digitale medier

• a Billedkunstner jurvinart

  Kunstner er en generel betegnelse for en person, der producerer kunst uanset hvilken genre, det drejer sig om... Uddannet som kunstner på Det Kongelige Danske Kunstakademi 24 December 1981 Jurij Vinogrodskij Arturij født i Vilnius Lituaen opvokset i Danmark. Hans kunstnerisk navn er jurvinart. Uddannet som kunstner på Det Kongelige Danske Kunstakademi. Læs mere

  Kunstner er en generel betegnelse for en person, der producerer kunst uanset hvilken genre, det drejer sig om... Uddannet som kunstner på Det Kongelige Danske Kunstakademi 24 December 1981 Jurij Vinogrodskij Arturij født i Vilnius Lituaen opvokset i Danmark. Hans kunstnerisk navn er jurvinart. Uddannet som kunstner på Det Kongelige Danske Kunstakademi. Afgang 2010. Arbejder med maleriets udtryksform olie ratning på nuverener tilspunk er NAIVISME. Billedekunst olie maling er primere renskab at framstile kunst men skulprur har også store infliuelse på jurvinart. Han arbejdet meget med svaisning jern. Skabt uteliger tel små skulpture i metal. Til skulpture brugt often glas. Hans studietid arbejdet med skulpturen. Granit bronser tree glas og jern. Uddannelser og kurser 2000 Haderslev Kommunale Ungdomsskole 2002 VUC Kolding 2004-2010 Det Kongelige Danske Kunstakademi 2005-2006 Vilnius Academy of Art See jurvinart`s youtube Channel Minimer

• Alibadi, Mahmoud
• Asbury, Kim
• Assenholt, Søren
• AVPD, -

  AVPD was initiated in 1997 and is the working label of visual artists Aslak Vibæk (b. 1974) and Peter Døssing (b. 1974). AVPD works within an interdisciplinary field where we unite knowledge from fine arts, architecture, science and the humanities. At this point we have our main focus on the perceptual relation between man and space. Our discourse and p Læs mere

  AVPD was initiated in 1997 and is the working label of visual artists Aslak Vibæk (b. 1974) and Peter Døssing (b. 1974). AVPD works within an interdisciplinary field where we unite knowledge from fine arts, architecture, science and the humanities. At this point we have our main focus on the perceptual relation between man and space. Our discourse and physical work is very influenced by Sci Fi and first shooter computer games which take place in virtual 3-dimensional environments. These fictional domains turn out to be a strange kind of laboratories where there is a unique interest in creating new extraordinary constellations between space and man. These space-body phenomenons are normally fixed in the domain of fiction but our artistic approach is to draw these fictive spatial experiments into a physical reality with the human as an experimental/experiencing object, left to experience a yet unknown space. We define our spatial works as meta-architectures where the normal perception of the spectator is challenged and displaced and a new experience of space is made possible. In our works, we try to rethink the triangular constellation of the subject, the object and the context. We are interested in how spatial constructions effect the perception of the spectator and how she/he grasps the space in a cognitive, emotional and intellectual way. Our domain is reality and our artistic praxis is a spatial laboratory. http://www.avpd.net Minimer

• Basten, Berit
• benandsebastian, Ben Clement og Sebastian de la Cour
• Benborg, Rikke
• Benveniste, Eli

  Eli Benveniste, f. 1961, dansk billedhugger. Autodidakt og debuterede i 1988 på Veksølund-udstillingen; i 1995 medlem af Koloristerne. Leret er det foretrukne materiale, men i de senere år har glasset været anvendt til flere udsmykningsopgaver. Tematikken i skulpturerne er eksistentiel. I 2000 modtog hun Astrid Noacks Billedhuggerlegat. Læs mere

  Eli Benveniste, f. 1961, dansk billedhugger. Autodidakt og debuterede i 1988 på Veksølund-udstillingen; i 1995 medlem af Koloristerne. Leret er det foretrukne materiale, men i de senere år har glasset været anvendt til flere udsmykningsopgaver. Tematikken i skulpturerne er eksistentiel. I 2000 modtog hun Astrid Noacks Billedhuggerlegat. Menneskets relationer og forhold har altid interesseret mig, fænomenologi kunne man kalde det. Vores fælles reaktioner på de samme hændelser. Det viser sig i mange forskellige situationer i vores hverdag, i parforholdet, i forholdet til vores børn eller i de reaktionsmønstre, der kommer til syne, når vi møder fremmede. Det forekommer mig under alle omstændigheder, at vi reagerer meget ens. Et formildende træk når jeg ser på en verden, der er dækket af røg. Selv er jeg født i 61, som fjerde datter af en dansk mor og en far, der var græsk jøde fra Thessaloniki. De mødtes i 1948 under den græske borgerkrig i Lamia, hvor min mor var udsendt af Red Barnet og min far arbejdede som læge på en klinik i en flygningelejr for græsk Røde Kors. I 1953 flyttede de til Danmark og senere til Falster, da han fik en overlægestilling på Centralsygehuset i Nykøbing. Her voksede jeg, mine tre storesøstre og vores lillebror op indtil familien splittedes. Da jeg var 23 tog jeg til Barcelona og boede der i 6 år. Idag bor jeg og min mand i Italien og i Portugal, lande der er forbundet med mit arbejde som billedkunstner. At være gæst og ikke rigtig høre til nogen steder er en tilstand, som passer godt til erhvervet. Afstanden, der følger med, er et godt redskab at betragte verden ud fra, ligesom den usikkerhed der følger med udlændingheden passer til den tvivl, som er en del af kunstnerisk arbejde. Jeg har arbejdet med skulptur, siden jeg var helt ung, det er først i de senere år, jeg er begyndt at skrive og fotografere. I mit arbejde såvel som i mit liv spekulerer jeg på, i hvor høj grad man egentlig træffer individuelle valg i forhold til den vægt som tiden og stedets situationer indvirker på os. Derfor forsøger jeg så vidt muligt at sætte det, jeg oplever og ser, i et historisk perspektiv. Minimer

• Bertelsen, Louise

  Louise Bertelsen er en tværfaglig kunstner, uddannet i performance og multimedia kunst. Hendes fokus er sted-specifik kunst. I 1999 grundlage hun kunstgruppen LIVING LENSES (DK/USA), hvis fokus er multi-disciplinær udforskning af det offentlige rum, i form af Public Art, video, installationskunst, fotografi og Live Art Happenings.

  Louise Bertelsen er en tværfaglig kunstner, uddannet i performance og multimedia kunst. Hendes fokus er sted-specifik kunst. I 1999 grundlage hun kunstgruppen LIVING LENSES (DK/USA), hvis fokus er multi-disciplinær udforskning af det offentlige rum, i form af Public Art, video, installationskunst, fotografi og Live Art Happenings. Minimer

• Bigum, Martin
• Bjerresgaard, Karen

  Bjerresgaard arbejder med installationer, digitale medier, fotografi, objekter, grafiske billeder og tegninger samt maleri En ny vinkel er et dukkepar en pige og en dreng, der oplever hændelser i den virkelige verden og i den surrelle verden.Sker de ting de ser ske i virkeligheden eller sker de inde i deres tanker?(Det sker gennem nøglehullet) og( Pig Læs mere

