performance

• a Billedkunstner jurvinart

  Kunstner er en generel betegnelse for en person, der producerer kunst uanset hvilken genre, det drejer sig om... Uddannet som kunstner på Det Kongelige Danske Kunstakademi 24 December 1981 Jurij Vinogrodskij Arturij født i Vilnius Lituaen opvokset i Danmark. Hans kunstnerisk navn er jurvinart. Uddannet som kunstner på Det Kongelige Danske Kunstakademi. Read more

  Kunstner er en generel betegnelse for en person, der producerer kunst uanset hvilken genre, det drejer sig om... Uddannet som kunstner på Det Kongelige Danske Kunstakademi 24 December 1981 Jurij Vinogrodskij Arturij født i Vilnius Lituaen opvokset i Danmark. Hans kunstnerisk navn er jurvinart. Uddannet som kunstner på Det Kongelige Danske Kunstakademi. Afgang 2010. Arbejder med maleriets udtryksform olie ratning på nuverener tilspunk er NAIVISME. Billedekunst olie maling er primere renskab at framstile kunst men skulprur har også store infliuelse på jurvinart. Han arbejdet meget med svaisning jern. Skabt uteliger tel små skulpture i metal. Til skulpture brugt often glas. Hans studietid arbejdet med skulpturen. Granit bronser tree glas og jern. Uddannelser og kurser 2000 Haderslev Kommunale Ungdomsskole 2002 VUC Kolding 2004-2010 Det Kongelige Danske Kunstakademi 2005-2006 Vilnius Academy of Art See jurvinart`s youtube Channel Minimer

• Assenholt, Søren
• Bank & Rau
• Beck, Jens Axel
• Bertelsen, Louise

  performance, mix media, site specific, Public Art, video, installation, photografi, Live Art Happenings, sound, dance

  performance, mix media, site specific, Public Art, video, installation, photografi, Live Art Happenings, sound, dance Minimer

• Bigum, Martin
• Brackman, Yvette
• Bramsen, Marianne
• Burchardi, Sofia
• Busk, Henrik

  Jeg arbejder med udvikling af platforme for mellemmenneskelige relationer og har fælles social ansvarlighed, som et underliggende tema.

  Jeg arbejder med udvikling af platforme for mellemmenneskelige relationer og har fælles social ansvarlighed, som et underliggende tema. Minimer

• Callesen, Peter

  Udgangspunktet for mine seneste papirskulpturer er som oftest et almindeligt stykke hvidt A4 kopipapir, hvorfra der rejser sig en 3-dimensionel papirskulptur, som så efterlader sig en negativ tegning af det bortklippede. Jeg finder det interessant at arbejde med A4-papiret; Det er stadig i dag et af de mest brugte medier til bærere af information, Read more

  Udgangspunktet for mine seneste papirskulpturer er som oftest et almindeligt stykke hvidt A4 kopipapir, hvorfra der rejser sig en 3-dimensionel papirskulptur, som så efterlader sig en negativ tegning af det bortklippede. Jeg finder det interessant at arbejde med A4-papiret; Det er stadig i dag et af de mest brugte medier til bærere af information, hvilket gør materialet kendt af alle, men derfor også let overset som et materiale i sig selv. Denne fraværende opmærksomhed på det uprætentiøse materiale, kombineret med den lille skala, giver mig en frihed til at fortælle store og dramatiske fortællinger ind i små og romantiske papirlandskaber. Foruden det fortællende element, fungerer skulpturerne som undersøgelser af forholdet mellem flade og rum – illusion og virkelighed. Mine seneste papirklip har taget form som billedobjekter, hvor det fraklippede papir er faldet ud af billedet og er transformeret til 3-dimensionelle objekter, der ligger i bunden af rammen. Men for mig rummer materialiseringen af et stykke papir fra noget 2-dimensionelt til noget 3-dimensionelt ikke blot formelle undersøgelser – men ligeså meget en slags magi, som peger på et poetisk og eventyrligt element. Minimer

• Capetillo, Henrik
• Christensen, Vivi
• Dahlgaard, Søren

  Søren Dahlgaard studied at the Slade School of Fine Arts in London and graduated in 2002. His teachers were Professors Phyllida Barlow, Stuart Brisley, Bruce McLean. History of art and theory professor Norman Bryson and lecture Andrew Renton. In the work of Søren Dahlgaard, method is challenged though narrative. He incorporates a type of un Read more

  Søren Dahlgaard studied at the Slade School of Fine Arts in London and graduated in 2002. His teachers were Professors Phyllida Barlow, Stuart Brisley, Bruce McLean. History of art and theory professor Norman Bryson and lecture Andrew Renton. In the work of Søren Dahlgaard, method is challenged though narrative. He incorporates a type of understated slapstick in his work. This is mostly apparent in his performances and staged photography series. Visually he draws from the aesthetics of minimalism. Recently he has exhibited at P.S.1 Contemporary Arts Center MoMA New York, Ileana Tounta Contemporary Arts Center, Athens, International Prize for Performance, Galleria Civica Museum of contemporary art, Trento, Italy and Statens Museum for Kunst - the National Gallery, Copenhagen. He lives in Copenhagen (DK) www.sorendahlgaard.com Minimer

