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• a Billedkunstner jurvinart

  Kunstner er en generel betegnelse for en person, der producerer kunst uanset hvilken genre, det drejer sig om... Uddannet som kunstner på Det Kongelige Danske Kunstakademi 24 December 1981 Jurij Vinogrodskij Arturij født i Vilnius Lituaen opvokset i Danmark. Hans kunstnerisk navn er jurvinart. Uddannet som kunstner på Det Kongelige Danske Kunstakademi. Read more

  Kunstner er en generel betegnelse for en person, der producerer kunst uanset hvilken genre, det drejer sig om... Uddannet som kunstner på Det Kongelige Danske Kunstakademi 24 December 1981 Jurij Vinogrodskij Arturij født i Vilnius Lituaen opvokset i Danmark. Hans kunstnerisk navn er jurvinart. Uddannet som kunstner på Det Kongelige Danske Kunstakademi. Afgang 2010. Arbejder med maleriets udtryksform olie ratning på nuverener tilspunk er NAIVISME. Billedekunst olie maling er primere renskab at framstile kunst men skulprur har også store infliuelse på jurvinart. Han arbejdet meget med svaisning jern. Skabt uteliger tel små skulpture i metal. Til skulpture brugt often glas. Hans studietid arbejdet med skulpturen. Granit bronser tree glas og jern. Uddannelser og kurser 2000 Haderslev Kommunale Ungdomsskole 2002 VUC Kolding 2004-2010 Det Kongelige Danske Kunstakademi 2005-2006 Vilnius Academy of Art See jurvinart`s youtube Channel Minimer

• Andersen, Ann Louise
• Assenholt, Søren
• AVPD, -

  AVPD was initiated in 1997 and is the working label of visual artists Aslak Vibæk (b. 1974) and Peter Døssing (b. 1974). AVPD works within an interdisciplinary field where we unite knowledge from fine arts, architecture, science and the humanities. At this point we have our main focus on the perceptual relation between man and space. Our discourse and ph Read more

  AVPD was initiated in 1997 and is the working label of visual artists Aslak Vibæk (b. 1974) and Peter Døssing (b. 1974). AVPD works within an interdisciplinary field where we unite knowledge from fine arts, architecture, science and the humanities. At this point we have our main focus on the perceptual relation between man and space. Our discourse and physical work is very influenced by Sci Fi and first shooter computer games which take place in virtual 3-dimensional environments. These fictional domains turn out to be a strange kind of laboratories where there is a unique interest in creating new extraordinary constellations between space and man. These space-body phenomenons are normally fixed in the domain of fiction but our artistic approach is to draw these fictive spatial experiments into a physical reality with the human as an experimental/experiencing object, left to experience a yet unknown space. We define our spatial works as meta-architectures where the normal perception of the spectator is challenged and displaced and a new experience of space is made possible. In our works, we try to rethink the triangular constellation of the subject, the object and the context. We are interested in how spatial constructions effect the perception of the spectator and how she/he grasps the space in a cognitive, emotional and intellectual way. Our domain is reality and our artistic praxis is a spatial laboratory. http://www.avpd.net Minimer

• Bent, Maiken
• Berger, Stine
• Bigum, Martin
• Brinch, Jes
• Burchardi, Sofia
• Busk, Henrik

  Jeg arbejder med udvikling af platforme for mellemmenneskelige relationer og har fælles social ansvarlighed, som et underliggende tema.

  Jeg arbejder med udvikling af platforme for mellemmenneskelige relationer og har fælles social ansvarlighed, som et underliggende tema. Minimer

• Capetillo, Henrik
• Carlsen, Jesper
• Carstensen, Eva
• Clemmesen, Christine
• Desmentik, Lene
• Ehlers, Jeannette

  Among other things Ehlers is concerned with creating computer manipulated video works on the basis of existing video and film material – so-called found footage. The principle behind her approach consists of taking single scenes from classic films or popular TV-shows and deconstructing the narrative contents of the scenes in question by, for instance Read more

  Among other things Ehlers is concerned with creating computer manipulated video works on the basis of existing video and film material – so-called found footage. The principle behind her approach consists of taking single scenes from classic films or popular TV-shows and deconstructing the narrative contents of the scenes in question by, for instance, leaving out or adding a character. With the meticulous precision of a surgeon Ehlers works her way through the selected material frame by frame. The technique demands extreme patience, for each second consists of about 25 frames and each frame has to be treated individually. If just one frame is skipped, the manipulation becomes too evident and the desired ”vanishing act” is rendered impossible. Jeannette Ehlers is especially interested in the removal or manipulation of the human body. Jeannette Ehlers is educated from the Royal Danish Academy of Fine Arts 2006. She lives and works in Copenhagen. Minimer