  Bjerresgaard arbejder med installationer, digitale medier, fotografi, objekter, grafiske billeder og tegninger samt maleri En ny vinkel er et dukkepar en pige og en dreng, der oplever hændelser i den virkelige verden og i den surrelle verden.Sker de ting de ser ske i virkeligheden eller sker de inde i deres tanker?(Det sker gennem nøglehullet) og( Pige-drengeverdener I og II) Tidligere har hendes værker taget udgangspunkt i mennesket og dets globale sociale relationer hinanden imellem. Det visualiserer udstillingen Organ TransferII med en lydcollage af børnestemmer, organobjekter, fotostater samt grafiske billeder.Organ Transfer II kommenterer transplantationer af organer og handlen med disse fra forskellige verdensdele til Europa. Deltagelse i udstillingen Indfanget for en tid i Galleri Think Ink i jan/feb 2008 viser linoleumstryk i serien Drenge- og Pigetapeter. Billeder af hændelser der på godt og ondt opleves af drenge og piger fra den tredie verden. Gennem deres opvækst indgår traditioner og ritualer, som kommer til at præge disse børn for livet. Denne gruppe børn der er overladt til sig selv er særlig udsatte for grove krænkelser i livet. Minimer

• Bolther, Helle
• Bonde, Niels
• Bonnén, Suste
• Brinch, Jes
• Burchardi, Sofia
• Capetillo, Henrik
• Carlsen, Jesper
• Creutz, Andrea
• Dahlgaard, Søren

  Søren Dahlgaard studied at the Slade School of Fine Arts in London and graduated in 2002. His teachers were Professors Phyllida Barlow, Stuart Brisley, Bruce McLean. History of art and theory professor Norman Bryson and lecture Andrew Renton. In the work of Søren Dahlgaard, method is challenged though narrative. He incorporates a type of u Læs mere

  Søren Dahlgaard studied at the Slade School of Fine Arts in London and graduated in 2002. His teachers were Professors Phyllida Barlow, Stuart Brisley, Bruce McLean. History of art and theory professor Norman Bryson and lecture Andrew Renton. In the work of Søren Dahlgaard, method is challenged though narrative. He incorporates a type of understated slapstick in his work. This is mostly apparent in his performances and staged photography series. Visually he draws from the aesthetics of minimalism. Recently he has exhibited at P.S.1 Contemporary Arts Center MoMA New York, Ileana Tounta Contemporary Arts Center, Athens, International Prize for Performance, Galleria Civica Museum of contemporary art, Trento, Italy and Statens Museum for Kunst - the National Gallery, Copenhagen. He lives in Copenhagen (DK) www.sorendahlgaard.com Minimer

• Dröse, Berit
• Durakovic, Nermin
• Dysgaard, Morten
• Ehlers, Jeannette

  Among other things Ehlers is concerned with creating computer manipulated video works on the basis of existing video and film material – so-called found footage. The principle behind her approach consists of taking single scenes from classic films or popular TV-shows and deconstructing the narrative contents of the scenes in question by, for instanc Læs mere

  Among other things Ehlers is concerned with creating computer manipulated video works on the basis of existing video and film material – so-called found footage. The principle behind her approach consists of taking single scenes from classic films or popular TV-shows and deconstructing the narrative contents of the scenes in question by, for instance, leaving out or adding a character. With the meticulous precision of a surgeon Ehlers works her way through the selected material frame by frame. The technique demands extreme patience, for each second consists of about 25 frames and each frame has to be treated individually. If just one frame is skipped, the manipulation becomes too evident and the desired ”vanishing act” is rendered impossible. Jeannette Ehlers is especially interested in the removal or manipulation of the human body. Jeannette Ehlers is educated from the Royal Danish Academy of Fine Arts 2006. She lives and works in Copenhagen. Minimer

• Eistrup, Michelle
• Ejdrup Hansen, Elle-Mie

  Elle-Mie Ejdrup Hansen arbejder i flere forskellige medier som tegning, det klassiske oliemaleri og ikke mindst i store site-specifikke arbejder, der kredser omkring rum, teknologi og mennesker. Udgangspunktet for de store arbejder er en særlig topografi. Det kan være strandstrækningen fra Skagen til Sild, en stubmark i Vestjylland, eller et bygnings Læs mere

  Elle-Mie Ejdrup Hansen arbejder i flere forskellige medier som tegning, det klassiske oliemaleri og ikke mindst i store site-specifikke arbejder, der kredser omkring rum, teknologi og mennesker. Udgangspunktet for de store arbejder er en særlig topografi. Det kan være strandstrækningen fra Skagen til Sild, en stubmark i Vestjylland, eller et bygningskompleks som Gellerup Parken i Brabrand eller en kirke. Fælles for de store værker er anvendelsen af ny teknologi, som kan være forskellige former for lys, video, eller helt ny software, udviklet særligt til værket. I de store arbejder involveres ofte komponister og musikere, men også andre discipliner, som programmører, interaktions designere og teknikkere. Et særligt kendetegn for de store værker er, at de er skabt i tæt samarbejde med og involverer en række forskellige mennesker. Minimer

• ejner, claus

  Jeg arbejder med tegning, skulptur, installation, video, Internettet, performance mm. Desuden har jeg mit eget forlag - forlaget dada-invest - hvor jeg udgiver mine egne bøger og samarbejdsprojekter med andre kunstnere.

  Jeg arbejder med tegning, skulptur, installation, video, Internettet, performance mm. Desuden har jeg mit eget forlag - forlaget dada-invest - hvor jeg udgiver mine egne bøger og samarbejdsprojekter med andre kunstnere. Minimer

• Enevoldsen, Bjørn Pierri

  landskab konceptuelt maleri bjerglandskab kuglepens tegning

  landskab konceptuelt maleri bjerglandskab kuglepens tegning Minimer

• Fischer, Michael Boelt

  Fokus i min praksis er at opererer med et relationelt værkbegreb (ulig det modernistiske værkbegreb) der til en hver tid justeres i forhold til den teknologiske udvikling og de konsekvenser den har for samfundet og dermed også kunsten. Med udgangspunkt i værket som generativ udviklingsenhed, anvender jeg det som et ”sample” til at danne nye Læs mere

  Fokus i min praksis er at opererer med et relationelt værkbegreb (ulig det modernistiske værkbegreb) der til en hver tid justeres i forhold til den teknologiske udvikling og de konsekvenser den har for samfundet og dermed også kunsten. Med udgangspunkt i værket som generativ udviklingsenhed, anvender jeg det som et ”sample” til at danne nye hybridformer, som bygger på den i forvejen eksisterende æstetik og formmæssige struktur. Hvert værk kan genbruges og indgå i nye strukturer og sammenhænge, alle kombinationer er mulige og ligeværdige. Derved potenteres ikke blot de foregående værker, men alt hvad der endnu ikke indgår i værkproduktionen. Hvert nyt værk udvider og genfortolker således forståelsen af de foregående. I denne sammenhæng fungerer værket som en generator for produktionen af nye værker, et nedslagspunkt i en uendelig række af værker der fremstår som et relationelt hele, frem for en endegyldig kulminationen på den kreative proces. Det er derfor brugen af værkerne der er vigtig. Værkerne skal, gennem brugen af de forskellige greb afspejle sin egen tilblivelse og derved fremstå som en fysisk manifestation af den bagvedliggende metode. Udstillingssituationen bliver således en forlængelse heraf, hvor meningen er en forhanding mellem værkerne og beskueren. Herigennem gives værkernes interrelationelle karakter og struktur fysisk form. Min udstilling ”Micromotives” fra 2006 bestod af en grid-ophængning af 1000 A4kopier af mine værker og 4 modulopbyggede objekter, fordi udstillingen var i Australien og skulle kunne pakkes ned i en kuffert. Værkerne kunne, fra udstillings start, frit tages af publikum og udstillingen fungerede derved som et værk i proces hvis endelige form først ville være nået ved udstillingens afslutning. Omstændighederne blev på den måde konkrete og indgik på lige fod med værkerne i udstillingen, der igen fungerede som en fysisk manifestation af metoden. En anden måde at anvende værket på har været at indgå i samarbejdsprojekter så som Kunstnerkollektivet Selvsving, hvor værket har fungeret som bidrag til det samlede heterogene udtryk som har kendetegnet Selvsvings udstillinger. Udsmykning ”Introducing ZEDAMATOR” på rytmisk Musikkonservatorium fra 2008 som var et samarbejde med Thorgej Steen Hansen, Zven Balslev og Daniel Milan, hvor de individuelle værker, som en parafrase over samspillet i rockbandet, fremstod som et samlet hele. Min praksis drejer sig altså i høj grad om at udvikle nye måder at bruge værket på. Udstillingen ” Broken Symmetry” på galleri KANT i april 2009, bestod af 36 kvadratiske collager som tilsammen udgør 4 større collager på 2x 2 meter. De 36 collager fremstod som 36 enkelt værker som udgjorde en installatorisk helhed, hvor ophængning repræsenterede mit bud på en mulig sammensætning, men hver kombination af værker i virkeligheden udgjode et nyt værk. Ideen var at inddrage stedet, dvs. galleriets funktion, værket som produkt, i udformningen af udstillingen som et aktivt element på lige fod med værkerne frem for en traditionel stedspecifik installering hvor udstillingsrummet indtager en mere passiv rolle. Udstillingen fremstod på denne måde som en ”fysisk collage” af de immaterielle relationer mellem værk, værker, beskuer og udstillingssted, og repræsenterer, på samme måde som værkerne, et nyt nedslagspunkt i rækken af udstillinger. Minimer