• Degett, Karen
• Ehlers, Jeannette

  Among other things Ehlers is concerned with creating computer manipulated video works on the basis of existing video and film material – so-called found footage. The principle behind her approach consists of taking single scenes from classic films or popular TV-shows and deconstructing the narrative contents of the scenes in question by, for instance Read more

  Among other things Ehlers is concerned with creating computer manipulated video works on the basis of existing video and film material – so-called found footage. The principle behind her approach consists of taking single scenes from classic films or popular TV-shows and deconstructing the narrative contents of the scenes in question by, for instance, leaving out or adding a character. With the meticulous precision of a surgeon Ehlers works her way through the selected material frame by frame. The technique demands extreme patience, for each second consists of about 25 frames and each frame has to be treated individually. If just one frame is skipped, the manipulation becomes too evident and the desired ”vanishing act” is rendered impossible. Jeannette Ehlers is especially interested in the removal or manipulation of the human body. Jeannette Ehlers is educated from the Royal Danish Academy of Fine Arts 2006. She lives and works in Copenhagen. Minimer

• Ejdrup Hansen, Elle-Mie

  Elle-Mie Ejdrup Hansen arbejder i flere forskellige medier som tegning, det klassiske oliemaleri og ikke mindst i store site-specifikke arbejder, der kredser omkring rum, teknologi og mennesker. Udgangspunktet for de store arbejder er en særlig topografi. Det kan være strandstrækningen fra Skagen til Sild, en stubmark i Vestjylland, eller et bygningsk Read more

  Elle-Mie Ejdrup Hansen arbejder i flere forskellige medier som tegning, det klassiske oliemaleri og ikke mindst i store site-specifikke arbejder, der kredser omkring rum, teknologi og mennesker. Udgangspunktet for de store arbejder er en særlig topografi. Det kan være strandstrækningen fra Skagen til Sild, en stubmark i Vestjylland, eller et bygningskompleks som Gellerup Parken i Brabrand eller en kirke. Fælles for de store værker er anvendelsen af ny teknologi, som kan være forskellige former for lys, video, eller helt ny software, udviklet særligt til værket. I de store arbejder involveres ofte komponister og musikere, men også andre discipliner, som programmører, interaktions designere og teknikkere. Et særligt kendetegn for de store værker er, at de er skabt i tæt samarbejde med og involverer en række forskellige mennesker. Minimer

• ejner, claus

  Jeg arbejder med tegning, skulptur, installation, video, Internettet, performance mm. Desuden har jeg mit eget forlag - forlaget dada-invest - hvor jeg udgiver mine egne bøger og samarbejdsprojekter med andre kunstnere.

  Jeg arbejder med tegning, skulptur, installation, video, Internettet, performance mm. Desuden har jeg mit eget forlag - forlaget dada-invest - hvor jeg udgiver mine egne bøger og samarbejdsprojekter med andre kunstnere. Minimer

• Enström, Alba

  Siden mine akademiår (1985-92) hos professorerne Albert Mertz, Bjørn Nørgaard og Mogens Møller har jeg arbejdet heltids som udøvende billedkunstner. I min motivverden blander jeg digt og virklighed og gennem maleri, tegning og collage har jeg konsekvent udforsket og undersøgt konventionerne omkring identitet, kaerlighed og samliv; samtidigt som jeg prøver, at fortolke en verden hér og nu ( se iøvrigt min hjemmeside:www.alba-art ).

  Siden mine akademiår (1985-92) hos professorerne Albert Mertz, Bjørn Nørgaard og Mogens Møller har jeg arbejdet heltids som udøvende billedkunstner. I min motivverden blander jeg digt og virklighed og gennem maleri, tegning og collage har jeg konsekvent udforsket og undersøgt konventionerne omkring identitet, kaerlighed og samliv; samtidigt som jeg prøver, at fortolke en verden hér og nu ( se iøvrigt min hjemmeside:www.alba-art ). Minimer

• Falsnaes, Christian

  Christian Falsnaes (b. 1980 in Copenhagen) studied philosophy and was active in the graffiti-, and squatting- scene before he began his studies at the Academy of fine Arts in Vienna. He lives and works in Vienna and Copenhagen.