• Ejdrup Hansen, Elle-Mie

  Elle-Mie Ejdrup Hansen arbejder i flere forskellige medier som tegning, det klassiske oliemaleri og ikke mindst i store site-specifikke arbejder, der kredser omkring rum, teknologi og mennesker. Udgangspunktet for de store arbejder er en særlig topografi. Det kan være strandstrækningen fra Skagen til Sild, en stubmark i Vestjylland, eller et bygningsk Read more

  Elle-Mie Ejdrup Hansen arbejder i flere forskellige medier som tegning, det klassiske oliemaleri og ikke mindst i store site-specifikke arbejder, der kredser omkring rum, teknologi og mennesker. Udgangspunktet for de store arbejder er en særlig topografi. Det kan være strandstrækningen fra Skagen til Sild, en stubmark i Vestjylland, eller et bygningskompleks som Gellerup Parken i Brabrand eller en kirke. Fælles for de store værker er anvendelsen af ny teknologi, som kan være forskellige former for lys, video, eller helt ny software, udviklet særligt til værket. I de store arbejder involveres ofte komponister og musikere, men også andre discipliner, som programmører, interaktions designere og teknikkere. Et særligt kendetegn for de store værker er, at de er skabt i tæt samarbejde med og involverer en række forskellige mennesker. Minimer

• Frankel, Bernhard
• Funder, Geert Daae

  Værksted på samme adresse i sidebygningen.

  Værksted på samme adresse i sidebygningen. Minimer

• Grarup, Nils
• Hansen, Karen Land

  Karen Land Hansen arbejder med skulptur, installation, tegning og animation. Hun tog afgang fra Royal College of Art i London (MA, Fine Art) i 2003 og har derudover studeret på National College of Art and Design, Dublin (BA, Fine Art Painting), og Chelsea College of Art, London. Fra 2003 har hendes primære arbejdsbase været i København, siden 2006 Read more

  Karen Land Hansen arbejder med skulptur, installation, tegning og animation. Hun tog afgang fra Royal College of Art i London (MA, Fine Art) i 2003 og har derudover studeret på National College of Art and Design, Dublin (BA, Fine Art Painting), og Chelsea College of Art, London. Fra 2003 har hendes primære arbejdsbase været i København, siden 2006 på Fabrikken for Kunst og Design. Statement: Mit arbejde fokuserer på spændingsfeltet mellem det fiktive og det faktuelle, og det har ofte et ikke didaktisk politisk aspekt. Installationerne er ’iscenesatte’ eller ’teatralske’ rum, der inkorporerer scenografiske effekter som lys og video i det skulpturelle. Jeg interesserer mig for illusion i det tre-dimensionale rum, bl.a. inspireret af illusionsmaleriet. Værkerne kan operere på såvel konkret, historisk som metaforisk plan. Jeg arbejder med for-skydninger af det genkendelige henimod det mere obskure, men værket er konceptuelt og konkret forankret den ’virkelige’ verden – f.eks. i en konkret historisk begivenhed. Gennem kombinationen af enkle, ofte dokumentariske videoprojektioner og skulpturelle objekter undersøger jeg forholdet mellem nærvær og distance; beskueren er selv en fysisk del af værket og samtidig, gennem videomediet, en observatør på afstand af den bestemte begivenhed eller det særlige sted. Mennesket i relation til teknologi og teknologisk udvikling er et andet vigtigt tema. Manuelt bearbejdede, ’håndlavede’, skulpturelle modeller af maskiner eller objekter fra byrummet er tilbagevendende i mit arbejde med skulptur. Tidligere tog jeg primært udgangspunkt i det historiske og af vores opfattelse af historien, mens jeg de senere år har koncentreret mig om de forestillinger og fantasier, der ligger i det nutidige og samtidig peger ud mod noget fremtidigt. Karen Land Hansen Minimer

• Hansen, Lone Høyer
• Holm, Uffe
• Hüttel, Sören
• Ingen Frygt, _

  Ingen Frygt har eksisteret som kunstgruppe og fælles bevidsthed siden 2001. Igennem otte år har Ingen Frygt søgt at skabe vedkommende popkunst baseret på en blanding af kulturelle klichéer og selvoplevelser, for herigennem at udforske og beskrive selvets magt og positurer. Ingen Frygts kunstneriske produktion foregår som en konstant spejling mellem to ver Read more