• flensberg, rikke
• Frankel, Bernhard
• Fromm, Jonas
• Grahn, Lennard

  Lennard Grahn is a generous and attentive lover, a brilliant cook, drives a BMW 730d Sport, holds PhD's in psychology, bio chemestry and nuklear physics and lives in a fully restored 18'th century mansion just outside a major European metropolis (with an international airport)

  Lennard Grahn is a generous and attentive lover, a brilliant cook, drives a BMW 730d Sport, holds PhD's in psychology, bio chemestry and nuklear physics and lives in a fully restored 18'th century mansion just outside a major European metropolis (with an international airport) Minimer

• Grarup, Nils
• Hanne Nielsen & Birgit Johnsen
• Hansen, Lars Lundehave

  Generelt om min praksis: I min kunst arbejder jeg med støj som materiale og er meget optaget af lyd's påvirkning af materialer og mennesker; Jeg vil skabe oplevelser med støj såvel installatorisk som i form af "rene" lytteoplevelser. Ved støj forstår jeg dissonans, kakofoni, susende, brummende og brølende klangflader. Det er det uskønne, det Læs mere

  Generelt om min praksis: I min kunst arbejder jeg med støj som materiale og er meget optaget af lyd's påvirkning af materialer og mennesker; Jeg vil skabe oplevelser med støj såvel installatorisk som i form af "rene" lytteoplevelser. Ved støj forstår jeg dissonans, kakofoni, susende, brummende og brølende klangflader. Det er det uskønne, det urene eller det fravalgte der ophøjes, arrangeres og udstilles. Det er støj som materiale, der gives æstetisk form og bruges i et kritisk udtryk. Brugen af et givent element i en anden og måske uventet sammenhæng er i fokus. Lyd er et meget suggestivt element og i installatoriske sammenhænge bruger jeg det i relativt stramme set-ups, der ofte kan afkodes både umiddelbart og det refleksivt. Minimer

• Hasle, Gudrun
• Hausken, Nils Viga
• Heiberg, Lars
• Heilmann, Hannah
• Heise, Henriette
• Holm, Anni
• Holm, Uffe
• Holmgren, Louise
• Howalt, Nicolai
• Hvejsel, Ulla

  visual artist working interdisciplinary and experimentally with theatre, film, parenthood, performance, television, journalism, and selfdeceit. Ulla Hvejsel has been part of the artist-run tvstation”tv-tv”, sailed the Caribbean as embedded journalist on a European mission, proposed a new experimental approach to watching tv, has collected jokes fro Læs mere

  visual artist working interdisciplinary and experimentally with theatre, film, parenthood, performance, television, journalism, and selfdeceit. Ulla Hvejsel has been part of the artist-run tvstation”tv-tv”, sailed the Caribbean as embedded journalist on a European mission, proposed a new experimental approach to watching tv, has collected jokes from warfilms and enacted them for three years - and she regularly gives lectures about her interest in Selfdeceit, the Sublime, and the whiteness of the White Bear Minimer

• Ipsen, Thore
• Iversen, Marie Kølbæk

  Marie Kølbæk Iversen’s installations employ closed circuit video technology and various cybernetic systems to explore ideas of perception and representation. By foregrounding the technical process and the creative potential of the viewer, her work focuses on the moment at which language stops and immediate perception takes over.

  Marie Kølbæk Iversen’s installations employ closed circuit video technology and various cybernetic systems to explore ideas of perception and representation. By foregrounding the technical process and the creative potential of the viewer, her work focuses on the moment at which language stops and immediate perception takes over. Minimer

• J&K / Janne Schäfer og Kristine Agergaard

  The artist-duo J&K (Janne Schäfer, D / Kristine Agergaard, DK) have been working in collaboration since 1999 and are based in Berlin and Copenhagen. J&K work with mixed media installations, performance and interventions in public and institutional spaces. Travel, rituals and mythologies majorly inspire their work in which they play with signs, clichés and iden Læs mere

  The artist-duo J&K (Janne Schäfer, D / Kristine Agergaard, DK) have been working in collaboration since 1999 and are based in Berlin and Copenhagen. J&K work with mixed media installations, performance and interventions in public and institutional spaces. Travel, rituals and mythologies majorly inspire their work in which they play with signs, clichés and identities in a fiercely entertaining and colour-saturated universe. With humour and a surprising and almost shameless pilfering of symbolism from different cultures, audiences are lead into constructed worlds where neo-colonial and cross-cultural problems are examined and thematized. J&K explore the creative potential that underlies any modeling of reality and playfully question concepts of truth production, writing of history and cultural identity. Minimer

• Jacobsen, Mogens
• Jacobsen, Stine Marie
• Jafri, Maryam
• Jespersen, Michael Sand

  Jeg er uddannet på Det kongelige danske kunstakademi ved professor Paul Gernes, Skolen for mur og rum kunst. Jeg har siden 1989 arbejdet profesionelt med kunstnerisk udsmykning, og har erfaring med udsmykning af mange forskellige slags rum. Dette spænder fra private stuer over hospitals- og skolegange til kontorer, mødelokaler og aulaer. Læs mere

  Jeg er uddannet på Det kongelige danske kunstakademi ved professor Paul Gernes, Skolen for mur og rum kunst. Jeg har siden 1989 arbejdet profesionelt med kunstnerisk udsmykning, og har erfaring med udsmykning af mange forskellige slags rum. Dette spænder fra private stuer over hospitals- og skolegange til kontorer, mødelokaler og aulaer. Jeg arbejder desuden med maleri, men også fotografi, skulptur, computergrafik og thangka maling Jeg er medlem af DBF. Jeg har boet seks år i det asiatiske kongerige Bhutan, hvor jeg studerede buddhistisk filosofi, sprog og kunst. Disse år har i høj grad også haft indflydelse på mit kunstneriske virke. Jeg går ind for skønhed, provokation med mening, kunst der også er vedkommende for brugerne og bliver høj på buddha, naturen og min lækre kvinde. Minimer

• Johansen, Andreas Stoubye
• Jørgensen , Elle Klarskov

  Elle Klarskov-jorgensens sculptures are signs,tools,instruments and proposals. It is integrated art concerned with buildings,public space and environment.Her sculptural works are an engagement with architecture.She examines buildings through models, containing references to functional details such as windows and doors. She pursues the meani Læs mere