  Christian Falsnaes (b. 1980 in Copenhagen) studied philosophy and was active in the graffiti-, and squatting- scene before he began his studies at the Academy of fine Arts in Vienna. He lives and works in Vienna and Copenhagen. Minimer

• Funder, Søren Thilo

  Soren Thilo Funders' works deal with diverse cultural fields and integrates aspects of critical theory, sociology, psychoanalysis, art theory, history, literature, metaphysics, theater, cinema, Sci-Fi, Horror, political activism and various counter-cultural disciplines. The works are formal investigations of the power relations of modern day soci Read more

  Soren Thilo Funders' works deal with diverse cultural fields and integrates aspects of critical theory, sociology, psychoanalysis, art theory, history, literature, metaphysics, theater, cinema, Sci-Fi, Horror, political activism and various counter-cultural disciplines. The works are formal investigations of the power relations of modern day society. Through the use of cinematic narratives, choreography and mise en scène, the works strive to expose the precariousness of contemporary society and the broken link between politics and the political. In the works the nostalgic is juxtaposed with the current and unpredictable lifeworld of the political subject, often moving beyond the mere present and into the yet-to-come or the parallel now. Soren Thilo Funder creates visual communiqués dissecting and revealing the invisibles of urban society, using the fictional and extra-real to pose new questions and generate a new potential space , a third place, for political contemplations and counter-memory. Minimer

• Galschiøt, Jens
• Gleerup, Trine Mee Sook
• Goll, Morten

  Morten Goll experiments with communication and social identity and the way these topics are interdependent. This research has lead to a series of art works which actively promote social change and reworking of social discourse and a series of tv-programs (produced for tv-tv) experimenting with political communication. He regards his work as social design Read more

  Morten Goll experiments with communication and social identity and the way these topics are interdependent. This research has lead to a series of art works which actively promote social change and reworking of social discourse and a series of tv-programs (produced for tv-tv) experimenting with political communication. He regards his work as social design which intervenes a given discourse through the change of an interface in order to facilitate an ethically and democratically responsible restructuring of the conditions in inter-human relations. Key words: third wave feminism, socio-politics, political art, post structuralism, the other, communication, ethics, social, collaborative, process, pragmatism, idealism. Minimer

• Hanne Nielsen & Birgit Johnsen
• Hansen, Mikael
• Hasle, Gudrun
• Haslund, Molly

  “I mine performances, objekter og installationer søger jeg at udfolde et humoristisk, absurd og surreelt univers. Jeg finder glæden og problemerne i paradokser, som findes i dagligdagsobjekter og hverdagssituationer, i kulturelle handlinger og i popkulturen. Gennem personlige ytringer eller konkrete konstruktioner skaber jeg poetiske og visuelle tableau Read more

  “I mine performances, objekter og installationer søger jeg at udfolde et humoristisk, absurd og surreelt univers. Jeg finder glæden og problemerne i paradokser, som findes i dagligdagsobjekter og hverdagssituationer, i kulturelle handlinger og i popkulturen. Gennem personlige ytringer eller konkrete konstruktioner skaber jeg poetiske og visuelle tableauer, der indeholder glædesfuld melankoli; Man kan kalde dette for ’’feel good performances” om emner som død, skuffelse og selvmord.” (Molly Haslund, 2011) Molly Haslund er uddannet fra Det Kgl. Danske Kunstakademi (årgang 2005) og Glasgow School of Art (2003-2005). Hun arbejder i et krydsfelt mellem skulptur, installation og performance med tråde til både billedkunst, scenekunst, varieté, stand up, litteratur og musik. Haslund arbejder sideløbende med forskellige projekter, der spænder over personlige ritualer til socialt engagerende workshops og interaktionsdesign, der har publikumsdeltagelse i fokus. Haslund arbejder både solo og som del af performancegrupperne Lone Twin Theatre (2005-2010) og Molly and Me (2007-pt.). I de seneste år har performanceopførelser været helt centrale i hendes kunstneriske virke, hvor emner om eksistentielle problemstillinger fremføres med et glimt i øjet. En ukulele (firstrenget mini-guitar) – enten akustisk eller elektrisk – er her ofte hendes følgesvend. Haslunds personlige historie og baggrund sættes i spil, ligesom både berømte og mindre kendte kunstneres personlighed og værker inddrages på forskellig vis. Det stedspecifikke er kendetegnende for Haslunds kunst, som hun enten udarbejder lokalt eller tilpasser nye lokaliteter, f.eks. performances, som aldrig genopføres efter nøjagtigt samme manuskript. Ethvert møde med Molly Haslunds kunst er dermed både overraskende og unikt. Minimer

• Hausken, Nils Viga
• High Heel Sisters, _

  Performance and artists group based in Denmark, Norway and Sweden. www.highheelsisters.com

  Performance and artists group based in Denmark, Norway and Sweden. www.highheelsisters.com Minimer

• Hjerl, Sophie

  Sophie Hjerl Born 1971, Copenhagen, Denmark. Educated at the Royal Danish Academy of Fine Arts 1993-2000 with an MA in Art Theory and Art Communication 2000-02. Sophie Hjerl's primary medium is video, but she also uses a wide range of other media. She works with a sensual, direct and poetic touch in the synthetic world of the new media. Her work br Read more

  Sophie Hjerl Born 1971, Copenhagen, Denmark. Educated at the Royal Danish Academy of Fine Arts 1993-2000 with an MA in Art Theory and Art Communication 2000-02. Sophie Hjerl's primary medium is video, but she also uses a wide range of other media. She works with a sensual, direct and poetic touch in the synthetic world of the new media. Her work brings the viewer into a journey of meditative own reflection, concerning the visible as we (think we) know it. She has exhibited and had her videos screened at museums, galleries and festivals in Denmark and abroad. Minimer

• Holm, Anni
• Holm, Uffe
• Hvejsel, Ulla

  Crosscultural experiments with journalism, theatre, letterwriting, powerpointing , television, visual arts etc!

