
• Nielsen, Jacob
• Nielsen, Mogens Otto
• Niemann, Mikkel

  Architectural visions and failures: I make sculptures, installations and paintings that are concerned with architectural visions and failures. The environments I create are mosaics consisting of elements from the real world. They are based on a mixture of spatial experiences from my own everyday life as well as architectural and industrial drawings. Læs mere

  Architectural visions and failures: I make sculptures, installations and paintings that are concerned with architectural visions and failures. The environments I create are mosaics consisting of elements from the real world. They are based on a mixture of spatial experiences from my own everyday life as well as architectural and industrial drawings. I am interested in how the spaces we are surrounded by are juxtaposed and interconnected. Minimer

• Nilsson, Morten
• Nørring, Jonas Engbirk

  Operating 77m3 RumForKunst Art of Kailas

  Operating 77m3 RumForKunst Art of Kailas Minimer

• Oksbjerg, Tine
• OLISE, MIE

  Mie Olise is a Danish New York based artist. She graduated her MFA from Central St. Martins in London in 2007. MO is working with narratives about abandoned constructions and settlements in painting, architectural constructions and media, to tell stories that are psychological, melancholic, often about fading memory. Mie Olise opened her solo Læs mere

  Mie Olise is a Danish New York based artist. She graduated her MFA from Central St. Martins in London in 2007. MO is working with narratives about abandoned constructions and settlements in painting, architectural constructions and media, to tell stories that are psychological, melancholic, often about fading memory. Mie Olise opened her solo show at SNYK Skive Museum of Art:"The Exquisite capabilities of The Flying Carpet" sept 2009, with work created at the Skowhegan Artist Residency in Maine, US Currently Olise is doing an Artist Residency at ISCP International Studio and Curatorial Programme in New York. Olise also holds a MA in Architecture. Minimer

• Olsen, Martin Richard
• Pedersen, Anne-Marie
• Pedersen, Ditte Lyngkær
• Pedersen, Stefan A.
• Pind, Mr.
• Poulsen, Tanja Nellemann
• Ramadan, Khaled

  Artist statement My fields of specialties are the culture and history of documentary and experimental film aesthetics, with interests in the fields of aesthetic journalism and documentary film history research. I produce video and documentaries that explore how political, cultural, and scientific systems change the ways we think about the world a Læs mere

  Artist statement My fields of specialties are the culture and history of documentary and experimental film aesthetics, with interests in the fields of aesthetic journalism and documentary film history research. I produce video and documentaries that explore how political, cultural, and scientific systems change the ways we think about the world around us. My films reflect the work of a transformative film archivist not a traditional filmmaker, I often apply my theoretical knowledge in my production to learn and be inform about communities, people and the evolving social / human system. I consider my work to be a geographical mapmaking, a transformative committed work to social equality and representation. I make out of the personal and ordinary an extraordinary. I am particularly interested in memory in relationship to history. I work as informative filmmaker, as an archivist who wishes to record the unknown and the neglected histories. I find in the book, The Language of New Media by media theorist Lev Manovich a reconceptualization of filmmaking a very useful tool to of engagement to understand the power relation between film critic, media production and contemporary art and culture. My videos and film projects have been shown around the world. About Khaled Ramadan Born Khalil Dawood Ramadan in Damascus in 1965, artist name Khaled Ramadan. He is an archivist and a documentarist whose work is greatly influenced by social history, scientific research and critical theory. He moved to Europe in 1991 and has since become an influential figure in international art circles. He utilizes a deep knowledge of internationalism and the history of visual aesthetics to comment upon the socio-cultural mobility of contemporary art and identity. He makes use of video, archives, film and photography to construct work that explores our perceptions of personal identity and community. Ramadan uses his art as a vehicle for empowering and engaging people from different backgrounds and communities. He intends to reveal the danger inherent in blind acceptance of everyday ‘reality’ – whether the context is the socio-politics of the Middle East or post-modern European identity. Khaled Ramadan is also adept at exploring contemporary art’s role in modern society and at considering the implications of globalisation, media and new internationalism for visual artists and society as a whole. Ramadan’s work, as both curator and filmaker, has often focused critically on some of the deep-set motivations of social and historical life in the Middle East and Europe. His objective in doing so is to facilitate a shift in the contemporary understanding of contemporary film practice from the national and regional to the more trans-national. Minimer