  Elle Klarskov-jorgensens sculptures are signs,tools,instruments and proposals. It is integrated art concerned with buildings,public space and environment.Her sculptural works are an engagement with architecture.She examines buildings through models, containing references to functional details such as windows and doors. She pursues the meaning of signs and behavior in relation to space and matter.Through the act of sculpture Elle turns the study of models and signs into a creative research.The sculpture has no fixed scale.With curiosity Elle explore and mediate sculpture as building integrated art of free scale. Minimer

• Kaisen, Jane Jin

  http://janejinkaisen.org Jane Jin Kaisen is a visual artist working in a project-based manner within the mediums of film, video installation, performance and text. From a transnational feminist and postcolonial perspective, she is interested in the re-writing of history and official narratives in order to suggest new genealogies and readings.

  http://janejinkaisen.org Jane Jin Kaisen is a visual artist working in a project-based manner within the mediums of film, video installation, performance and text. From a transnational feminist and postcolonial perspective, she is interested in the re-writing of history and official narratives in order to suggest new genealogies and readings. Minimer

• Kalsmose-Hjelmborg, Mille

  The Quest for (a new) identity Text by: Art historian and Art Critic Trine Ross The Works of Mille Kalsmose-Hjelmborg evolves around the concept of TRANSFORMING IDENTITY both in her private research and in site specific assignments. We tend to forget that our personal identity is negotiable and is constantly being negotiated around an Læs mere

  The Quest for (a new) identity Text by: Art historian and Art Critic Trine Ross The Works of Mille Kalsmose-Hjelmborg evolves around the concept of TRANSFORMING IDENTITY both in her private research and in site specific assignments. We tend to forget that our personal identity is negotiable and is constantly being negotiated around and inside us. But when we forget, the artworks of Mille Kalsmose-Hjelmborg are here to remind us. One such work is the ongoing project ’All My Suicides’ which has so far resulted in both a Part One and a Part Two. The first part consists of Kalsmose-Hjelmborg’s many new name certificates – from the name, ”Henriette Olesen”, she was christened through several variations until she reached her present name, ”Mille Kalsmose-Hjelmborg”, in 2008. The name we are given by our parents reveals many aspects of our selves. Most names are gender specific, but they often also reveal our nationality, age and background. But names can be changed and maybe we can change with them. And behind each new name taken by Kalsmose-Hjelmborg lies a wish for change and a will to take charge of her own destiny – and identity. In ’All My Suicides - Part Two’ Kalsmose-Hjelmborg lies her former identities to rest and carves a headstone in memory of each and every one of them. Thereby reminding us, that even as we change, evolve or just grow older, we still carry our past as part of the present, painful or joyous as it may be. And only by facing this fundamental fact we can truly ... change. The works of Kalsmose is based on classical stories about the family-concept, and "Happiness" related to the stereotype illusions hereof created via the media and the general society. In Her work she seeks to decode the story of what it means to be part of a family, to be someone's daughter or mother. Accordingly, her artwork becomes an almost anthropological survey of the romantic family-dream, where she applies the nuclear family as a readymade. It is a piece of work that tells the story of a reality that amalgamates with the illusion of the person to which she tries to construct a new reality, via the wishful image. Mille Kalsmose has been exhibited nationally in juried exhibitions and solo shows. Internationally she has exhibited in places such as Chelsea Art Museum in New York and ITAMI, Museum for arts And Craft in Hygo and been featured in publications and TV-shows. Minimer

• Keck, Kirsten Otzen

  Jeg arbejder med fotocollager og animation,tegning, installation, og video baseret på eget og eksisterende biledmateriale. I mit arbejde er jeg interesseret i hvordan den personlige erfaring med virkeligheden og omverdenen udvikler sig i sammenhæng med de medierede opfattelser af virkeligheden og normerne i samfundet. I work with photo collag Læs mere

  Jeg arbejder med fotocollager og animation,tegning, installation, og video baseret på eget og eksisterende biledmateriale. I mit arbejde er jeg interesseret i hvordan den personlige erfaring med virkeligheden og omverdenen udvikler sig i sammenhæng med de medierede opfattelser af virkeligheden og normerne i samfundet. I work with photo collages, animation, drawing, installation and video based, with my own and appropriated image material. In my work I am interested in how our individual notion of reality evolves along with the mediated versions of reality and the norms in society. Minimer

• Kilsmark, Nikolaj

  I work in collaboration / partnership with Nynne Haugaard. We have been working together in art projects in a mixed field of relations between dokumentary, fiction, political, social, journalistic, and aesthetic considerations since 1999. We began our artistic collaboration in Gellerup (a suburb of Aarhus, with a high percentage of immigrants and Læs mere

  I work in collaboration / partnership with Nynne Haugaard. We have been working together in art projects in a mixed field of relations between dokumentary, fiction, political, social, journalistic, and aesthetic considerations since 1999. We began our artistic collaboration in Gellerup (a suburb of Aarhus, with a high percentage of immigrants and refugees), where we were living at the time. Our aim was to differentiate the media produced image of Gellerup by presenting other images and stories than the ones offered by the established media at that time. Since then we have produced “Montage from the Middle East ” in conjunction with Aarhus Festival 2001, in which we portrayed families in Turkey and Lebanon with family relations in Denmark, with the intention of distinguishing between the situation of refugees and the situation of immigrants. In 2001, we were invited to participate in the project CUDI ( Center of Urban Culture, Dialogue and Information) in Vollsmose (a suburb of Odense, Denmark – similar to Gellerup in Aarhus ). Our project attempted to investigate and uncover the possibilities for resident initiatives in the housing complex, and facilitate actions/initiatives on dreams. Since then we have taken part in 20 Minutes in Denmark, a project launched by DR (Danish Broadcasting Corporation) and Aarhus Film Workshop addressing Danish identity, and in the exhibition project Running in the Family for which the proposals of societal utopian ideas within a familiar context. We represented the Danish prisoner in Guantanamo in the Danish media by way of an interview made in Gellerup in 2000. In March 2003, when the identity of the Danish prisoner became known to the public, we decided to air the interview on the two Danish television channels, DR 1 and DR 2 - an interview in its full length. The intention was to attract attention to the Dane's case, as to Danish government pressure to act on claiming rights for a Danish citizen. Minority report – Aarhus Festival of contemporary Art 2004: We Participated with “Where do you believe from? ” 2004 a Site-specific video projections out from the local library and in Billund airports main gate area. “Where do you believe from?” constitutes an analysis of media realities and realities perceived through media and elements of fiction. Here and now we are based in Katmandu - Nepal, where we are investigating and working on how art can be a tool in development work and how to create other communication strategies together with Nepali citizens. - How to use artistic methods to communicate within different contexts both culturally and in specific areas e.g. to create conceptual strong images that create dialogues in different environments. In our work we are highly interested in different issues around migration and globalization. Our concern lies within using aesthetic language to communicate political issues in conceptual ways. Minimer

• Koch, Eva
• Kromann, Elin Kristine
• Krull, Carl

  Carl Krull is a consummate draftsman whose practice primarily centers around drawing, various kinds of animation techniques and video documentation of the drawing process. Through his work with capturing the process the spectator is invited to enter the evolution and constantly changing world of his creations. Carl Krull (b. 1975) is a danish artist ba Læs mere

  Carl Krull is a consummate draftsman whose practice primarily centers around drawing, various kinds of animation techniques and video documentation of the drawing process. Through his work with capturing the process the spectator is invited to enter the evolution and constantly changing world of his creations. Carl Krull (b. 1975) is a danish artist based in Copenhagen. He graduated from the Academy of Fine Arts in Cracow, Poland in 1999 and has ever since contributed to a wide range of exhibitions in both Denmark and abroad. His latest exhibitions has been at Kunsthal Charlottenborg and ARoS. For more information: www.carlkrull.com Minimer

• Krøyer, Dagmar

  Dagmar Krøyer graduated from the Jutland Academy of Fine Arts in 2006. She mainly works with video, sound and installation. In her art the most common themes are narration, underlying structures, homemade experiments and humour. Food is often used as ingredient in her work. (stop-motion-films and photos).