  Crosscultural experiments with journalism, theatre, letterwriting, powerpointing , television, visual arts etc! Minimer

• Ipsen, Thore
• J&K / Janne Schäfer og Kristine Agergaard

  The artist-duo J&K (Janne Schäfer, D / Kristine Agergaard, DK) have been working in collaboration since 1999 and are based in Berlin and Copenhagen. J&K work with mixed media installations, performance and interventions in public and institutional spaces. Travel, rituals and mythologies majorly inspire their work in which they play with signs, clichés and ident Read more

  The artist-duo J&K (Janne Schäfer, D / Kristine Agergaard, DK) have been working in collaboration since 1999 and are based in Berlin and Copenhagen. J&K work with mixed media installations, performance and interventions in public and institutional spaces. Travel, rituals and mythologies majorly inspire their work in which they play with signs, clichés and identities in a fiercely entertaining and colour-saturated universe. With humour and a surprising and almost shameless pilfering of symbolism from different cultures, audiences are lead into constructed worlds where neo-colonial and cross-cultural problems are examined and thematized. J&K explore the creative potential that underlies any modeling of reality and playfully question concepts of truth production, writing of history and cultural identity. Minimer

• Jacobi, Frans
• Jacobsen, Stine Marie
• Jafri, Maryam
• Jespersen, Cecilia de Jong

  Relationel æstetisk praksis. Huskunstner. Nære relationer, familie og venner er udgangspunktet for mine kunstneriske undersøgelser. Sommetider forsøger jeg at lave kunst i nye sammenhænge i samarbejde med dem jeg møder og den kontekst vi sammen indgår i. Jeg interesserer mig for at sætte stemme og give scene til erfaringer fra hverdagslive Read more

  Relationel æstetisk praksis. Huskunstner. Nære relationer, familie og venner er udgangspunktet for mine kunstneriske undersøgelser. Sommetider forsøger jeg at lave kunst i nye sammenhænge i samarbejde med dem jeg møder og den kontekst vi sammen indgår i. Jeg interesserer mig for at sætte stemme og give scene til erfaringer fra hverdagslivet og de spørgsmål det stiller om det omgivende samfund, både af politisk og filosofisk karakter. Min praksis og dens udtryksformer tager afsæt i den konceptuelle, kontekst og site-specifikke tradition. Ligesom performance fra især 70 ´erne og problemerne omkring dokumentation interesserer mig. Minimer

• Johansen, Andreas Stoubye
• Johansen, Charlotte Bergmann

  Charlotte Bergmann Johansen arbejder selvstændigt og i gruppe, skulpturelt og performativ. Jeg er oftest inspireret af fotografier, billeder eller optegnelser fra kunst- og kulturhistorien, og ændrer gerne materialers hverdagsfunktion som i mine glas med miniaturelysekroner, de uforgængelige abeskulpturer af blød modellervoks, det potente hjortehoved indgnedet i jord og den for længe siden udstoppede dansekjole.

  Charlotte Bergmann Johansen arbejder selvstændigt og i gruppe, skulpturelt og performativ. Jeg er oftest inspireret af fotografier, billeder eller optegnelser fra kunst- og kulturhistorien, og ændrer gerne materialers hverdagsfunktion som i mine glas med miniaturelysekroner, de uforgængelige abeskulpturer af blød modellervoks, det potente hjortehoved indgnedet i jord og den for længe siden udstoppede dansekjole. Minimer

• Kaisen, Jane Jin

  http://janejinkaisen.org Jane Jin Kaisen is a visual artist working in a project-based manner within the mediums of film, video installation, performance and text. From a transnational feminist and postcolonial perspective, she is interested in the re-writing of history and official narratives in order to suggest new genealogies and readings.

  http://janejinkaisen.org Jane Jin Kaisen is a visual artist working in a project-based manner within the mediums of film, video installation, performance and text. From a transnational feminist and postcolonial perspective, she is interested in the re-writing of history and official narratives in order to suggest new genealogies and readings. Minimer

• Kalsmose-Hjelmborg, Mille

  The Quest for (a new) identity Text by: Art historian and Art Critic Trine Ross The Works of Mille Kalsmose-Hjelmborg evolves around the concept of TRANSFORMING IDENTITY both in her private research and in site specific assignments. We tend to forget that our personal identity is negotiable and is constantly being negotiated around and Read more

