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Dahlgård, Kristian
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Dahlgaard, Søren
Søren Dahlgaard studied at the Slade School of Fine Arts in London and
graduated in 2002. His teachers were Professors Phyllida Barlow, Stuart Brisley,
Bruce McLean. History of art and theory professor Norman Bryson and lecture
Andrew Renton.
In the work of Søren Dahlgaard, method is challenged though narrative.
He incorporates a type of u Læs mere
Søren Dahlgaard studied at the Slade School of Fine Arts in London and
graduated in 2002. His teachers were Professors Phyllida Barlow, Stuart Brisley,
Bruce McLean. History of art and theory professor Norman Bryson and lecture
Andrew Renton.
In the work of Søren Dahlgaard, method is challenged though narrative.
He incorporates a type of understated slapstick in his work. This is mostly
apparent in his performances and staged photography series.
Visually he draws from the aesthetics of minimalism.
Recently he has exhibited at P.S.1 Contemporary Arts Center MoMA New York,
Ileana Tounta Contemporary Arts Center, Athens, International Prize for
Performance, Galleria Civica Museum of contemporary art, Trento, Italy and Statens Museum for Kunst -
the National Gallery, Copenhagen.
He lives in Copenhagen (DK)
www.sorendahlgaard.com Minimer
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Dahlin, Dorte
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Dalgaard, Jesper
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Dam, Mona
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Damgaard, Bodil
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Danø, Rasmus
Rasmus Danø is working with installation, painting, drawing, graphics and sculpture. His work is visual and textual comments on contemporary urban life on the edge of insanity – lost and longing for true nature.
Rasmus Danø is working with installation, painting, drawing, graphics and sculpture. His work is visual and textual comments on contemporary urban life on the edge of insanity – lost and longing for true nature. Minimer
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Davidsen, Cathrine Raben
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Degett, Karen
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Denhart, Lene
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Desmentik, Lene
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Diekmann, Maria
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diemer, rikke
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Dinesen, Christian Elovara
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Domke, Johanna
Johanna Domke´s approach to work with film/video is about walking the line between authenticity and fictionalization in order to talk about our construction of reality and its representation as image. Her practice derives from an observing origin and a fascination in social/urban contexts, focusing on the individual in relation to its social environmen Læs mere
Johanna Domke´s approach to work with film/video is about walking the line between authenticity and fictionalization in order to talk about our construction of reality and its representation as image. Her practice derives from an observing origin and a fascination in social/urban contexts, focusing on the individual in relation to its social environment, public space and power structures. Her work implies both documentary and fictional strategies of filmmaking, resulting in a mixture of hyperrealism and artificiality. She creates a plane of references to reality which has fiction discernibly woven into it. She is not interested in purely documentary films, but often borrows their conventions, that she uses as potential for fictionalization.
Minimer
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Donsø, Stephanie
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Dragset, Elmgreen
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Dröscher, Benny
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Dröse, Berit
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Duelund, Christina Bredahl
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Durakovic, Nermin
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Dysgaard, Morten