CV
1974 born in Copenhagen
1997 Royal Danish Academy of Arts, Copenhagen
1999 Städel Hochschule für Bildende Künste, Frankfurt / Main
lives and works in Copenhagen / Berlin
Upcoming shows
2009 Madison Square Garden, New York
2008 ARoS Kunstmuseum, Århus, Denmark
Folkestone Triennial, Folkestone, Great Britain (group show)
303 Gallery, New York, USA
Gallery Rüdiger Schöttle, Munich (with Dan Graham)
afterwards Gallery Johnen & Schöttle, Cologne
IMA – Indianapolis Museum of Art, Indianapolis, USA
Contemporary Art Gallery, Vancouver, Canada
2007 The World as a Stage, Tate Modern, London (group show)
Objects in the mirror are closer than they appear, Carré d’art,
Musée d’Art contemporain de Nîmes
Solo Exhibitions (Selection)
2007 Illusion, Sculpture Center, New York
Johann König, Berlin
Distance, The Curve, Barbican Art Centre, London
Inbetween, SCAI THE BATHHOUSE, Tokyo
2006 Fontane, ZERO Gallery, Milano
Diagonal Space, Base Room, Florence
Reflection, Nicolai Wallner, Copenhagen
Hayward Gallery, London
Delme Synagogue, Delme, France
Usynlig Labyrint, X-Rummet,
Statens Museum for Kunst, Copenhagen
Præstø Kunstforening, Præstø, Denmark
Sies + Höke Galerie, Düsseldorf
2005 Simplified, Yvon Lambert, Paris
Distance, The Moore Space, Miami
Private Rain, Sculptureparc Bodø, Norway
Neonwall, Art Gallery of New South Wales, Sydney
Invisible Labyrinth, Espace 315, Centre Georges Pompidou Paris
Roller Coaster, Dunkers Kulturhus, Helsingborg
Minimal Overload, Galerie Johann König, Berlin
New Minimal, La Salle de bains, Lyon
2004 Anziehung/Abstoßung, Galerie für Zeitgenössische Kunst, Leipzig
Appearing Rooms, Villa Manin, Passariano, Italy
Intervention Impact, Sprengel Museum, Hannover
Distance, Ludwig Forum für Internationale Kunst, Aachen
Flying Cube, P.S.1. MOMA, New York
2003 Bear the Consequences, Gallery Brändström & Stene, Stockholm
Continuity Reflecting Space, Foundation La Caixa, Barcelona
Presenting/Representing, Gallery Nicolai Wallner, Copenhagen
Take a Walk in the Forest at Sunlight, Kunstverein Heilbronn
2002 Take a Walk in the Forest at Moonlight,
CAPC Musee d`art Contemporain, Bordeaux
360° Presence, Galerie Johann König, Berlin
Space in Action / Action in Space, Lenbachhaus &
Kunstbau München
2001 Sving, Galerie Michael Neff, Frankfurt / M.
1998 Summer, OTTO, Copenhagen
Group Exhibitions (Selection)
2007 Just Use it!, Nordjyllands Kunstmuseum, Aalborg
The Freak Show, Musée art contemporain, Lyon
Made in Germany, Kunstverein Hannover, Hanover
Phantasmagoria: Specters of Absence, touring exhibition by iCI
Half Square, Half Crazy, Villa Arson, Nizza, France
Absent Without Leave, Victoria Miro Gallery, London
2006 This is not for you, T-B A 21, Vienna
Exportable Goods, Galerie Krinzinger, Vienna
No. 14 Light Play, Z33, Hasselt, Belgium
Liverpool Biennale, Liverpool
Momentum 2006, Moss, Norway
Sid Ned, Copenhagen
Nichts, Schirn Kunsthalle, Frankfurt
Preston, UK
Testigos, Fundación NMAC, Cádiz, Spain
Johann König, Berlin
Kit-o-Parts, CAN Neuchâtel
Le mouvement des images, Centre Pompidou, Paris
play station, Sprengel Museum, Hannover
Backdrop, Bloomberg Space, London
2005 Visionäre Sammlung Vol. 1, Haus Konstruktiv, Zürich