  The Quest for (a new) identity Text by: Art historian and Art Critic Trine Ross The Works of Mille Kalsmose-Hjelmborg evolves around the concept of TRANSFORMING IDENTITY both in her private research and in site specific assignments. We tend to forget that our personal identity is negotiable and is constantly being negotiated around and inside us. But when we forget, the artworks of Mille Kalsmose-Hjelmborg are here to remind us. One such work is the ongoing project ’All My Suicides’ which has so far resulted in both a Part One and a Part Two. The first part consists of Kalsmose-Hjelmborg’s many new name certificates – from the name, ”Henriette Olesen”, she was christened through several variations until she reached her present name, ”Mille Kalsmose-Hjelmborg”, in 2008. The name we are given by our parents reveals many aspects of our selves. Most names are gender specific, but they often also reveal our nationality, age and background. But names can be changed and maybe we can change with them. And behind each new name taken by Kalsmose-Hjelmborg lies a wish for change and a will to take charge of her own destiny – and identity. In ’All My Suicides - Part Two’ Kalsmose-Hjelmborg lies her former identities to rest and carves a headstone in memory of each and every one of them. Thereby reminding us, that even as we change, evolve or just grow older, we still carry our past as part of the present, painful or joyous as it may be. And only by facing this fundamental fact we can truly ... change. The works of Kalsmose is based on classical stories about the family-concept, and "Happiness" related to the stereotype illusions hereof created via the media and the general society. In Her work she seeks to decode the story of what it means to be part of a family, to be someone's daughter or mother. Accordingly, her artwork becomes an almost anthropological survey of the romantic family-dream, where she applies the nuclear family as a readymade. It is a piece of work that tells the story of a reality that amalgamates with the illusion of the person to which she tries to construct a new reality, via the wishful image. Mille Kalsmose has been exhibited nationally in juried exhibitions and solo shows. Internationally she has exhibited in places such as Chelsea Art Museum in New York and ITAMI, Museum for arts And Craft in Hygo and been featured in publications and TV-shows. Minimer

• Karlström, Line Skywalker
• Krull, Carl

  Carl Krull is a consummate draftsman whose practice primarily centers around drawing, various kinds of animation techniques and video documentation of the drawing process. Through his work with capturing the process the spectator is invited to enter the evolution and constantly changing world of his creations. Carl Krull (b. 1975) is a danish artist bas Read more

  Carl Krull is a consummate draftsman whose practice primarily centers around drawing, various kinds of animation techniques and video documentation of the drawing process. Through his work with capturing the process the spectator is invited to enter the evolution and constantly changing world of his creations. Carl Krull (b. 1975) is a danish artist based in Copenhagen. He graduated from the Academy of Fine Arts in Cracow, Poland in 1999 and has ever since contributed to a wide range of exhibitions in both Denmark and abroad. His latest exhibitions has been at Kunsthal Charlottenborg and ARoS. For more information: www.carlkrull.com Minimer

• Kryger, Mathias
• Kærn, Simone Aaberg

  Simone Aaberg Kærn, in the early 1990s, began working with projects relating to surveillance and control. This, however, soon turned into a fascination for the unreachable and impossible task of floating: flying in the space. Through animated flying videos, such as Air (1994), wanna fly (1995), and Royal Greenland (196), Simone Aaberg Kærn investi Read more

  Simone Aaberg Kærn, in the early 1990s, began working with projects relating to surveillance and control. This, however, soon turned into a fascination for the unreachable and impossible task of floating: flying in the space. Through animated flying videos, such as Air (1994), wanna fly (1995), and Royal Greenland (196), Simone Aaberg Kærn investigated and soon found a symbolic free space in the air. At first, it was animated spaces, in which she flew across the skies of Copenhagen, New York and Greenland seeking the limits of gravity and individual unassisted human flight. Soon after Simone Aaberg Kærn achieved her own flight certificate in order to produce the work, Sisters in the Sky. This was demanded by Anne Noggle, one of the female pilots, who also was portrayed in the work Sisters in the Sky (1997). Simone Aaberg Kærn’s painted portraits of female fighter pilots from Second World War was shown at and acquired by Louisiana Museum of Modern Art, Humlebæk. Sisters in the Sky is an impressive aesthetic and intellectual peephole of how women at that time could realize their dream of flying in a time of hardship. In the painting and sound installation, Simone Aaberg Kærn narrated their stories with a poetic, political and feministic gesture and introduced the notion of aero feminism – an aero feministic sisterhood across cultures and generations. One of Simone Aaberg Kærn’s most spectacular projects started in 2002. One day the artist read an article in a Danish newspaper about the girl Farial from Kabul in Afghanistan. Farial’s greatest wish was to become a fighter pilot. Simone Aaberg Kærn had no doubts; she had to attempt to reach her and show her how to fly. In Micro-Global Performance (2002-03) Aaberg Kærn took off in her fragile Piper Colt flight from Little Skensved, Denmark, to Kabul, Afghanistan. Micro-Global Performance is produced in collaboration with Magnus Bejmar. They flew across borders; crossing the enormous mountain range Hindukush (the Hindu Killer) to Kabul with the risk of the American Air Force would attack them. In the film Smiling in a War Zone (2005) Simone Aaberg Kærn crosses war zones and defies the military power in order to make contact to the girl Farial. She risked her own life so she could give Farial a journey in the air. In the film Farial flies the plane over Kabul. From a global perspective, the sky and the airspace are a place of battles – over power, prestige and politics. At the same time, the sky is a place of refuge for individuals, a place onto which you may project your own wishes and dreams. by Lars Grambye, Jacob Fabricius & Lotte Juul Petersen from the exhibition catalogue Simone Aaberg Kærn: Open Sky, Malmö Konsthall (Sweden) 2006 Used with permission of the authors and Galerie Asbæk © The authors Minimer