  Ingen Frygt har eksisteret som kunstgruppe og fælles bevidsthed siden 2001. Igennem otte år har Ingen Frygt søgt at skabe vedkommende popkunst baseret på en blanding af kulturelle klichéer og selvoplevelser, for herigennem at udforske og beskrive selvets magt og positurer. Ingen Frygts kunstneriske produktion foregår som en konstant spejling mellem to verdener: En jordbunden og en mere fantastisk. Selviscenesættelsen og de ambivalente symboler går igen i en manende retorik, en slags skizofren ekspressionisme hvori fraktaler af kulturelle referencer opløses og stivner igen i betydningshallucinationer. Et nøglemotiv er f.eks. eksotisme som medium for følelsen af skyld – men også længsel. Et andet er den freudianske tænknings dybe forankring i den vestlige verdens forestillinger om selvet, der nærmest grænser til en slags overtro. Penge er en tredje tilbagevende besættelse, gennem hvilket Ingen Frygt søger at beskrive samfundsmæssige magtstrukturer som de udspiller sig i det individuelle liv. Vi kalder det ”følelsespolitik”. Den seneste tid har vi søgt at fremmane billeder af selvets overlevelsesstrategier som de kommer til udtryk i fantasmeagtige mentale forskydninger. Hvordan ser bevidstheden overhovedet ud? Dette elektriske sorte ingenting som trækker med tankernes flugt i mørke skygger? Hvad er præmisserne for at få to hjernehalvdele, der er uhjælpeligt badet i mørke, til at passe sammen og ind i tilværelsens trummerum? Minimer

• Iversen, Marie Kølbæk

  Marie Kølbæk Iversen’s installations employ closed circuit video technology and various cybernetic systems to explore ideas of perception and representation. By foregrounding the technical process and the creative potential of the viewer, her work focuses on the moment at which language stops and immediate perception takes over.

  Marie Kølbæk Iversen’s installations employ closed circuit video technology and various cybernetic systems to explore ideas of perception and representation. By foregrounding the technical process and the creative potential of the viewer, her work focuses on the moment at which language stops and immediate perception takes over. Minimer

• Kalsmose-Hjelmborg, Mille

  The Quest for (a new) identity Text by: Art historian and Art Critic Trine Ross The Works of Mille Kalsmose-Hjelmborg evolves around the concept of TRANSFORMING IDENTITY both in her private research and in site specific assignments. We tend to forget that our personal identity is negotiable and is constantly being negotiated around and Read more

  The Quest for (a new) identity Text by: Art historian and Art Critic Trine Ross The Works of Mille Kalsmose-Hjelmborg evolves around the concept of TRANSFORMING IDENTITY both in her private research and in site specific assignments. We tend to forget that our personal identity is negotiable and is constantly being negotiated around and inside us. But when we forget, the artworks of Mille Kalsmose-Hjelmborg are here to remind us. One such work is the ongoing project ’All My Suicides’ which has so far resulted in both a Part One and a Part Two. The first part consists of Kalsmose-Hjelmborg’s many new name certificates – from the name, ”Henriette Olesen”, she was christened through several variations until she reached her present name, ”Mille Kalsmose-Hjelmborg”, in 2008. The name we are given by our parents reveals many aspects of our selves. Most names are gender specific, but they often also reveal our nationality, age and background. But names can be changed and maybe we can change with them. And behind each new name taken by Kalsmose-Hjelmborg lies a wish for change and a will to take charge of her own destiny – and identity. In ’All My Suicides - Part Two’ Kalsmose-Hjelmborg lies her former identities to rest and carves a headstone in memory of each and every one of them. Thereby reminding us, that even as we change, evolve or just grow older, we still carry our past as part of the present, painful or joyous as it may be. And only by facing this fundamental fact we can truly ... change. The works of Kalsmose is based on classical stories about the family-concept, and "Happiness" related to the stereotype illusions hereof created via the media and the general society. In Her work she seeks to decode the story of what it means to be part of a family, to be someone's daughter or mother. Accordingly, her artwork becomes an almost anthropological survey of the romantic family-dream, where she applies the nuclear family as a readymade. It is a piece of work that tells the story of a reality that amalgamates with the illusion of the person to which she tries to construct a new reality, via the wishful image. Mille Kalsmose has been exhibited nationally in juried exhibitions and solo shows. Internationally she has exhibited in places such as Chelsea Art Museum in New York and ITAMI, Museum for arts And Craft in Hygo and been featured in publications and TV-shows. Minimer

• Kilde, Kim

  Works with conceptual science fiction with a focus on subjectivity and time.