  Dagmar Krøyer graduated from the Jutland Academy of Fine Arts in 2006. She mainly works with video, sound and installation. In her art the most common themes are narration, underlying structures, homemade experiments and humour. Food is often used as ingredient in her work. (stop-motion-films and photos). Minimer

• Kærn, Simone Aaberg

  Simone Aaberg Kærn, in the early 1990s, began working with projects relating to surveillance and control. This, however, soon turned into a fascination for the unreachable and impossible task of floating: flying in the space. Through animated flying videos, such as Air (1994), wanna fly (1995), and Royal Greenland (196), Simone Aaberg Kærn invest Læs mere

  Simone Aaberg Kærn, in the early 1990s, began working with projects relating to surveillance and control. This, however, soon turned into a fascination for the unreachable and impossible task of floating: flying in the space. Through animated flying videos, such as Air (1994), wanna fly (1995), and Royal Greenland (196), Simone Aaberg Kærn investigated and soon found a symbolic free space in the air. At first, it was animated spaces, in which she flew across the skies of Copenhagen, New York and Greenland seeking the limits of gravity and individual unassisted human flight. Soon after Simone Aaberg Kærn achieved her own flight certificate in order to produce the work, Sisters in the Sky. This was demanded by Anne Noggle, one of the female pilots, who also was portrayed in the work Sisters in the Sky (1997). Simone Aaberg Kærn’s painted portraits of female fighter pilots from Second World War was shown at and acquired by Louisiana Museum of Modern Art, Humlebæk. Sisters in the Sky is an impressive aesthetic and intellectual peephole of how women at that time could realize their dream of flying in a time of hardship. In the painting and sound installation, Simone Aaberg Kærn narrated their stories with a poetic, political and feministic gesture and introduced the notion of aero feminism – an aero feministic sisterhood across cultures and generations. One of Simone Aaberg Kærn’s most spectacular projects started in 2002. One day the artist read an article in a Danish newspaper about the girl Farial from Kabul in Afghanistan. Farial’s greatest wish was to become a fighter pilot. Simone Aaberg Kærn had no doubts; she had to attempt to reach her and show her how to fly. In Micro-Global Performance (2002-03) Aaberg Kærn took off in her fragile Piper Colt flight from Little Skensved, Denmark, to Kabul, Afghanistan. Micro-Global Performance is produced in collaboration with Magnus Bejmar. They flew across borders; crossing the enormous mountain range Hindukush (the Hindu Killer) to Kabul with the risk of the American Air Force would attack them. In the film Smiling in a War Zone (2005) Simone Aaberg Kærn crosses war zones and defies the military power in order to make contact to the girl Farial. She risked her own life so she could give Farial a journey in the air. In the film Farial flies the plane over Kabul. From a global perspective, the sky and the airspace are a place of battles – over power, prestige and politics. At the same time, the sky is a place of refuge for individuals, a place onto which you may project your own wishes and dreams. by Lars Grambye, Jacob Fabricius & Lotte Juul Petersen from the exhibition catalogue Simone Aaberg Kærn: Open Sky, Malmö Konsthall (Sweden) 2006 Used with permission of the authors and Galerie Asbæk © The authors Minimer

• Käszner, Smike
• Larris, Mikkel
• Lassen, Lotte Tauber

  Uddannet på Det Kongelige Danske Kunstakademi og Skolen for Mediekunst og Kunstformidling. Har fra begyndelsen af 90erne arbejdet med fotografiet og fra år 2000 med store stedsspecifikke ruminstallationer, med brug af det levende billede, lys og lyd. Værkerne inddrager beskueren som den aktivt sansende, og fungerer ofte som en slags meditativ Læs mere

  Uddannet på Det Kongelige Danske Kunstakademi og Skolen for Mediekunst og Kunstformidling. Har fra begyndelsen af 90erne arbejdet med fotografiet og fra år 2000 med store stedsspecifikke ruminstallationer, med brug af det levende billede, lys og lyd. Værkerne inddrager beskueren som den aktivt sansende, og fungerer ofte som en slags meditative (mellem)rum. Som udsagn, der ansporer publikums indre orienteringssans og appellerer til egenskaber som åbent, sanseligt nærvær og introspektiv erkendelse. Nødvendigheden af, at vende blikket mod det indre for at kunne navigere og orientere sig i det ydre. Minimer

• Lau , Lasse

  Biografi (scroll down for english version) Lasse Lau (født 1974 Sønderborg) er billedkunstner, samt queer og social aktivist, bosiddende i København og Bruxelles. Han har studeret ved Whitney Museum of American Art Independent Study Program i New York, samt det Fynske Kunstakademi i Danmark. Lau's arbejde fokuserer på den disharmoni og amnesi der er i Læs mere

  Biografi (scroll down for english version) Lasse Lau (født 1974 Sønderborg) er billedkunstner, samt queer og social aktivist, bosiddende i København og Bruxelles. Han har studeret ved Whitney Museum of American Art Independent Study Program i New York, samt det Fynske Kunstakademi i Danmark. Lau's arbejde fokuserer på den disharmoni og amnesi der er i den globale økonomi, og de afstedkommende parallelle sociale forskydninger, som finder sted i en rumlig dimension. Lau ofte insistere på den sociale deltagelse af beskueren selv i den æstetiske produktion. He fastholder at sådan deltagelse, kan åbne kunstens muligheder for at resonere i en mere kritisk relation til dets eget indhold. Han søger en æstetik der kan skabe rammen for en dialog som åbner op for muligheden for forandring. Lau har udstillet på Westfälischer Kunstverein, Hamburger Bahnhof og Wolfsburg Kunstverein i Tyskland, Aarhus Kunst Museum og Brandts Klædefabrik i Denmark, The Museum of Contemporary Art i Kroatien, The Turin Biennial of Contemporary Art i Italien, Contemporary Museum i Maryland, Smack Mellon Gallery og PS1 Contemporary Art Center i New York. Han er desuden redaktør for www.c-m-l.org - et online arkiv for socialt engageret kunst, samt medstifter af Kran Film Kollektiv - www.kranfilm.net Biography (english version) Lasse Lau (born 1974 Denmark) is a queer and social activist, visual artist and filmmaker based in Brussels and Copenhagen. He studied at the Whitney Museum of American Art Independent Study Program in New York and at the Funen Academy of Fine Art in Denmark. "Agency of Public Resources" (APR) is the imaginary common subject matter from which most of Lau's recent interdisciplinary art projects originate. It is an agency that through the means of art and collectiveness accumulates on site knowledge, and through dialogue facilitates re-negotiations of space and democracy. His work continues to expose the amnesia of today's crises in the global economy, and the parallel social displacement of people in spatial terms. Lau often insists on the participation of the viewer in the aesthetic production. He believes that this will opens up the possibility for art to resonate in a different and more critical relation to the subject matter. He seeks to utilize aesthetics as a framework that can open dialogical paths for social change. Lau has exhibited in Westfälischer Kunstverein, Hamburger Bahnhof and Wolfsburg Kunstverein in Germany, Aarhus Art Museum and Brandts Klaedefabrik in Denmark, The Museum of Contemporary Art in Croatia, The Turin Biennial of Contemporary Art in Italy, the Contemporary Museum in Baltimore, Smack Mellon Gallery and PS1 Contemporary Art Center in New York. Beside his exhibition activity Lau is the editor of the www.c-m-l.org - an online archive for social engaged art. Further he is a founding member of Kran Film Collective - www.kranfilm.net Minimer

• Lauta, Lærke
• Lind, Peter
• Lislegaard, Ann
• Livbjerg, Nynne
• Lomholt, Astrid