• Lau , Lasse

  Biography (english version) Lasse Lau (born 1974 Denmark) is a queer and social activist, visual artist and filmmaker based in Brussels and Copenhagen. He studied at the Whitney Museum of American Art Independent Study Program in New York and at the Funen Academy of Fine Art in Denmark. "Agency of Public Resources" (APR) is the imaginary common subject Read more

  Biography (english version) Lasse Lau (born 1974 Denmark) is a queer and social activist, visual artist and filmmaker based in Brussels and Copenhagen. He studied at the Whitney Museum of American Art Independent Study Program in New York and at the Funen Academy of Fine Art in Denmark. "Agency of Public Resources" (APR) is the imaginary common subject matter from which most of Lau's recent interdisciplinary art projects originate. It is an agency that through the means of art and collectiveness accumulates on site knowledge, and through dialogue facilitates re-negotiations of space and democracy. His work continues to expose the amnesia of today's crises in the global economy, and the parallel social displacement of people in spatial terms. Lau often insists on the participation of the viewer in the aesthetic production. He believes that this will opens up the possibility for art to resonate in a different and more critical relation to the subject matter. He seeks to utilize aesthetics as a framework that can open dialogical paths for social change. Lau has exhibited in Westfälischer Kunstverein, Hamburger Bahnhof and Wolfsburg Kunstverein in Germany, Aarhus Art Museum and Brandts Klaedefabrik in Denmark, The Museum of Contemporary Art in Croatia, The Turin Biennial of Contemporary Art in Italy, the Contemporary Museum in Baltimore, Smack Mellon Gallery and PS1 Contemporary Art Center in New York. Beside his exhibition activity Lau is the editor of the www.c-m-l.org - an online archive for social engaged art. Further he is a founding member of Kran Film Collective - www.kranfilm.net Minimer

• Lomholt, Astrid

  Astrid Lomholt 1974 bor og arbejder i KBH Jeg har udstillet både internationalt som nationalt, i øjeblikket, deltager hun med sin dvd ’Changeless’ ,på Gallery Nanda-kan i Saku City, hun deltager på kultur udstillingen i Damaskus med tegning. Jeg producere lyd og video til eksperimenterende performances både på Musikteateret Plex og performance i det Read more

  Astrid Lomholt 1974 bor og arbejder i KBH Jeg har udstillet både internationalt som nationalt, i øjeblikket, deltager hun med sin dvd ’Changeless’ ,på Gallery Nanda-kan i Saku City, hun deltager på kultur udstillingen i Damaskus med tegning. Jeg producere lyd og video til eksperimenterende performances både på Musikteateret Plex og performance i det offentlige rum. hun har opført adskillige støjkoncerter i samarbejde med lydkunstneren Tanja Schlander. Mine to seneste udstillinger har været et arbejde med lyden i to forskellige, men dog meget ens i deres skrøbelighed. Jeg deltog i Total Aktion på Museet for Samtidskunst i Roskilde med værket ’Ved at opdage lyden, forandres den’(www.erindring.com, reallyd) og i Torpedo18 eksperiment om utilgængelig kunst med værket ’Lyden af vind – refleksion over menneske og vind’ Jeg tog min afgang fra Det Fynske Kunstakademi 2005 og har siden beskæftigede mig med undersøgelserne af soniske og visuelle rums æstetik og abstraktion. Jeg er rettet i mod menneskets væren i værkets tilstedeværelse og tilfældet, hvor en eventuel ændring er med skabende. Minimer

• Lundme, Tomas Lagermand

  Arbejder som forfatter, dramatiker, scenograf og billedkunstner

  Arbejder som forfatter, dramatiker, scenograf og billedkunstner Minimer

• Lysholt-Hansen , Nanna

  Nanna Lysholt-Hansen graduated at the Royal Danish Academy of Fine Art in Copenhagen, 2011 She is working with video installation and photography deriving from a performative art practice

  Nanna Lysholt-Hansen graduated at the Royal Danish Academy of Fine Art in Copenhagen, 2011 She is working with video installation and photography deriving from a performative art practice Minimer

• Nielsen, Mogens Otto
• Nørring, Jonas Engbirk

  Operating 77m3 RumForKunst Art of Kailas

  Operating 77m3 RumForKunst Art of Kailas Minimer

• Petersen, Karen
• Ramdas, Anu
• rasmus knud

  The fantastic, with a knowing resonance in narrow and legislated concepts of the real, was a part of the artistic production that took place behind the iron curtain. In the Polish author Stanislaw Lem's 1967 slapstick sci-fi novel The Cyberiad, two robot inventors, Trurl and Klaupacius, travel the cosmos and try to out- invent each other with cybernetic c Read more

