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• Ibrahimovic, Amel
• Ignestam, Lena
• Ingen Frygt, _

  Ingen Frygt har eksisteret som kunstgruppe og fælles bevidsthed siden 2001. Igennem otte år har Ingen Frygt søgt at skabe vedkommende popkunst baseret på en blanding af kulturelle klichéer og selvoplevelser, for herigennem at udforske og beskrive selvets magt og positurer. Ingen Frygts kunstneriske produktion foregår som en konstant spejling mellem to ve Læs mere

  Ingen Frygt har eksisteret som kunstgruppe og fælles bevidsthed siden 2001. Igennem otte år har Ingen Frygt søgt at skabe vedkommende popkunst baseret på en blanding af kulturelle klichéer og selvoplevelser, for herigennem at udforske og beskrive selvets magt og positurer. Ingen Frygts kunstneriske produktion foregår som en konstant spejling mellem to verdener: En jordbunden og en mere fantastisk. Selviscenesættelsen og de ambivalente symboler går igen i en manende retorik, en slags skizofren ekspressionisme hvori fraktaler af kulturelle referencer opløses og stivner igen i betydningshallucinationer. Et nøglemotiv er f.eks. eksotisme som medium for følelsen af skyld – men også længsel. Et andet er den freudianske tænknings dybe forankring i den vestlige verdens forestillinger om selvet, der nærmest grænser til en slags overtro. Penge er en tredje tilbagevende besættelse, gennem hvilket Ingen Frygt søger at beskrive samfundsmæssige magtstrukturer som de udspiller sig i det individuelle liv. Vi kalder det ”følelsespolitik”. Den seneste tid har vi søgt at fremmane billeder af selvets overlevelsesstrategier som de kommer til udtryk i fantasmeagtige mentale forskydninger. Hvordan ser bevidstheden overhovedet ud? Dette elektriske sorte ingenting som trækker med tankernes flugt i mørke skygger? Hvad er præmisserne for at få to hjernehalvdele, der er uhjælpeligt badet i mørke, til at passe sammen og ind i tilværelsens trummerum? Minimer

• Ingerslev, Maja
• Ipsen, Thore
• Irmgard, Marie

  ARTIST STATEMENT 1) I do not see my paintings differing in style but I understand if you do 2) I think it is a cliché to view artist such as Jackson Pollock as clichés 3) I live half of my life in passive astonishment 4) I live a quarter of my life in frantic indifference 5) I live a quarter of my life in silent rage 6) I believe a painting can Læs mere

  ARTIST STATEMENT 1) I do not see my paintings differing in style but I understand if you do 2) I think it is a cliché to view artist such as Jackson Pollock as clichés 3) I live half of my life in passive astonishment 4) I live a quarter of my life in frantic indifference 5) I live a quarter of my life in silent rage 6) I believe a painting can change the world 7) I don’t think Denmark is a very healthy place to be 8) I sometimes consider to make myself a tinfoil hat 9) I don’t believe everything can be conceptualized or contextualized 10) I am serious about my paintings 11) Irony is good in humor sometimes, mostly it is not good in art 12) I don’t really understand Duchamp but I like his work 13) I prefer a visible boss to hegemony any day 14) I believe that images are worth repeating 15) I left university and applied for Fine Arts Academy because of the novel “Beloved” 16) I don't think a painting is justified by referring to another painting 17) America terrifies me but I miss it every day 18) I believe Nike’s slogan to be today’s most relevant philosophy 19) I think it is a shame Esperanto didn’t catch on 20) I miss cassette tapes 21) I miss the desert 22) Almost daily people tell me that “I shouldn’t worry so much” 23) Almost daily I think that people ought to worry more 24) I agree with both Peter Weibel and Clement Greenberg 25) I have a mirror in each room which makes me very uncomfortable and self-conscious but Karen Blixen recommends it as a way to stay present 26) I wish I was more like Jim Morrison and sometimes I am 27) I sometimes think about Lenny Bruce 28) I think about Huckleberry Finn almost daily 29) I believe that A Chacun son Paradis 30) I (too) often say to myself: “oh Toto we’re a long way from Kansas” 31) I think analysis can be paralysis and often is 32) J'veux pas finir comme Kurt Cobain 33) I tend to trust women who wear cowboy boots 34) I am not afraid of the dark 35) I am afraid of people in pastels 36) Johnny Cash was mine exactly two decades before he was yours 37) I still have Kris Kristofferson to myself but it is not quite the same 38) I wish someone would just fix things but I always roll up my sleeves 39) I believe painting is an idiotic discipline 40) I believe painting is the most important discipline 41) I believe the sound is there even if there is no one around to hear it 42) I believe in Kenneth Noland 43) My favorite word is "Godspeed" 44) Patti Smith told me that anything is possible and I believe her Minimer

• Isaksen, Else Ploug
• Isling, Michael
• Iversen, Marie Kølbæk

  Marie Kølbæk Iversen’s installations employ closed circuit video technology and various cybernetic systems to explore ideas of perception and representation. By foregrounding the technical process and the creative potential of the viewer, her work focuses on the moment at which language stops and immediate perception takes over.

  Marie Kølbæk Iversen’s installations employ closed circuit video technology and various cybernetic systems to explore ideas of perception and representation. By foregrounding the technical process and the creative potential of the viewer, her work focuses on the moment at which language stops and immediate perception takes over. Minimer