• Ramdas, Anu
• Randløv, Carina
• Rangstrup, Maibritt
• rasmus knud

  The fantastic, with a knowing resonance in narrow and legislated concepts of the real, was a part of the artistic production that took place behind the iron curtain. In the Polish author Stanislaw Lem's 1967 slapstick sci-fi novel The Cyberiad, two robot inventors, Trurl and Klaupacius, travel the cosmos and try to out- invent each other with cybernetic Læs mere

  The fantastic, with a knowing resonance in narrow and legislated concepts of the real, was a part of the artistic production that took place behind the iron curtain. In the Polish author Stanislaw Lem's 1967 slapstick sci-fi novel The Cyberiad, two robot inventors, Trurl and Klaupacius, travel the cosmos and try to out- invent each other with cybernetic creatures spawned by an almost medieval imagination – often with disastrous consequences for their employers. 30somethings will also remember the Czech childrens' TV cartoon Professor Balthasar whose eponymous protagonist invariably found a solution to seemingly insurmountable problems. In the darkest hour, the Professor would invent a machine or a magic potion designed to facilitate the continued functionality of something very specific in a corner of time and space that had been out of whack. Of course, Denmark at the beginning of the 21st century isn't Poland or Czechoslovakia under the communist regime. However, there are some figures and fantasies in common between the anti-authoritarian innuendos of Eastern European art and the collaborative work of rasmus knud and Søren Andreasen. Even if circumstance doesn't allow for head-on confrontation, the formulation of opposition is always brought about by necessity. When freedom is at stake, an imagination that transcends ideology can unleash the potential for inventing new concepts and ideas. This is also a way of stimulating some undefined quantities that are open to interpretation, in order to avoid the pitfalls of negative critique. In other words, when confronted with two opposing ideological viewpoints it is possible to adopt a third position outside their inevitable collision area, in order to take the game beyond a binary deadlock. rasmus knud, a goofy constellation of two Scandinavian Christian names, is the nom de guerre for the duo Johannes Christophersen and Sebastian Schiørring. The collaborative work of rasmus knud and Søren Andreasen traverses signifying systems, media and themes. 'Themes' is used here in the musical sense – a given structure which equips the musician with a point of departure and some co-ordinates for progress. rasmus knud has previously dealt with urbanity, social conditioning and gender politics, issues that are continuously negotiated, or re- mixed, in their new work. The anarchic concept art of rasmus knud and Andreasen's work ranges from the fastidious formal strategies of minimal electronica to the freewheeling fantasies of digital bards and dragons of improbability, to borrow from Lem's inhabitants of Cyberia. That is to say, beyond signature styles and media, a certain spirit is identifiable: we will not back down, we will never surrender! Often, their collaborations accentuate what is already present in the sites where they exhibit. Here, their work assumes the quality of a free jazz improvisation of space. Not with horns, drums and piano but equipped with a video camera that myopically extracts the ideology from architectural forms and turns them into new territories. In the video accompanying their installation 2nd Ambition and Instrument, 2000, for a building in Ljubljana, the image represents a disembodied eye flying low over a control keyboard of all on-site electronic installations in a place haunted by post-communist phantoms of bureaucratic control. Enlarged as a wall projection, the footage of dials and buttons becomes a tour of a cityscape of repetitive and redundant elements, laden with utopian significance. A recurring element in their recent work is wallpaper with text relating to Jacques Tati's deadpan blowout Playtime and his comical figure Monsieur Hulot. Play is a state of unworried reorganisation, and the actual formation of co-operation in rasmus knud and Søren Andreasen could be said to be a playful investigation of sites and events when the individual nervous system is shown to be coextensive with civilisation. For formulating this state of affairs, the artists have invented a narration machine, the ROOMULATOR. The ROOMULATOR is a kind of mega-puzzle, a simple structure consisting of text fragments glued onto pieces of wood, comprising an archipelago on the exhibition floor where its patches mumble amongst themselves and their context. The musical compositions that the trio recently presented at the Yokohama Triennial were sequentially organised according to the weekdays. Let us finish with a quote from the Wednesday session notes: “When we were doing Wednesday Filters Date it was a struggle to get it out and abandon everything that we had done before. The session ventures into unusual improvisational areas with a very spontaneous drive around the bass line that probably will stay with you long after your phonograph is turned off”, rasmus knud and Andreasen promise. They go on, in response to self-reflective and ego- restorative forms of art and communication which, after all, are also ways of narrowing down reality: “In Wednesday Circuits Date we're trying to fan out – to concern ourselves with the universe instead of just our own small corner of it. It should – particularly at a time when the expression of interior emotions is a focal point for many - be a refreshing statement.” Translated by Lars Bang Larsen Minimer