  The fantastic, with a knowing resonance in narrow and legislated concepts of the real, was a part of the artistic production that took place behind the iron curtain. In the Polish author Stanislaw Lem's 1967 slapstick sci-fi novel The Cyberiad, two robot inventors, Trurl and Klaupacius, travel the cosmos and try to out- invent each other with cybernetic creatures spawned by an almost medieval imagination – often with disastrous consequences for their employers. 30somethings will also remember the Czech childrens' TV cartoon Professor Balthasar whose eponymous protagonist invariably found a solution to seemingly insurmountable problems. In the darkest hour, the Professor would invent a machine or a magic potion designed to facilitate the continued functionality of something very specific in a corner of time and space that had been out of whack. Of course, Denmark at the beginning of the 21st century isn't Poland or Czechoslovakia under the communist regime. However, there are some figures and fantasies in common between the anti-authoritarian innuendos of Eastern European art and the collaborative work of rasmus knud and Søren Andreasen. Even if circumstance doesn't allow for head-on confrontation, the formulation of opposition is always brought about by necessity. When freedom is at stake, an imagination that transcends ideology can unleash the potential for inventing new concepts and ideas. This is also a way of stimulating some undefined quantities that are open to interpretation, in order to avoid the pitfalls of negative critique. In other words, when confronted with two opposing ideological viewpoints it is possible to adopt a third position outside their inevitable collision area, in order to take the game beyond a binary deadlock. rasmus knud, a goofy constellation of two Scandinavian Christian names, is the nom de guerre for the duo Johannes Christophersen and Sebastian Schiørring. The collaborative work of rasmus knud and Søren Andreasen traverses signifying systems, media and themes. 'Themes' is used here in the musical sense – a given structure which equips the musician with a point of departure and some co-ordinates for progress. rasmus knud has previously dealt with urbanity, social conditioning and gender politics, issues that are continuously negotiated, or re- mixed, in their new work. The anarchic concept art of rasmus knud and Andreasen's work ranges from the fastidious formal strategies of minimal electronica to the freewheeling fantasies of digital bards and dragons of improbability, to borrow from Lem's inhabitants of Cyberia. That is to say, beyond signature styles and media, a certain spirit is identifiable: we will not back down, we will never surrender! Often, their collaborations accentuate what is already present in the sites where they exhibit. Here, their work assumes the quality of a free jazz improvisation of space. Not with horns, drums and piano but equipped with a video camera that myopically extracts the ideology from architectural forms and turns them into new territories. In the video accompanying their installation 2nd Ambition and Instrument, 2000, for a building in Ljubljana, the image represents a disembodied eye flying low over a control keyboard of all on-site electronic installations in a place haunted by post-communist phantoms of bureaucratic control. Enlarged as a wall projection, the footage of dials and buttons becomes a tour of a cityscape of repetitive and redundant elements, laden with utopian significance. A recurring element in their recent work is wallpaper with text relating to Jacques Tati's deadpan blowout Playtime and his comical figure Monsieur Hulot. Play is a state of unworried reorganisation, and the actual formation of co-operation in rasmus knud and Søren Andreasen could be said to be a playful investigation of sites and events when the individual nervous system is shown to be coextensive with civilisation. For formulating this state of affairs, the artists have invented a narration machine, the ROOMULATOR. The ROOMULATOR is a kind of mega-puzzle, a simple structure consisting of text fragments glued onto pieces of wood, comprising an archipelago on the exhibition floor where its patches mumble amongst themselves and their context. The musical compositions that the trio recently presented at the Yokohama Triennial were sequentially organised according to the weekdays. Let us finish with a quote from the Wednesday session notes: “When we were doing Wednesday Filters Date it was a struggle to get it out and abandon everything that we had done before. The session ventures into unusual improvisational areas with a very spontaneous drive around the bass line that probably will stay with you long after your phonograph is turned off”, rasmus knud and Andreasen promise. They go on, in response to self-reflective and ego- restorative forms of art and communication which, after all, are also ways of narrowing down reality: “In Wednesday Circuits Date we're trying to fan out – to concern ourselves with the universe instead of just our own small corner of it. It should – particularly at a time when the expression of interior emotions is a focal point for many - be a refreshing statement.” Translated by Lars Bang Larsen Minimer

• Rasmussen, Lillibeth Cuenca

  Lilibeth Cuenca Rasmussen (b.1970 in Manila) lives in Copenhagen Denmark. Works primarily with video and performances. She navigates the interspaces between different kinds of realities and extremes. Between the staging of music videos and the raw reality of documentaries. Between personal confessionals and political commitment. Taking her Read more