The Pantagruel Syndrome, T1 Torino Triennial of Contemporary Art
Black Market Worlds, 9th Baltic Triennial of International Art,
CAC Vilnius & ICA Vilnius
Ecstasy. In and about altered states, MOCA. Los Angeles
Flux, Illuminate Productions, London
Kunst findet Stadt, Gesellschaft für aktuelle Kunst, Bremen
Wall to be destroyed, FRAC Lorraine, Metz, France
Extra Ordinary, Kulturhuset Stockholm
Tanz im August, Berlin, Siemens Arts Program
Esprits du Lieu, Château du roi René, FRAC, Tarascon, FR
Sous les ponts, le long de la vallée, Casino Luxembourg
Light Lab. In the name of the light, Museion, Bolzano, IT
L’œil moteur, Les musées de Strasbourg
A Whiter Shade Of Pale – Kunst aus den nordischen Ländern,
Kunstverein Kehdingen
Moving parts, Museum Tinguely, Basel
universal experience. art, life, the tourist eye, Museum of
Contemporary Art, Chicago
Parklandschaften, Lüdenscheid
2004 Moving Parts, Kunsthalle Graz
Connected Presence, Union Gallery, with Johannes Wohnseifer,
London
Intervention Impact, Galerie für zeitgenössische Kunst, Leipzig
Tra Monti 04, Rome
Reflecting the Mirror, Marian Goodman Gallery New York
Gegen den Strich, Kunsthalle Baden-Baden
Rum I Rum, Vendsyssel Kunstmuseum, Hjørring, DK
A Secret History of Clay: From Gauguin to Gormley, Tate Liverpool
Quicksand, De Appel, Amsterdam
Gallery Jan Mot, Brussel
2003 Jeppe Hein, ROR ProjectRoom. Helsinki
Western, Charlottenborg, Autumn Show, DK
2nd Biennial of Ceramic in Contemporary Art, Albisola
Ten years Gallery Nicolai Wallner, Gallery Nicolai Wallner,
Copenhagen
Skulpturenpark, Graz 2003 Kulturhauptstadt Europas
Auf eigene Gefahr, Schirn Kunsthalle, Frankfurt/M.
Interludes, 50th Biennale di Venezia
Das lebendige Museum, MMK, Museum für Moderne Kunst,
Frankfurt/M.
aufgeschraubt & abgestaubt, Ludwig Forum für
Internationale Kunst, Aachen
The Straight or Crooked Way, Royal College of Art, London
Schnittprojekte, Schnittraum, Köln
2002 Ingrepp, Uppsala Kunstmuseum, Uppsala
I promise it is political, Museum Ludwig, Köln
Fuzzy, Galerie Minini, Brescia
Inside/ Outside, Galerie für zeitgenössische Kunst, Leipzig
Gangurinn The Corridor Gallery, Reikjavik
Hell, Galerie neugerriemschneider, Berlin
No Return. Positions from the Collection Haubrok, Museum
Abteiberg, Mönchengladbach
Art Statements, Art Basel, Galerie Michael Neff
2001 Meglepetes 2 / Surprise 2, Budapest
F20 P01. Frankfurter Positionen 2001, Städelschule Frankfurt / M.
Changes possible, Kunsthalle zu Kiel
Stage. Design of meeting point for interviews and discussions,
In connection with the IASPIS, Venice
Neue Welt, Frankfurter Kunstverein
Arbeit, Essen, Angst, Kokerei Zollverein, Essen
Strategies against Architecture II, Pisa
Take off 20:01, Aarhus Kunstmuseum
2000 Festival Junger Talente, Frankfurt/M.
Dynamo Eintracht, Hauptzollamt, Städelschule Frankfurt /
Hochschule für Bildende Künste Dresden
Charlottenborg, Autumn Show
Mandelbaums Wunderöl, Köln – Berlin
onepercent artspace, Video Lounge design, Stockholm Art Fair
1999 On Paper, Stalke Gallery, Copenhagen
Anarchitecture, De Appel, Amsterdam. In collaboration with Frans
Jacobi and Lars Bent Petersen
1997 Cellar, OTTO, Copenhagen
Ikea., Charlottenborg Spring Exhibition, with Kenneth Balfelt.