  Works with conceptual science fiction with a focus on subjectivity and time. Minimer

• Larsen, Claus
• Lassen, Lotte Tauber

  Uddannet på Det Kongelige Danske Kunstakademi og Skolen for Mediekunst og Kunstformidling. Har fra begyndelsen af 90erne arbejdet med fotografiet og fra år 2000 med store stedsspecifikke ruminstallationer, med brug af det levende billede, lys og lyd. Værkerne inddrager beskueren som den aktivt sansende, og fungerer ofte som en slags meditative Read more

  Uddannet på Det Kongelige Danske Kunstakademi og Skolen for Mediekunst og Kunstformidling. Har fra begyndelsen af 90erne arbejdet med fotografiet og fra år 2000 med store stedsspecifikke ruminstallationer, med brug af det levende billede, lys og lyd. Værkerne inddrager beskueren som den aktivt sansende, og fungerer ofte som en slags meditative (mellem)rum. Som udsagn, der ansporer publikums indre orienteringssans og appellerer til egenskaber som åbent, sanseligt nærvær og introspektiv erkendelse. Nødvendigheden af, at vende blikket mod det indre for at kunne navigere og orientere sig i det ydre. Minimer

• Lislegaard, Ann
• Lundme, Tomas Lagermand

  Arbejder som forfatter, dramatiker, scenograf og billedkunstner

  Arbejder som forfatter, dramatiker, scenograf og billedkunstner Minimer

• Madsen, Hans E
• Meedom, Karina

  Jeg maler abstraktioner over landskab, univers, kosmos .

  Jeg maler abstraktioner over landskab, univers, kosmos . Minimer

• Noel, Jacob

  A consistent theme of my art, is the interest for spaciality and "spaces-in-between", intervals in/of space. My artistic project spreads out into an international context, that, on a conceptual level, seeks to deepen the understanding of the detail of space as something universal — a language that is seen more than spoken. Through sculptures, drawings and Read more

  A consistent theme of my art, is the interest for spaciality and "spaces-in-between", intervals in/of space. My artistic project spreads out into an international context, that, on a conceptual level, seeks to deepen the understanding of the detail of space as something universal — a language that is seen more than spoken. Through sculptures, drawings and photography, I am working on the outer rim of terms as scale, spaciality and function. Terms that normally is tied to an architectural praxis. But with this optic, I want to describe a different world, than that one usually associates with architecture. I want to define the significance of space in a functional meaning through a strongly subjective approach to the material, where the detail of the moment, time and place is expressed in fragments and streams of surfaces. The project "un-arcitecture and fumes" is to be seen as a conceptual adaptation of the detail as an aesthetic materialization of the transient. Minimer

• Nørring, Jonas Engbirk

  Operating 77m3 RumForKunst Art of Kailas

  Operating 77m3 RumForKunst Art of Kailas Minimer

• Olivares, Miguel Vega
• Pedersen, Stefan A.
• Pind, Mr.
• Rasmussen, Steen

  Visual Artist works in the field of Graphic, Photo, Installation, Sculpture and Painting separately or in different combinations . since 2001 Steen Rasmussen has been working together with the Japanese artist Rikuo Ueda about the project with the main title "Wind -catching the Immaterial" this project is constantly developing Steen Rasmussen als Read more

  Visual Artist works in the field of Graphic, Photo, Installation, Sculpture and Painting separately or in different combinations . since 2001 Steen Rasmussen has been working together with the Japanese artist Rikuo Ueda about the project with the main title "Wind -catching the Immaterial" this project is constantly developing Steen Rasmussen also work together with the Artistgroup "Hotel Vanitas" mainly about intervention of rooms/Spaces mostly by using 3 dimentional graphic installations and alvays in this collaboration using "Vanitas and Vanity as theme Minimer

• Rude, Mille

  Jeg arbejder med en blanding storytelling, dokufiktive hændelsesforløb, performative såvel som skulpturelle praksisser, billeder, tekst, tap dance og lyd.

  Jeg arbejder med en blanding storytelling, dokufiktive hændelsesforløb, performative såvel som skulpturelle praksisser, billeder, tekst, tap dance og lyd. Minimer

• Seeberg, Jonas
• Serber, Katja
• Smelvær, Britt
• Solberg, Bjarne v.H.H.
• Tast, Steffen

  Lys, reflekser, spejlinger, bevægelse, lethed, klang

  Lys, reflekser, spejlinger, bevægelse, lethed, klang Minimer

• Thomsen, Hanne Lise

  Has been creating site-specific slide and video projections since 2003

  Has been creating site-specific slide and video projections since 2003 Minimer

• Vinkler, Agnete Krogh
• Wessel, Jan
• Wilmont, Barry Lereng
• Zaragoza, Joaquin