• Rasmussen, Else
• Rasmussen, Lillibeth Cuenca

  Lilibeth Cuenca Rasmussen (b.1970 in Manila) lives in Copenhagen Denmark. Works primarily with video and performances. She navigates the interspaces between different kinds of realities and extremes. Between the staging of music videos and the raw reality of documentaries. Between personal confessionals and political commitment. Taking her Læs mere

  Lilibeth Cuenca Rasmussen (b.1970 in Manila) lives in Copenhagen Denmark. Works primarily with video and performances. She navigates the interspaces between different kinds of realities and extremes. Between the staging of music videos and the raw reality of documentaries. Between personal confessionals and political commitment. Taking her own Danish-Filipino background as her point of departure, Cuenca Rasmussen displays a keenly honed sensitivity, almost like that of an anthropologist, to the narratives that exist in and between a place of birth and home country. She gathers, adapts, and universalisms these narratives in her both critical and humorous approach to central issues such as identity, culture, religion, gender, and social relations. Lilibeth Cuenca Rasmussen is a graduate from The Royal Danish Academy of Fine Arts Copenhagen, Denmark (1996-2002). She has contributed to a wide range of exhibitions in Denmark (EgoShow, solo in The X Room, State Museum of CPH. in 2006, and abroad Global Feminisms in Brooklyn Museum, New York, 2007). In 2004 she received the Danish Art Council's three-year grant. Minimer

• Recke, Nikolaj
• Reuter Christiansen, Thorbjørn
• Rex, Jytte
• Rude, Mille

  Jeg arbejder med en blanding storytelling, dokufiktive hændelsesforløb, performative såvel som skulpturelle praksisser, billeder, tekst, tap dance og lyd.

  Jeg arbejder med en blanding storytelling, dokufiktive hændelsesforløb, performative såvel som skulpturelle praksisser, billeder, tekst, tap dance og lyd. Minimer

• Rød, Jakob
• Sansour, Larissa

  Born 1973 in Jerusalem, Larissa Sansour studied Fine Art in Copenhagen, London and New York, and earned her MFA from New York University. Often centered around the situation in the Middle East, her work is interdisciplinary, immersed in the current political dialogue and utilizes video art, digital photography, experimental documentary and the internet.