Commission Work Projects
2008 Big Art Project Channel 4, Isle of Mull, Scotland
Expo 2008, Zaragoza, Spain
Oppenheim Bank, Cologne, Germany
2007 Kraus Residence, New York, USA
Geo Center, Møns Klint, Denmark
Chiswick Park, London, Great Britain
Houghton Hall, Norfolk, Great Britain
Performers House, Silkeborg, Denmark
2006 Towada Art Project, Towada, Japan
2005 Water Island, Leeuwenborgh College Maastricht
3-Dimensional Mirror Labyrinth, Long Modified Social Bench,
Anyang Public Art Project, Corea
Monsieur Canal, Thoraise, Canal du Rhône au Rhin
Private Rain, Sculptureparc Bodø, Norway
Place de la Fleur, Lorient, France
Illuminated Benches, Torino
2004 Blomsten, EPO Den Haag
Changing Invisibility, DomAquarée Berlin
Changing Invisibility, Hiroshima Park Kiel
Collections (Selection)
Tate Gallery, London, Great Britain
Arken Museum of Modern Art, Arken, Denmark
MNAM – Centre Pompidou, Paris, France
FNAC Paris, France
FRAC, Marseille, France
Lehnbachhaus, Munich, Germany
MOCA, Museum of Contemporary Art, Los Angeles, USA
MMK, Museum für Moderne Kunst, Frankfurt/M., Germany
Other activities
Co-founder of OTTO, a non-commercial exhibition forum in Denmark
See: www.artnode.dk/otto
Bibliography
Jeppe Hein, Finn Janning (Ed.): “The Vital Coincidence”, Köln 2003
Press (Selection)
Monopol, Magazin für Kunst und Leben, Juni 2007, p115
Domus Special Issue – Space, light and architecture, June 2007, light, p 5
AD – Architectural Digest, 06/2007, “Seele schlägt Stuck” p131
Berliner Zeitung, No. 140, “Magische Fontänen. Trockenen Fußes durchs Wasser: eine neue Installation des Meisterkonstrukteurs Jeppe Hein”, 19. Juni 2007
Zitty, No 13 / 2007, “Spiel’s noch einmal. Jeppe Hein lässt in der Galerie Johann König Wasser sprudeln”, p110
Berlingske Tidende, 14. Maj 2007, “Kendte kunstnere indretter ny café”, Kultur 06ff
Aarhus.nu, 25. April 2007, “”Jeppe Hein og søster abner international kunstbar”
Politiken, 25. April 2007, “Kød, kunst og caféer på Flaesketorvet”, Kultur 3ff
Sleek No 14, Solid / Liquid, Spring 2007, p109
Midtjylland Avis, 30. April 2007, “Gav legat-penge til sini igangsaetter”
Midtjylland Avis, 30. April 2007, “Jeppe Hein delte legat med sin inispirator”
Midtjylland Avis, 26. April 2007, “Silkeb org Kunstnerlegat uddeles lordag”
Artpress, April 2007, No 333, p 82
Kingpin – Skateboarding Europa, deutsche Ausgabe No 39, März 07, “Sit on that” p 43
Urban, No 58, Maggio 2007, “Street Water”
Brutus, No 611, 3/1 2007, p. 160
Bolig Exklusiv, No 50, March 2007, p. 160f.
Time Out London, 17 March 2007, “Absent without leave”
Weekendavisen, 2 March 2007, Lisbeth Bonde, “Royaldania”, Kultur, p. 7
Berlingske Tidende, 1 March 2007, “Nye kongelige hofleverandører”
ARTINVESTOR, 02/2007, Focus Jeppe Hein, p 60ff
art, Nr. 2, February 2007, p. 45
Metro, 9 February, Fiona Macdonald, “Getting the ball rolling”, p. 41
Art Papers, November/December 2006, Yoann Van Parys, “Le mouvement des images”, p. 65
Cover, 30 November 2006
Where2Go Copenhagen, November 2006, Vol. 54, p. 106.
Art 21, No. 87, Anna Sansom, “Jeppe Hein”, p. 46 ff.
Politiken, 20 October 2006, “Kunstguide”
Flash Art, October 2006, p. 68/69
Artforum, October 2006, Francesco Stocchi, “Jeppe Hein”
Billeskunst, 2 October 2006, “Om labyrinter, gentagelse og originalitet”, p. 27
Ouest France, 30 September 2006, “La fontaine de Jeppe Hein, une idée qui jaillit”, p. 12
GO’Weekend, 23 September 2006, “Jeppe Hein slår hul i kunsten”, p. 12/13
L’Oeil Paris, September 2006, “Nothing. Circulez, le
Politiken, 18 September 2006, Trine Ross, “Refleksioner”
Politiken, 16 September 2006, “Refleksioner”
Information, 4 September 2006, Matthias Hvass Borello, “Jeg vil gerne styre folks adfærd”, pp. 16/17
Midtjyllands Avis, 1 September 2006, Steen Ancher, “Nye visioner på Papirfabrikken”, p. 1
Århus Stiftstidende, 30 August 2006, Louise Witt, “Ung dansk kunststjerne til Aros i 2008”
Kunstavisen, 25 August 2006, Uwe Max Jensen, “Er Kim Schumacher det 20. århundreds vigtigste danske kunstner?”