  Astrid Lomholt 1974 bor og arbejder i KBH Jeg har udstillet både internationalt som nationalt, i øjeblikket, deltager hun med sin dvd ’Changeless’ ,på Gallery Nanda-kan i Saku City, hun deltager på kultur udstillingen i Damaskus med tegning. Jeg producere lyd og video til eksperimenterende performances både på Musikteateret Plex og performance i de Læs mere

  Astrid Lomholt 1974 bor og arbejder i KBH Jeg har udstillet både internationalt som nationalt, i øjeblikket, deltager hun med sin dvd ’Changeless’ ,på Gallery Nanda-kan i Saku City, hun deltager på kultur udstillingen i Damaskus med tegning. Jeg producere lyd og video til eksperimenterende performances både på Musikteateret Plex og performance i det offentlige rum. hun har opført adskillige støjkoncerter i samarbejde med lydkunstneren Tanja Schlander. Mine to seneste udstillinger har været et arbejde med lyden i to forskellige, men dog meget ens i deres skrøbelighed. Jeg deltog i Total Aktion på Museet for Samtidskunst i Roskilde med værket ’Ved at opdage lyden, forandres den’(www.erindring.com, reallyd) og i Torpedo18 eksperiment om utilgængelig kunst med værket ’Lyden af vind – refleksion over menneske og vind’ Jeg tog min afgang fra Det Fynske Kunstakademi 2005 og har siden beskæftigede mig med undersøgelserne af soniske og visuelle rums æstetik og abstraktion. Jeg er rettet i mod menneskets væren i værkets tilstedeværelse og tilfældet, hvor en eventuel ændring er med skabende. Minimer

• Lose, Søren

  Billedkunstner Søren Lose (1972) bor og arbejder i København og Berlin. Gennem fotografi, film og installation undersøger Søren Lose emner som den private og kollektive erindring, narrativer, historie, arkitektur, turisme og tilhørsforhold.

  Billedkunstner Søren Lose (1972) bor og arbejder i København og Berlin. Gennem fotografi, film og installation undersøger Søren Lose emner som den private og kollektive erindring, narrativer, historie, arkitektur, turisme og tilhørsforhold. Minimer

• Madsen, Mikael
• Mortensen, Liv Carlé

  My instrument is woman, her ultimate being and strength, the fine balance of creating, hunting and birthing creatures. The scream of pain, the fully borne. I use a woman’s map, from the near intimate sphere, warmly embracing in the family. Forth to the scream of the Amazon, when she cuts the cord, child/children under her torn-off breast, and goe Læs mere

  My instrument is woman, her ultimate being and strength, the fine balance of creating, hunting and birthing creatures. The scream of pain, the fully borne. I use a woman’s map, from the near intimate sphere, warmly embracing in the family. Forth to the scream of the Amazon, when she cuts the cord, child/children under her torn-off breast, and goes to war. To war with the family to war as a provider. Because this war must be fought alone, the offering of the creating artist is that the war becomes the gift. Heart’s blood dripping from inner sexes. The vulva of the menstrual phase, to the essential bloodstream of birth, making patterns with the pain, a map of our meeting with this world. Minimer

• Mygind, Rasmus Høj
• Mølgaard, Bo

  Med baggrund i den klassiske trykgrafik arbejder jeg med de formsprog jeg finder passende til det, der skal siges - fra tidstung farvefotogravure til balloner. Aktuelt mest med pigmenttryk baseret på det oplevede fotografiske udgangspunkt. Gerne i en stram fortælleramme relaterende til den kontekst værkerne skal indgå i.

  Med baggrund i den klassiske trykgrafik arbejder jeg med de formsprog jeg finder passende til det, der skal siges - fra tidstung farvefotogravure til balloner. Aktuelt mest med pigmenttryk baseret på det oplevede fotografiske udgangspunkt. Gerne i en stram fortælleramme relaterende til den kontekst værkerne skal indgå i. Minimer

• Nielsen, Jacob
• Norre, Michael
• Nørring, Jonas Engbirk

  Operating 77m3 RumForKunst Art of Kailas

  Operating 77m3 RumForKunst Art of Kailas Minimer

• Oksbjerg, Tine
• Paludan, Jon

  www.callforeulas.org boompearls.wordpress.com www.virtuelvandring.dk

  www.callforeulas.org boompearls.wordpress.com www.virtuelvandring.dk Minimer

• Pedersen, Ditte Lyngkær
• Pedersen, Stefan A.
• Plaetner, Lone

  Et 2 ugers ophold i New York City (USA) i maj, hvor jeg var på research med mit digitale Camera. Derudover havde jeg mulighed for at arbejde med flerfarve tushtegninger henimod det udtryk, jeg arbejder med nu. Rejsen blev støttet af Statens Kunstfond (2011)

  Et 2 ugers ophold i New York City (USA) i maj, hvor jeg var på research med mit digitale Camera. Derudover havde jeg mulighed for at arbejde med flerfarve tushtegninger henimod det udtryk, jeg arbejder med nu. Rejsen blev støttet af Statens Kunstfond (2011) Minimer

• Randløv, Carina
• Rasborg, Camilla

  Camilla Rasborg (f. 1974) er uddannet fra Det Jyske Kunstakademi i 2002. Hendes værker tager ofte udgangspunkt i hverdagens evindelige rystelser, der giver følelsesmæssige forviklinger, og truer vores funktionsdygtighed. Værkerne undersøger overlap mellem utilsigtede hændelser, kontrolleret præcisionsarbejde, uheld, iscenesættelse, proces og manipula Læs mere

  Camilla Rasborg (f. 1974) er uddannet fra Det Jyske Kunstakademi i 2002. Hendes værker tager ofte udgangspunkt i hverdagens evindelige rystelser, der giver følelsesmæssige forviklinger, og truer vores funktionsdygtighed. Værkerne undersøger overlap mellem utilsigtede hændelser, kontrolleret præcisionsarbejde, uheld, iscenesættelse, proces og manipulation. Camilla Rasborg arbejder med fotocollage, installationer, tegning og skulptur. Minimer

• Rasmussen, Jesper

  Jesper Rasmussen, f. 1959 billedkunstner, arbejder fortrinsvis med installation, skulptur og fotografi, hovedsageligt med udgangspunkt i rum og arkitektur. Har siden 1981 redigeret og udgivet kunsttidsskiftet Pist Protta sammen med Jesper Fabricius og Åse Eg Jørgensen. Var 1986-91 med i kunstnergruppen Solkorset, der arbejdede kollektivt med store ruminstallationer. Rektor ved Det Jyske Kunstakademi.

  Jesper Rasmussen, f. 1959 billedkunstner, arbejder fortrinsvis med installation, skulptur og fotografi, hovedsageligt med udgangspunkt i rum og arkitektur. Har siden 1981 redigeret og udgivet kunsttidsskiftet Pist Protta sammen med Jesper Fabricius og Åse Eg Jørgensen. Var 1986-91 med i kunstnergruppen Solkorset, der arbejdede kollektivt med store ruminstallationer. Rektor ved Det Jyske Kunstakademi. Minimer

• Rasmussen, Lillibeth Cuenca

  Lilibeth Cuenca Rasmussen (b.1970 in Manila) lives in Copenhagen Denmark. Works primarily with video and performances. She navigates the interspaces between different kinds of realities and extremes. Between the staging of music videos and the raw reality of documentaries. Between personal confessionals and political commitment. Taking her Læs mere