  Born 1973 in Jerusalem, Larissa Sansour studied Fine Art in Copenhagen, London and New York, and earned her MFA from New York University. Often centered around the situation in the Middle East, her work is interdisciplinary, immersed in the current political dialogue and utilizes video art, digital photography, experimental documentary and the internet. Minimer

• Schiørring, Sebastian
• Schmidt, René
• Schou, Jeanette Land

  JLS har siden 1995 deltaget i adskellige gruppeudstillinger i ind- og udland med video, installation og fotografi. Hun har vist fotografi og videoværker, bl.a. på “Galleri Image” i Århus, “No9” i Oslo, i Malmø Konsthal og i “Le pont” galleriet i Aleppo i Syrien. Fra 1996-2001 deltog hun i det kunstnerstyrede North-Udstillingssted både som kunstn Læs mere

  JLS har siden 1995 deltaget i adskellige gruppeudstillinger i ind- og udland med video, installation og fotografi. Hun har vist fotografi og videoværker, bl.a. på “Galleri Image” i Århus, “No9” i Oslo, i Malmø Konsthal og i “Le pont” galleriet i Aleppo i Syrien. Fra 1996-2001 deltog hun i det kunstnerstyrede North-Udstillingssted både som kunstner og kurator og i 1999 var hun med til at starte foreningen Fast Video. Hun demitterede fra Kunstakademiet i København i 1998, hvor hun nu underviser i bla. video -kunst og -produktion. JLS arbejder har generelt poetiske og eksistentielle problematiker, og er altid båret at en stærkt visualitet. I mange af video- og fotoværkerne udfoldes en metafysisk realisme, som åbner sig for fortolkning. Landskaberne er indre landskaber. Det er en visuels tegnsætning, der giver JLS’s værker deres relevans. Selv når hun forholder sig til det stedspecifikke og til interaktion med betragteren, vil det være på billedets og mediets præmis. Minimer

• Schrader, Louise
• Seeberg, Jonas
• Seest, Thomas
• Seidler, Marika

  Marika Seidler (b. 1972) lives in Copenhagen Denmark. Works primarily with video installations, paper works and drawings. Her video work is centered on communication and body language in various cultures and realities, the past few years Seidler have shown how animals are used culturally to gain identities. Seidler uses work methods from anthropology Læs mere

  Marika Seidler (b. 1972) lives in Copenhagen Denmark. Works primarily with video installations, paper works and drawings. Her video work is centered on communication and body language in various cultures and realities, the past few years Seidler have shown how animals are used culturally to gain identities. Seidler uses work methods from anthropology and stresses a process oriented research where stories gathered locally plays the key role to display different understandings of cultural identity, social relations and groupdynamics with in installations of documentary and fictional approach. Seidlers paperwork and drawings unfold stories of uncanny experiences between animals and people, a certain longing for nature, loneliness, from a time when animals used live in the cities with their smells and sounds. Marika Seidler is a graduate from The Royal Danish Academy of Fine Arts Copenhagen, Denmark (1994-2000). She has contributed to a wide range of exhibitions locally and internationally, located in Norway, Sweden, Island, Finland, Berlin, France, United Emirates, Ethiopia, Syria, and U.K. (“Distant Relations” Museum of Contemporary Art Roskilde Denmark 2007, and “Phenomena” Pori Art Museum, Pori Finland 2008). In 2005 she was granted a one year residency in Los Angeles by The Danish Art Agency. Minimer

• Selwyn-Gray, Alexandra

  My present practice is mainly informed by spirituality encompassing iconography and influenced by philosophy and theory, which responds to specific areas, traditions and cultures, questioning of moral and social values and sometimes a sense of the irony in the ridiculous. I mainly work in artist video, performance, sculpture and installati Læs mere

  My present practice is mainly informed by spirituality encompassing iconography and influenced by philosophy and theory, which responds to specific areas, traditions and cultures, questioning of moral and social values and sometimes a sense of the irony in the ridiculous. I mainly work in artist video, performance, sculpture and installation. Recently a bridge has formed between all my disciplines which explore the notion of mediated presence and allow me to investigate the gaze and different ways of involving an audience. I am continually questioning with work that I hope is thoughtful and provocative, revealing what lies beneath the surface, often in many layers of interpretation. Minimer

• Solberg, Bjarne v.H.H.
• Steinbock, Kristina
• Stürup, Jasper Sebastian
• Søndergaard, Jonas Hvid