Art, August 2006, No. 8, Heiko Klaas, “Physik, die Spaß macht”, pp. 54–59
Kvällsposten, 16 August 2006, Boel Gerell, “Ett tomt rum i tidens anda”
Børsen, 11 August 2006, Britta Lysheim, “Usynlig kunst hitter på museum”
Sydsvenskan, 3 August 2006, Pontus Kyander, “Labyrintlek utan djup”
Time Out London, 2–9 August 2006, “Appearing Rooms”, p. 29
D’Letzebuerger Land, August 2006, “Jet d’eau ardent”
The Times, 2 August 2006, Tim Teeman, “A home for water babies”, p. 16
The Times, 29 July 2006, “It will be all meat and no veg if the heat goes on”, p. 38
The Daily Telegraph, 28 July 2006
Cover, 27 July 2006, “Succer”
Le Monde, 27 July 2006, “Jeppe Hein fait danser l’eau et le feu”
Le Républicain Lorrain, 23 July 2006, “L’eau et le feu mêlés à la synagogue de Delme”
Weekendavisen, 21 July 2006, “Schumacher”
Sydsvenskan, 21 July 2006, “Vibrationerna berättnar när du gått in i väggen”
Kieler Nachrichten, 20 July 2006
Volkskrant, 20. July 2006, “Oefening in Bescheidenheid”
Kieler Nachrichten, 15 July 2006, “Ein spritziges Vergnügen”
Tagesspiegel Berlin, 14. July 2006, “Licht an, Licht aus. Stille, Schweigen, Leere: Die Frankfurter Schirn widmet sich dem Nichts in der Kunst”
Frankfurter Rundschau, 13. July 2006, “Die Nichtfarbe Weiß”
Wiesbadener Kurier, 13. July 2006, “Rückzug der Bilder ins große Weiß. Junge und jüngste Kunst zum Thema “Nichts” in der Frankfurter Schirn”
Skånska Dagbladet, 8 July 2006, “Konst” & Britte Montigny, “Morgondagens konst är osynlig”
Weekendavisen, 7 July 2006, Lisbeth Bonde, “Georg Gearløs i Kreuzberg”
København (JP), 7 July 2006, “Historiske labyrinter med virtuelle vægge”
Le Républicain Lorrain, 2 July 2006, “L’eau et le feu sacrés de Jeppe Hein et la synagogue”
Borås Tidning, 1 July 2006, “Tradition och nytäkande”
Kunstavisen, 28 June 2006, Kinga Santus, “Ufrivillig interaktion”
Søndag, 26 June 2006, “Komet på Kunstscenen”
Fyens Stiftstidende, 20 June 2006, Andreas Grubbe, “Kunst kan løfte en bydel”
Politiken, 17 June 2006, Kultursektion, Trine Ross, “Det handler om at få Præstø på landkortet”, p. 5
Børsen, 15 June 2006, “Tidens Trends”
Information, 14 June 2006, Niels Boe Hauggaard, “Du er værket”, p. 15
Herning Folkeblad, 13 June 2006, Andreas Grubbe Kirkelund, “Kunst skal kommunikere”
Holbæk Amts Venstreblad, 12 June 2006, Andreas Grubbe Kirkelund, “Kunst skal kommunikere”
Politiken, 11 June 2006, Kultursektion, Anne Bech-Danielsen & Trine Ross, “Jeppe Hein følger Eliasson til ARoS”
København (JP), 10 June 2006, Tom Hermansen, “Legeplads for voksne”
Berlingske Tidende, 10 June 2006, “Gå tur i den usynlige labyrint”
Frederiksborg Amts Avis, 10 June 2006, Andreas Grubbe, “Kunst skal kommunikere”, p. 9
Morgenavisen, 10 June 2006, Sektion “København”, “Legeplads for voksne”, p. 10
MetroXpress Danmark, 9 June 2006, Nana Askov, “Usynlig kunst – der brummer i hjernen”
Berlingske Tidende, 9 June 2006, 4. Sektion, “Den unsynlige labyrint”, p. 18
The Citizen, June 2006, “Bloom time”
Evening Post, 8 June 2006, “Splashing start!”, p. 4
Jyllands-Posten/Morgenavisen, 8 June 2006, Pernille Anker Kristensen, “Usynlig legeplads”
Evening Post, 7 June 2006, “Arts extravaganza to take over city’s streets”, p. 4
Børsen, 6 June 2006, “Usynlig labyrint” & “Jeppe Hein udstiller i Præstø”