  Lilibeth Cuenca Rasmussen (b.1970 in Manila) lives in Copenhagen Denmark. Works primarily with video and performances. She navigates the interspaces between different kinds of realities and extremes. Between the staging of music videos and the raw reality of documentaries. Between personal confessionals and political commitment. Taking her own Danish-Filipino background as her point of departure, Cuenca Rasmussen displays a keenly honed sensitivity, almost like that of an anthropologist, to the narratives that exist in and between a place of birth and home country. She gathers, adapts, and universalisms these narratives in her both critical and humorous approach to central issues such as identity, culture, religion, gender, and social relations. Lilibeth Cuenca Rasmussen is a graduate from The Royal Danish Academy of Fine Arts Copenhagen, Denmark (1996-2002). She has contributed to a wide range of exhibitions in Denmark (EgoShow, solo in The X Room, State Museum of CPH. in 2006, and abroad Global Feminisms in Brooklyn Museum, New York, 2007). In 2004 she received the Danish Art Council's three-year grant. Minimer

• Recke, Nikolaj
• Reuter Christiansen, Thorbjørn
• Rude, Mille

  Jeg arbejder med en blanding storytelling, dokufiktive hændelsesforløb, performative såvel som skulpturelle praksisser, billeder, tekst, tap dance og lyd.

  Jeg arbejder med en blanding storytelling, dokufiktive hændelsesforløb, performative såvel som skulpturelle praksisser, billeder, tekst, tap dance og lyd. Minimer

• Schiørring, Sebastian
• Schrader, Louise
• Seeberg, Jonas
• Seest, Thomas
• Selwyn-Gray, Alexandra

  My present practice is mainly informed by spirituality encompassing iconography and influenced by philosophy and theory, which responds to specific areas, traditions and cultures, questioning of moral and social values and sometimes a sense of the irony in the ridiculous. I mainly work in artist video, performance, sculpture and installatio Read more

  My present practice is mainly informed by spirituality encompassing iconography and influenced by philosophy and theory, which responds to specific areas, traditions and cultures, questioning of moral and social values and sometimes a sense of the irony in the ridiculous. I mainly work in artist video, performance, sculpture and installation. Recently a bridge has formed between all my disciplines which explore the notion of mediated presence and allow me to investigate the gaze and different ways of involving an audience. I am continually questioning with work that I hope is thoughtful and provocative, revealing what lies beneath the surface, often in many layers of interpretation. Minimer

• Serber, Katja
• Tanderup, Fie
• Thordarson, Liné Ringtved

  Bachelor of Fine Art. Med speciale i skulptur. Uddannet fra Icelandic Academy of Fine Art 2006.

  Bachelor of Fine Art. Med speciale i skulptur. Uddannet fra Icelandic Academy of Fine Art 2006. Minimer

• Tækker, Jacob
• WOOLOO

  Wooloo (Sixten Kai Nielsen & Martin Rosengaard) 1978 & 1979, Denmark. Lives and works in Copenhagen and New York. Wooloo (founded 2002) is a networked artist group operating through the online community www.wooloo.org. Mixing digital communication with physical participation, Wooloo has developed a working method based on the advocacy of collectivity. Read more

  Wooloo (Sixten Kai Nielsen & Martin Rosengaard) 1978 & 1979, Denmark. Lives and works in Copenhagen and New York. Wooloo (founded 2002) is a networked artist group operating through the online community www.wooloo.org. Mixing digital communication with physical participation, Wooloo has developed a working method based on the advocacy of collectivity. While the Wooloo website currently connects the resources of more than 13.000 cultural producers in 140 countries, the group's various projects function as social experiments in direct collectivism. Recently, Wooloo organized the housing of three thousand activists with private families during the UN climate change summit in Copenhagen. Supplying the infrastructure for visitors to come and voice their opinion - and for strangers to share their homes and experiences - the Wooloo project was a large-scale exercise in communal cooperation. Minimer

• Zahle, Maria
• Zaragoza, Joaquin
• Ørum og Bojen, Kristoffer og Anders, _
• Øvlisen, Thomas Hallas
• Aabille, Jesper

  I see myself as a an artist who work with variety of strategies: social and urbane interventions and sculptures as well as drawings and textoriented pieces of work. The common thread within these practices is the focus on the social life, whether it is solutions to mundane problems by making bridges to avoid stepping in a water pit or whether it is the Read more

  I see myself as a an artist who work with variety of strategies: social and urbane interventions and sculptures as well as drawings and textoriented pieces of work. The common thread within these practices is the focus on the social life, whether it is solutions to mundane problems by making bridges to avoid stepping in a water pit or whether it is the refinement in illustrating a practical act as for example making an apple pie. Through the insistent attention to the often hidden and nonexposed details of social life I often enter the borderline between reality and fiction because my solutions or projects often take on the form of the absurd, and here I try to search for the point where this line becomes unstable. A central part here is a very specific and insisting interpretation of the world which because of it's limited and defined scope never will be adequate in a complex modern reality and thereby the failure is an immanent follower of the work right from the begining, but it only shows its grim face when I have exhausted any other oppportunity. Minimer