  TRANSIT, tekst af Ditte Vilstrup Holm. I Jonas Hvid Søndergaards seneste malerier når det kaotiske nye højder. Her konfronteres de tidligere præcist afgrænsede former med en lavastrøm af changerende farver. Det rykker motiverne væk fra sit holdepunkt i hverdagens genkendelige former til et fabulerende univers, der både rummer mareridtets skræk og drømm Læs mere

  TRANSIT, tekst af Ditte Vilstrup Holm. I Jonas Hvid Søndergaards seneste malerier når det kaotiske nye højder. Her konfronteres de tidligere præcist afgrænsede former med en lavastrøm af changerende farver. Det rykker motiverne væk fra sit holdepunkt i hverdagens genkendelige former til et fabulerende univers, der både rummer mareridtets skræk og drømmens aspirationer. Nattehimlen opløser sig i en eksplosion af lys. Træernes knudrede grene strækker sig opad og fordrejes i eksplosionens skær. Verden krøller sig sammen mod et nyt centrum, mens resterne af den stabile verden flyver omkring i tumulten af den forandring, som sker. Tyngdekræften har ikke længere hold i kompositionen, og verdens genkendelighed er hurtigt ved at forsvinde. Som spraymalet kitsch, hvor alting er bøjet alt for overdådigt i forelskelsens neon, blander en ekspressiv baggrund sig nu med betonstykker i frit fald. To traditioner af abstraktionens historie kolliderer i et kaotisk univers. Det ekspressive møder det stringente, det afvejede det spontane, mens det tørre og præcise formsprog konfronteres med aftryk af det vilde og ustyrlige. Abstraktionens egen verden får plads. TRANSIT, text by Ditte Vilstrup Holm. In the latest work by Jonas Hvid Søndergaard, the chaotic reaches new heights. The formerly distinct, delineated shapes are now confronted with a lava stream of blended colour. The motifs are pulled away from their centre of mundanely recognizable forms, towards a fabulating universe, capable both of a nightmare’s horrors and the aspirations of dream. The night sky dissolves in an explosion of light. Knotted tree branches reach up and contort in the glare of the blast. The world curls up towards a new centre while the remains of what once was stable fly in the tumultuous change that has taken over. Gravity no longer has a hold on the composition and the world in its familiarity is rapidly disintegrating. Like spray painted kitsch, where everything refracts too lavishly in neon love, an expressive background is juxtaposed with concrete slabs in free falling. Two historical traditions of abstraction crash into a chaotic universe. The expressive confronts the exact, the calculated joins the impulsive and the dry and precise language is being challenged by marks of the wild and the uncontrollable. The proper world of abstraction has asserted itself. Minimer

• Tardrup, Malene Nors

  I min generelle praksis arbejder jeg med fotografi og video. Mit arbejde spænder over fiktive og non-fiktive universer, hvor kultur og identitet i parallelle- og reélle verdener er omdrejningpunktet.

  I min generelle praksis arbejder jeg med fotografi og video. Mit arbejde spænder over fiktive og non-fiktive universer, hvor kultur og identitet i parallelle- og reélle verdener er omdrejningpunktet. Minimer

• Thams, Marie

  Min praksis er konceptbaseret, og jeg arbejder i installation, skulptur, fotografi, video og tekst. Jeg ønsker at skabe værker, der eksisterer et sted imellem skulptur – rekvisit – og antydende et narrativ. Vigtigt for mange af mine værker, er antydningen af en mulig interaktion og lovningen af en performance. Det performative element antyder aktion og tid, og åbner op for objektet/skulpturens mening(er).