Weekendavisen, 2 June 2006, Kultursektion, “Kunst med og uden masse”, p. 6
Sjællandske, 23 May 2006, Jesper From, “Stort kunst-projekt skal berige sommeren i Præstø”
PNE Review (Preston Today), 13 May 2006, “Water way to do it for summer art”, p. 3
The Citizen, 11 May 2006, “Art arrives with splash”, p. 1
Information, 11 April 2006
Modern Painters, April 2006, “Backdrop”
HK Privatbladet, 25 March 2006, Lise Blom, “Kunstforeninger var springbræt for kometkarriere”
PÀP, February/March 2006, “Killer Balls”, p. 26/27
Kunstzeitung, März 2006, Nr. 115, p. 27
Morgenavisen / Kulturweekend, 3 February 2006, Lars Ole Knippel, “Den Globale Pendler”, p. 12/13
JP Århus+, 3 February 2006, Lars Ole Knippel, “Den kunstneriske pendler”
Xtra – Fyens Stiftstidende, 3 February 2006, Lars Ole Knippel, “Den kunstneriske pendler”
The Miami Herald, 29 January 2006, Elisa Turner, “Interactive Art”
FAZ, 22. Dezember 2005, Niklas Maak, “Das Ausstellungswunder von Berlin”
Der Tagesspiegel, 21. Dezember 2005, “Die letzte Lampe”
The Art Newspaper, Art Basel/Miami Beach Edition, Saturday December 3 2005, “Jeppe Hein: pinball wizard”
Kunstforum International, , Bd. 178, November 2005– Januar 2006, “Dialog zwischen dem Betrachter, den Räumen und den Kunstobjekten”, p. 147–155
l’Œil, November 2005, “Jeppe Hein: zigzags postminimalistes”
Politiken, 5 November 2005, “Labyrnitleg”, p. 8
culture.fr, “Jeppe Hein, labyrinthe invisible”
artnet Magazine, 21.10.2005, Hunter Drohojowska-Philp, “The Art Trip”
Les Cahiers du MNAM, Autumn 2005
an.no, october 28, 2005, Hans Trygve Holm, “En mann og en benk”
Télérama. October 26, “J’ai testé… le labyrinthe invisible”, p. 18
vsd, October 2005, “Labyrinthe invisible, Juste une illusion”
Zurban, October 5, 2005, Yasmine Youssi, “Mémoire et trajectoire, Jeppe Hein”
Citizen K, autumn 2005, Yoann Gourmel, “Œuvre à vivre”
MOOD, October 2005, “Il labirinto invisibile di Jeppe Hein a Parigi”
PARISart, October 2005, Muriel Denet, “Jeppe Hein, Labyrinthe Invisible”
Art21, October/November 2005, Emilie Villez, “Jeppe Hein”, p. 75
Artinvestor, Nr. 03/2005, p. 94
zitty, September 29, 2005, “FÜNF FRAGEN an Jeppe Hein”, p. 35
Télérama, September 28, 2005, Olivier Cena, “Le sensuel et le non-sens”
Qantas, September 2005, “Jeppe Hein: Neonwall”, p. 152
The Sydney Morning Herald, “Smile, you’re on candid art”
Eyemazing, Issue 8, Fall 2005, Anna Sansom, “Jeppe Hein, Virtual Labyrinth”
Muze, September 2005, Anne Laure Gannac, “L’art renouvelé”
Arte Italy, September 2005, Giacomo Turolla, “Nel labirinto dove artista e pubblico sono complici”
Pol Oxygen, Issue 14, 2005
20 Minutes, 19.09.05, “Se perdre dans un espace vide”
DS Magazine, September 2005, “Save the Date”
Têtu, Pierre-Emmanuel Nyeborg, “Labyrinthe” et “Unrestored”
Les Inrockuptibles, “Dans le labyrinth de Jeppe Hein”
Kunstportalen, September 30, 2005, “Anmeldelse: Jeppe Hein på Centre Pompidou”
Berlingske Tidende, September 22, 2005, Torben Weirup, “Den usynlige udstilling”, p. 6
Artpress, September 2005, Michel Gauthier, “attention à la boule et gare au cube”/”Minimalism with a Vengeance”, p. 30
02, Summer 2005, No. 34, Elisabeth Wetterwald, “Dossier Jeppe Hein. La tête au carré.”