  Lilibeth Cuenca Rasmussen (b.1970 in Manila) lives in Copenhagen Denmark. Works primarily with video and performances. She navigates the interspaces between different kinds of realities and extremes. Between the staging of music videos and the raw reality of documentaries. Between personal confessionals and political commitment. Taking her own Danish-Filipino background as her point of departure, Cuenca Rasmussen displays a keenly honed sensitivity, almost like that of an anthropologist, to the narratives that exist in and between a place of birth and home country. She gathers, adapts, and universalisms these narratives in her both critical and humorous approach to central issues such as identity, culture, religion, gender, and social relations. Lilibeth Cuenca Rasmussen is a graduate from The Royal Danish Academy of Fine Arts Copenhagen, Denmark (1996-2002). She has contributed to a wide range of exhibitions in Denmark (EgoShow, solo in The X Room, State Museum of CPH. in 2006, and abroad Global Feminisms in Brooklyn Museum, New York, 2007). In 2004 she received the Danish Art Council's three-year grant. Minimer

• Rasmussen, Steen

  Billedkunstner arbejde med grafik, installation,skulptur og maleri , indgår desuden i flere samarbejdsprojekter: Har gennem en årrække (siden 2001 )samarbejdet med den Japanske Kunstner Rikuo Ueda om vores fælles project Wind catching the Immaterial Arbejder sammen med gruppen "Hotel vanitas" om at intervenere rum i denne gruppesammenhæng hoveds Læs mere

  Billedkunstner arbejde med grafik, installation,skulptur og maleri , indgår desuden i flere samarbejdsprojekter: Har gennem en årrække (siden 2001 )samarbejdet med den Japanske Kunstner Rikuo Ueda om vores fælles project Wind catching the Immaterial Arbejder sammen med gruppen "Hotel vanitas" om at intervenere rum i denne gruppesammenhæng hovedsageligt experimenterende med 3 dimentionele grafik installationer der tematisk bevæger sig omkring Vanitasbegrebet Minimer

• Recke, Nikolaj
• Rosenmunthe, Johan
• Rude, Mille

  Jeg arbejder med en blanding storytelling, dokufiktive hændelsesforløb, performative såvel som skulpturelle praksisser, billeder, tekst, tap dance og lyd.

  Jeg arbejder med en blanding storytelling, dokufiktive hændelsesforløb, performative såvel som skulpturelle praksisser, billeder, tekst, tap dance og lyd. Minimer

• Rømer, Nis

  Nis works with public art in the city, on the web and in the news media. With a playful and interactive approach, he makes situations for change and reflection. He has a special interest in the social and political organization of space and in how processes of globalization affects the city and our natural environment. Key words: art in public spaces, Læs mere

  Nis works with public art in the city, on the web and in the news media. With a playful and interactive approach, he makes situations for change and reflection. He has a special interest in the social and political organization of space and in how processes of globalization affects the city and our natural environment. Key words: art in public spaces, environment, ecology, conceptual art, environmental justice, urban planning, architecture, free, noncommercial Minimer

• Sansour, Larissa

  Born 1973 in Jerusalem, Larissa Sansour studied Fine Art in Copenhagen, London and New York, and earned her MFA from New York University. Often centered around the situation in the Middle East, her work is interdisciplinary, immersed in the current political dialogue and utilizes video art, digital photography, experimental documentary and the internet.

  Born 1973 in Jerusalem, Larissa Sansour studied Fine Art in Copenhagen, London and New York, and earned her MFA from New York University. Often centered around the situation in the Middle East, her work is interdisciplinary, immersed in the current political dialogue and utilizes video art, digital photography, experimental documentary and the internet. Minimer

• Schmidt, René
• Schou, Jeanette Land

  JLS har siden 1995 deltaget i adskellige gruppeudstillinger i ind- og udland med video, installation og fotografi. Hun har vist fotografi og videoværker, bl.a. på “Galleri Image” i Århus, “No9” i Oslo, i Malmø Konsthal og i “Le pont” galleriet i Aleppo i Syrien. Fra 1996-2001 deltog hun i det kunstnerstyrede North-Udstillingssted både som kunstn Læs mere

  JLS har siden 1995 deltaget i adskellige gruppeudstillinger i ind- og udland med video, installation og fotografi. Hun har vist fotografi og videoværker, bl.a. på “Galleri Image” i Århus, “No9” i Oslo, i Malmø Konsthal og i “Le pont” galleriet i Aleppo i Syrien. Fra 1996-2001 deltog hun i det kunstnerstyrede North-Udstillingssted både som kunstner og kurator og i 1999 var hun med til at starte foreningen Fast Video. Hun demitterede fra Kunstakademiet i København i 1998, hvor hun nu underviser i bla. video -kunst og -produktion. JLS arbejder har generelt poetiske og eksistentielle problematiker, og er altid båret at en stærkt visualitet. I mange af video- og fotoværkerne udfoldes en metafysisk realisme, som åbner sig for fortolkning. Landskaberne er indre landskaber. Det er en visuels tegnsætning, der giver JLS’s værker deres relevans. Selv når hun forholder sig til det stedspecifikke og til interaktion med betragteren, vil det være på billedets og mediets præmis. Minimer

• Seeberg, Jonas
• Seest, Thomas
• Selwyn-Gray, Alexandra

  My present practice is mainly informed by spirituality encompassing iconography and influenced by philosophy and theory, which responds to specific areas, traditions and cultures, questioning of moral and social values and sometimes a sense of the irony in the ridiculous. I mainly work in artist video, performance, sculpture and installati Læs mere

  My present practice is mainly informed by spirituality encompassing iconography and influenced by philosophy and theory, which responds to specific areas, traditions and cultures, questioning of moral and social values and sometimes a sense of the irony in the ridiculous. I mainly work in artist video, performance, sculpture and installation. Recently a bridge has formed between all my disciplines which explore the notion of mediated presence and allow me to investigate the gaze and different ways of involving an audience. I am continually questioning with work that I hope is thoughtful and provocative, revealing what lies beneath the surface, often in many layers of interpretation. Minimer

• Skovgård, Jan

  Jeg har et godt billede af en mand på en øde ø, der sidder og kigger ud over havet. Derude på havet går der en anden mand og pløjer med 2 heste. Det er mig, der er begge mænd. Det er den vekselvirkning, jeg ønsker at opnå, som jeg efterstræber.

  Jeg har et godt billede af en mand på en øde ø, der sidder og kigger ud over havet. Derude på havet går der en anden mand og pløjer med 2 heste. Det er mig, der er begge mænd. Det er den vekselvirkning, jeg ønsker at opnå, som jeg efterstræber. Minimer

• Sohn, Bodil
• Steinbock, Kristina
• Stærk, Ann Sophie
• Søndergaard, Jonas Hvid

  TRANSIT, tekst af Ditte Vilstrup Holm. I Jonas Hvid Søndergaards seneste malerier når det kaotiske nye højder. Her konfronteres de tidligere præcist afgrænsede former med en lavastrøm af changerende farver. Det rykker motiverne væk fra sit holdepunkt i hverdagens genkendelige former til et fabulerende univers, der både rummer mareridtets skræk og drømm Læs mere