  Min praksis er konceptbaseret, og jeg arbejder i installation, skulptur, fotografi, video og tekst. Jeg ønsker at skabe værker, der eksisterer et sted imellem skulptur – rekvisit – og antydende et narrativ. Vigtigt for mange af mine værker, er antydningen af en mulig interaktion og lovningen af en performance. Det performative element antyder aktion og tid, og åbner op for objektet/skulpturens mening(er). Minimer

• Therkildsen, Sixten

  In my artistic practice I work with various media such as video, installation, photo, written text and alternative socialization. Whatever medium I choose for a specific project, there is the common denominator in my projects, that I make use of and deal with the image-stereotypes, which most people are familiar with in their everyday life. The ev Læs mere

  In my artistic practice I work with various media such as video, installation, photo, written text and alternative socialization. Whatever medium I choose for a specific project, there is the common denominator in my projects, that I make use of and deal with the image-stereotypes, which most people are familiar with in their everyday life. The everyday aesthetic, which we all deal with but never pay much attention to, can when elevated, made prominent and presented in a new context, be very effective. Narration plays an important role in many of my art-productions. I have a fondness for personal, crazy, commonplace or wry stories which I often include as a raw material, at an equal level as the other elements in my projects. The gap between public issues and what appear to be personal narratives has become the central point of my practice, during the most recent years. Without being political rhetoric my art-projects deal with issues related to our contemporary society. Through my projects I produce non-commercial culture and fellowship around democracy-discussing, social and historical public matters. Minimer

• Thomsen, Hanne Lise

  Has been creating site-specific slide and video projections since 2003

  Has been creating site-specific slide and video projections since 2003 Minimer

• Thomsen, Mads
• Thordarson, Liné Ringtved

  Bachelor of Fine Art. Med speciale i skulptur. Uddannet fra Icelandic Academy of Fine Art 2006.

  Bachelor of Fine Art. Med speciale i skulptur. Uddannet fra Icelandic Academy of Fine Art 2006. Minimer

• Tækker, Jacob
• Vad, Signe
• Vangsgaard, Mette
• Wandel, Maria

  maleri, tegning, tusch, tekst, vægmaleri, filmmaleri sensualitet portrætter tekst

  maleri, tegning, tusch, tekst, vægmaleri, filmmaleri sensualitet portrætter tekst Minimer

• Weck, Ulrik
• Westerberg, Cecilia

  I graduated from Chelsea College of Art, London, 1999 with a degree in painting. More recently I have concentrated on digital medias. My areas of interest include 2-D animation installations, video, artist books, drawing and painting. The use of line drawings is a method that runs through all of my work. Additionally, my approach to any new prod Læs mere

  I graduated from Chelsea College of Art, London, 1999 with a degree in painting. More recently I have concentrated on digital medias. My areas of interest include 2-D animation installations, video, artist books, drawing and painting. The use of line drawings is a method that runs through all of my work. Additionally, my approach to any new production is thematic. In my work, I try to create openings/gaps into our personal and shared memories - which is one way of nudging to the accepted cultural norms involving time, identity and history. Another of my concerns, and a theme that correlates to my fascination with Time, is the development of a narrative language; Time passing, moving in circles, or time that moves in a parallel world or passes in slow motion. Examples of some of the recurrent motifs I use in my investigations are: categories of Time that break up its’ linear course and those which are anchored and marked through the passing of generations. A special interest for me is the paradoxical juncture between linear time, which can be measured and sensual, emotional time which is purely subjective. The clash of ‘inner’ and ‘outer’ time. Minimer

• Westh , Marie Rømer

  I mit arbejde beskeftigerer jeg mig gennemgående med individet og det offentlige rum. Forholdet mellem representationen af os selv som individer og hvordan vi formidler det til fællesskabet. Min kunst omfatter forskellige medier: Video, fotografi, installation, tegning mm.

  I mit arbejde beskeftigerer jeg mig gennemgående med individet og det offentlige rum. Forholdet mellem representationen af os selv som individer og hvordan vi formidler det til fællesskabet. Min kunst omfatter forskellige medier: Video, fotografi, installation, tegning mm. Minimer

• Wittrup, Ebbe Stub
• Wolsing, Thomas
• Zaragoza, Joaquin
• Ørum og Bojen, Kristoffer og Anders, _
• Øvlisen, Thomas Hallas