Artpress, July/August 2005, p. 30ff.
Weekendadvisen, 22. – 28. Juli 2005, Henrik Wivel, “Mange bolde i luften”, p. 11
Cover, June/July 2005, p. 68
KunstbaZaren, May 2005
Les Inrockuptibles, May 10, 2005
Der Tagesspiegel,May 7, 2005, Katrin Wittneven, “Jeppe Hein”, p. 26
Le Progrès, 28.04.05, “Exposition Minimaliste”
Dagens Nyheter, 7. April 2005, Sanna Björling, “Mer nordiskt på mässan” supplement Kultur, p. 2
Göteborgs-posten, 7. April 2005, Berit Bergendahl, “Speglar människan I konsten”, p. 88 f.
Svenska Dagbladet, 7. April 2005, Clemens Poellinger, “Jeppe Heins verk vår saker att hända “, supplement “Kultur”, p. 7
Frog, No. 1, Spring/Summer 2005, Michel Gauthier, “Jeppe Hein, 360° Presence”, p. 80
Artforum International, March 2005, Tomas Saraceno, “Top Ten”, p. 100
Flash Art, Vol. XXXVII, No. 238, October 2004, p. 106–109
Zéro Deux No 31, Autumn 2004, Vincent Pécoil, “Jeppe Hein”, p. 40
Art, July 2004, p. 14 & 93
Monopol, June 2004, “Top Ten”
Frankfurter Allgemeine Zeitung, 13.05.2004, Catrin Lorch, “Diese da ist meine!”, p. 36
Süddeutsche Zeitung, 12.05.2004, Jutta Göricke, “Dänen lügen nicht”, p. 12
NY Artsmagazine, 19 May 2004, James Westcott
Kunstforum International, Renate Puvogel, p. 354
Frieze Issue 81, March 2004, Kirsty Bell, “In the line of fire”, p. 88-91
Il Piccolo, 30. March 2004, Aberto Rochira, “Villa manin apre al contemporaneo”
Art in Culture, Vol. No 4, December 2003,
Nu-E magazine Issue #1, 24 September 2003
Flash Art, Vol. XXXVI, No. 231, July 2003, Vincent Pécoil
Frieze. Issue 73, 2003, Dominic Eichler, “Jeppe Hein, Johann König, Berlin”, p. 92–93
Art – Das Kunstmagazin, Nr. 2, Februar 2003, Kira Van Lil, “Immer in einem anderen Licht”, p. 88
FAZ, 29.12.2002, Niklas Maak, “Kunst: Die Rache des Minimalismus”, p. 19
Kunstbulletin 11 / 2002, Raimar Stange, “Like a Rolling Stone? Zur künstlerischen Strategie von Jeppe Hein”
Artforum 11 / 2002, Text Luca Cerizza
Der Tagesspiegel, 19.10.2002, Raimar Stange
Zitty, 17–30. 10.2002
Süddeutsche Zeitung, 17.06.2002, Thomas Münster
Süddeutsche Zeitung, 29.05.02, Anne Erfle
TZ (Munich), 29.05.02, Alexander Altmann
Münchner Merkur, 29.05.02, Simone Dattenberger
KulturSPIEGEL, Heft 7 / Juli 2002, Ingeborg Wiensowski
Artist Kunstmagazin, Nr. 51, 2001, Raimar Stange
NU: Art Magazin, TAKE OFF 2001
Catalogues
The World as a Stage, Tate Gallery London, London 2007
Made in Germany, Sprengel Museum Hannover / Kunstverein Hannover / kestnergesellschaft, Hannover, 2007
Royal Academy Illustrated, Royal Academy of Arts London, 2007
Passion for Art, Sammlung Essl, Klosterneuburg/ Vienna 2007
Jeppe Hein. Usynlig Labyint. x’rummet, Statens Museum for Kunst, Copenhagen 2006
Liverpool International Biennial 06, Liverpool Biennial, Liverpool 2006
Nichts Nothing, Schirn Kunsthalle Frankfurt, 2006
Playstation, Sprengel Museum Hannover, Hannover 2006
Wall to be destroyed, Frac Lorraine, Metz (F) 2006
Try Again. Fail Again. Fail Better, Momentum 2006, 4th Nordic Festival of Contemporary Art, pp. 68–71
Lichtkunst aus Kunstlicht, ZKM Museum für Neue Kunst, Karlsruhe, Hatje Cantz Verlag, 2006, pp. 578/579 & p. 696
Overblik – 63 danske samtidskunstnere, Politikens Forlag, Copenhagen, 2006, p. 92 ff.