  TRANSIT, tekst af Ditte Vilstrup Holm. I Jonas Hvid Søndergaards seneste malerier når det kaotiske nye højder. Her konfronteres de tidligere præcist afgrænsede former med en lavastrøm af changerende farver. Det rykker motiverne væk fra sit holdepunkt i hverdagens genkendelige former til et fabulerende univers, der både rummer mareridtets skræk og drømmens aspirationer. Nattehimlen opløser sig i en eksplosion af lys. Træernes knudrede grene strækker sig opad og fordrejes i eksplosionens skær. Verden krøller sig sammen mod et nyt centrum, mens resterne af den stabile verden flyver omkring i tumulten af den forandring, som sker. Tyngdekræften har ikke længere hold i kompositionen, og verdens genkendelighed er hurtigt ved at forsvinde. Som spraymalet kitsch, hvor alting er bøjet alt for overdådigt i forelskelsens neon, blander en ekspressiv baggrund sig nu med betonstykker i frit fald. To traditioner af abstraktionens historie kolliderer i et kaotisk univers. Det ekspressive møder det stringente, det afvejede det spontane, mens det tørre og præcise formsprog konfronteres med aftryk af det vilde og ustyrlige. Abstraktionens egen verden får plads. TRANSIT, text by Ditte Vilstrup Holm. In the latest work by Jonas Hvid Søndergaard, the chaotic reaches new heights. The formerly distinct, delineated shapes are now confronted with a lava stream of blended colour. The motifs are pulled away from their centre of mundanely recognizable forms, towards a fabulating universe, capable both of a nightmare’s horrors and the aspirations of dream. The night sky dissolves in an explosion of light. Knotted tree branches reach up and contort in the glare of the blast. The world curls up towards a new centre while the remains of what once was stable fly in the tumultuous change that has taken over. Gravity no longer has a hold on the composition and the world in its familiarity is rapidly disintegrating. Like spray painted kitsch, where everything refracts too lavishly in neon love, an expressive background is juxtaposed with concrete slabs in free falling. Two historical traditions of abstraction crash into a chaotic universe. The expressive confronts the exact, the calculated joins the impulsive and the dry and precise language is being challenged by marks of the wild and the uncontrollable. The proper world of abstraction has asserted itself. Minimer

• Sørensen, Bjarne Werner
• test, test

  Dette er en test kunstnerprofil. Her kunne være et par ord eller en kort beskrivelse af den kunstneriske praksis

  Dette er en test kunstnerprofil. Her kunne være et par ord eller en kort beskrivelse af den kunstneriske praksis Minimer

• Therkildsen, Sixten

  In my artistic practice I work with various media such as video, installation, photo, written text and alternative socialization. Whatever medium I choose for a specific project, there is the common denominator in my projects, that I make use of and deal with the image-stereotypes, which most people are familiar with in their everyday life. The ev Læs mere

  In my artistic practice I work with various media such as video, installation, photo, written text and alternative socialization. Whatever medium I choose for a specific project, there is the common denominator in my projects, that I make use of and deal with the image-stereotypes, which most people are familiar with in their everyday life. The everyday aesthetic, which we all deal with but never pay much attention to, can when elevated, made prominent and presented in a new context, be very effective. Narration plays an important role in many of my art-productions. I have a fondness for personal, crazy, commonplace or wry stories which I often include as a raw material, at an equal level as the other elements in my projects. The gap between public issues and what appear to be personal narratives has become the central point of my practice, during the most recent years. Without being political rhetoric my art-projects deal with issues related to our contemporary society. Through my projects I produce non-commercial culture and fellowship around democracy-discussing, social and historical public matters. Minimer

• Thomsen, Hanne Lise

  Has been creating site-specific slide and video projections since 2003

  Has been creating site-specific slide and video projections since 2003 Minimer

• Thrane, Charlotte
• Tonda Heide, Philip

  My work arises out of a desire to deal with things i do not fully understand. These are often things, or aspects of life, that fascinate me, yet frighten me. Through research and artistic work I aim to come to a result that exists as an autonomous piece with a reference to aspects of society. It may be rather abstract, but it is always rooted Læs mere

  My work arises out of a desire to deal with things i do not fully understand. These are often things, or aspects of life, that fascinate me, yet frighten me. Through research and artistic work I aim to come to a result that exists as an autonomous piece with a reference to aspects of society. It may be rather abstract, but it is always rooted in something taken directly out of the reality i live in. I work in various media, most often photography, performance, installation and writing. Minimer

• Traberg, Carina

  Carina Traberg arbejder med udforskning af det moderne liv, med et fokus på arkitektur og visuelt at skabe alternative verdener til det bestående. Hendes seneste arbejder har centreret sig omkring collager skabt fra fotos taget fra rejser og byer hvor Carina Traberg har levet. Materialet til værkerne er taget fra et utal af forskellige situationer, Læs mere

  Carina Traberg arbejder med udforskning af det moderne liv, med et fokus på arkitektur og visuelt at skabe alternative verdener til det bestående. Hendes seneste arbejder har centreret sig omkring collager skabt fra fotos taget fra rejser og byer hvor Carina Traberg har levet. Materialet til værkerne er taget fra et utal af forskellige situationer, områder og bygninger, såsom tyrkiske miniature malerier, modernismen, videospil og byliv. Minimer

• Tækker, Jacob
• Weck, Ulrik
• Westerberg, Cecilia

  I graduated from Chelsea College of Art, London, 1999 with a degree in painting. More recently I have concentrated on digital medias. My areas of interest include 2-D animation installations, video, artist books, drawing and painting. The use of line drawings is a method that runs through all of my work. Additionally, my approach to any new prod Læs mere

  I graduated from Chelsea College of Art, London, 1999 with a degree in painting. More recently I have concentrated on digital medias. My areas of interest include 2-D animation installations, video, artist books, drawing and painting. The use of line drawings is a method that runs through all of my work. Additionally, my approach to any new production is thematic. In my work, I try to create openings/gaps into our personal and shared memories - which is one way of nudging to the accepted cultural norms involving time, identity and history. Another of my concerns, and a theme that correlates to my fascination with Time, is the development of a narrative language; Time passing, moving in circles, or time that moves in a parallel world or passes in slow motion. Examples of some of the recurrent motifs I use in my investigations are: categories of Time that break up its’ linear course and those which are anchored and marked through the passing of generations. A special interest for me is the paradoxical juncture between linear time, which can be measured and sensual, emotional time which is purely subjective. The clash of ‘inner’ and ‘outer’ time. Minimer

• WOOLOO

  Wooloo is Sixten Kai Nielsen (b. 1978) and Martin Rosengaard (b. 1979). The Wooloo group was founded in 2002 and works in the field of social experimentation. Wooloo’s first work was an online experiment: the Wooloo.org website, that today is connecting the resources of more than 22.000 cultural producers in 140 countries. More recently, the gr Læs mere

  Wooloo is Sixten Kai Nielsen (b. 1978) and Martin Rosengaard (b. 1979). The Wooloo group was founded in 2002 and works in the field of social experimentation. Wooloo’s first work was an online experiment: the Wooloo.org website, that today is connecting the resources of more than 22.000 cultural producers in 140 countries. More recently, the group organized the housing of three thousand activists with private families during the UN climate change summit in Copenhagen in 2009. Supplying the infrastructure for visitors to come and voice their opinion - and for strangers to share their homes and experiences - the Wooloo project was a large-scale exercise in communal cooperation. Wooloo live and work in Copenhagen and New York. Minimer

• Zaragoza, Joaquin
• Ørum og Bojen, Kristoffer og Anders, _
• Aabille, Jesper

  Jeg ser mig selv som en kunstner, der arbejder med forskellige strategier: dels indgreb i det sociale og urbane rum, dels konceptuelle skulpturer og grafisk / tekst-baserede værker herunder den digitale tegning. Den røde tråd i disse praksiser er i fokus på det sociale liv, hvad enten det er løsninger på dagligdags problemer ved at bygge broer for at Læs mere

  Jeg ser mig selv som en kunstner, der arbejder med forskellige strategier: dels indgreb i det sociale og urbane rum, dels konceptuelle skulpturer og grafisk / tekst-baserede værker herunder den digitale tegning. Den røde tråd i disse praksiser er i fokus på det sociale liv, hvad enten det er løsninger på dagligdags problemer ved at bygge broer for at undgå at træde i vandpytter, eller illustrativt belyse den praktisk handling, at lave æblekager. Gennem opmærksomhed til de ofte skjulte detaljerne i det sociale liv, søger jeg grænsen mellem virkelighed og fiktion, min projekter ofte tage form af det absurde, til det punkt hvor grænsen mellem fiktion og virkelighed bliver ustabil Minimer