Manual til dansk samtidskunst, Lisbeth Bonde/ Mette Sandbye (Ed.), Gyldendal, Copenhagen 2006, pp. 257–261
Invisible Collection Productions, FRAC Lorraine, 2006, p. 3-126/3–127 & p. E-296
Testigos/Witnesses, Fundación NMAC, Montemedio, 2006, p. 44–49
What’s New Pussycat, Die Neuerwerbungen, Museum für Moderne Kunst, 2006, p. 112/113
Österreichischer Skulpturenpark – Garten der Kunst, Österreichischer Skulpturenpark, Graz, Hatje Cantz Verlag, 2006, p. 140/141
Jeppe Hein Until Now, Jeppe Hein (Ed.), Koenig Books London, 2006
The Pantagruel Syndrom, Exhibition Catalogue, T1 Torino Triennale Tremusei, 2005, p. 284–287
Tipping the Balance, Lee Young Chul, Anyang Public Art Project, Anyang (Korea) 2005,142 f.
ART NOW Vol 2, Uta Grosenick (Ed.), Taschen, Köln 2005, p. 192–195
Most Wanted – The Olbricht Collection, Verlag der Buchhandlung Walther König, 2005
Jeppe Hein, Editions du Centre Pompidou, Catalogue, Paris, 2005
Sous les ponts, le long de la rivière II, Casino Luxembourg, Catalogue, 2005
Ecstasy – In and about altered states, Museum of Contemporary Art, Lost Angeles, 2005
evn Sammlung 95–05, EVN AG, Catalogue, 2005
A Whiter Shade of Pale – Kunst aus den nordischen Ländern an der Unterelbe, Kunstverein Kehdingen/ Landschaftsverband Stade, Catalogue, 2005
Bibliotheca Alexandrina’s First International Biennale, Catalogue, 2004
Jeppe Hein, Appearing Rooms, Villa Manin, 2004
Gegen den Strich, Staatliche Kunsthalle Baden-Baden, Siemens Arts Program, 2004
Perfomative Installation, 2003/04, Siemens Arts Program, Galerie für zeitgenössische Kunst Leipzig
Albisola Ceramic Biennale , 2003
Zurück in die Kunst, 2003, Raimar Stange
Straight or Crooked Way, Royal Collage of Art. 2003
Take A Walk In The Forest At Sunlight, Jeppe Hein, Kunstverein Heilbronn, Catalogue 2003
At your own risk , Schirn Kunsthalle Frankfurt, Catalogue 2003
Exempla 2003 – Werkstätten der Gartengestaltung, Edition Handwerk, München, 2003, p. 40/41
Uppsala Kunstmuseum, Catalogue, 2002
I promise it`s political, Museum Ludwig Köln, Catalogue, 2002
No Return, Collection Axel Haubrok, Catalogue, 2002
Jeppe Hein, Frankfurter Positionen 2001, Catalogue
Arbeit, Essen, Angst, Kokerei Zollverein Essen, Catalogue, 2001
49. Venice Biennial, Catalogue (IASPIS), 2001
Neue Welt, Frankfurter Kunstverein, Catalogue, 2001
TAKE OFF, Arhus Kunstmuseum, Catalogue, 2001
REAL OTTO, Borgen Copenhagen, Catalogue, 2001
Festival Junger Talente, Jesper N. Jorgensen, Catalogue, 2001
References
Fred Bernard, Lily Love Peacock, casterman, Paris, 2006, p. 150f.
