photography

• a Billedkunstner jurvinart

  Kunstner er en generel betegnelse for en person, der producerer kunst uanset hvilken genre, det drejer sig om... Uddannet som kunstner på Det Kongelige Danske Kunstakademi 24 December 1981 Jurij Vinogrodskij Arturij født i Vilnius Lituaen opvokset i Danmark. Hans kunstnerisk navn er jurvinart. Uddannet som kunstner på Det Kongelige Danske Kunstakademi. Read more

  Kunstner er en generel betegnelse for en person, der producerer kunst uanset hvilken genre, det drejer sig om... Uddannet som kunstner på Det Kongelige Danske Kunstakademi 24 December 1981 Jurij Vinogrodskij Arturij født i Vilnius Lituaen opvokset i Danmark. Hans kunstnerisk navn er jurvinart. Uddannet som kunstner på Det Kongelige Danske Kunstakademi. Afgang 2010. Arbejder med maleriets udtryksform olie ratning på nuverener tilspunk er NAIVISME. Billedekunst olie maling er primere renskab at framstile kunst men skulprur har også store infliuelse på jurvinart. Han arbejdet meget med svaisning jern. Skabt uteliger tel små skulpture i metal. Til skulpture brugt often glas. Hans studietid arbejdet med skulpturen. Granit bronser tree glas og jern. Uddannelser og kurser 2000 Haderslev Kommunale Ungdomsskole 2002 VUC Kolding 2004-2010 Det Kongelige Danske Kunstakademi 2005-2006 Vilnius Academy of Art See jurvinart`s youtube Channel Minimer

• Alibadi, Mahmoud
• Andersen, Mika
• Asbury, Kim
• AVPD, -

  AVPD was initiated in 1997 and is the working label of visual artists Aslak Vibæk (b. 1974) and Peter Døssing (b. 1974). AVPD works within an interdisciplinary field where we unite knowledge from fine arts, architecture, science and the humanities. At this point we have our main focus on the perceptual relation between man and space. Our discourse and ph Read more

  AVPD was initiated in 1997 and is the working label of visual artists Aslak Vibæk (b. 1974) and Peter Døssing (b. 1974). AVPD works within an interdisciplinary field where we unite knowledge from fine arts, architecture, science and the humanities. At this point we have our main focus on the perceptual relation between man and space. Our discourse and physical work is very influenced by Sci Fi and first shooter computer games which take place in virtual 3-dimensional environments. These fictional domains turn out to be a strange kind of laboratories where there is a unique interest in creating new extraordinary constellations between space and man. These space-body phenomenons are normally fixed in the domain of fiction but our artistic approach is to draw these fictive spatial experiments into a physical reality with the human as an experimental/experiencing object, left to experience a yet unknown space. We define our spatial works as meta-architectures where the normal perception of the spectator is challenged and displaced and a new experience of space is made possible. In our works, we try to rethink the triangular constellation of the subject, the object and the context. We are interested in how spatial constructions effect the perception of the spectator and how she/he grasps the space in a cognitive, emotional and intellectual way. Our domain is reality and our artistic praxis is a spatial laboratory. http://www.avpd.net Minimer

• Bagge, Thomas Gunnar
• Bangsted, Thomas
• Basten, Berit
• benandsebastian, Ben Clement og Sebastian de la Cour
• Benveniste, Eli

  Eli Benveniste, b. 1961, Danish sculptor. Made her debut in 1988 at Veksølund Sculpturepark and since 1995 a member of Koloristerne. Clay is the preferred material, but in recent years, glass used is used in several Commisions. The theme in the sculptures are existential. In 2000 she received Astrid NOACK Sculptor prize, but has received man Read more

  Eli Benveniste, b. 1961, Danish sculptor. Made her debut in 1988 at Veksølund Sculpturepark and since 1995 a member of Koloristerne. Clay is the preferred material, but in recent years, glass used is used in several Commisions. The theme in the sculptures are existential. In 2000 she received Astrid NOACK Sculptor prize, but has received many other grants as well. I have always been interested in phenomenology, that is in human relations and conditions, how different people react in a similar way to the same incidents. It is seen in every-day life, in permanent relationships, in the way we treat our children and in how we react when we meet strangers. And it seems to me that human beings react very similar – which are extenuating circumstances in a world covered with smoke. I was born in 1961, the 4th daughter of a Danish mother and a Greek Jewish father from Thessalonoki. They met in l948 during the greek civil war in Lamia, where my mother worked for Red Barnet (a humanitarian organisation for children) and my father was a doctor at a clinic in a refugee camp in the Greek Red Cross. In 1953 they moved to Denmark, and after a while my father became consultant at the Central Hospital in Nykøbing. Here I lived with my three elder sisters and our younger brother till the family split up. At the age of 23 I went to Barcelona, where I lived for 6 years. Today my husband and I live in Italy and in Portugal, countries tightly linked to my work as sculptress. To be a guest and not really belong anywhere are conditions, that goes well with my work. You are distant, which is good for observing the world around you, just as the uncertainty that comes from exile goes well with the doubt which always is a part of the artistic process. I have made sculptures since I was very young, but it is only the last few year I have begun to write and photograph. In my work as well as in my life I wonder how many individual choises we make seen in comparison to the influence the specific time and situation have on us. Therefore I try to put as much as possible og what I experience and see into a historic perspective. Eli Benveniste Minimer

• Berger, Stine
• Bertelsen, Louise

  performance, mix media, site specific, Public Art, video, installation, photografi, Live Art Happenings, sound, dance

  performance, mix media, site specific, Public Art, video, installation, photografi, Live Art Happenings, sound, dance Minimer

• Bigum, Martin
• Bjerresgaard, Karen

  The exhibition in January 2007 is a total installation with sound, objects, photos and graphic images under the theme Organ Transfer II. Organ Transfer II comments on the transplantation and trade of organs to Europe from different parts of the world. Contribution to the exhibition Indfanget for en tid in Galleri Think Ink in January/February 2008 sho Read more

  The exhibition in January 2007 is a total installation with sound, objects, photos and graphic images under the theme Organ Transfer II. Organ Transfer II comments on the transplantation and trade of organs to Europe from different parts of the world. Contribution to the exhibition Indfanget for en tid in Galleri Think Ink in January/February 2008 shows linocuts from the series Boy – and Girl wallpaper. Images of events, that for better or worse, are part of the lives of boys and girls from third world countries. Through their upbringing they are being exposed to traditions and rituals that will have an impact for life. The children who are left to their own devices are particularly exposed to gross violations in life. Minimer

• Bolther, Helle
• Bonde, Niels
• Bonnén, Suste
• BORGES, JACOB
• Brackman, Yvette
• Bredahl, Vibe

  Vibe Bredahl works in various media including drawing, installation, photography and artist books. Travel, both in general and in particular, is a theme that runs throughout her work.

  Vibe Bredahl works in various media including drawing, installation, photography and artist books. Travel, both in general and in particular, is a theme that runs throughout her work. Minimer

• Brink , Jens
• Buchardt , Lars
• Burchardi, Sofia
• Busk, Henrik

  Jeg arbejder med udvikling af platforme for mellemmenneskelige relationer og har fælles social ansvarlighed, som et underliggende tema.

  Jeg arbejder med udvikling af platforme for mellemmenneskelige relationer og har fælles social ansvarlighed, som et underliggende tema. Minimer

• Callesen, Peter

  Udgangspunktet for mine seneste papirskulpturer er som oftest et almindeligt stykke hvidt A4 kopipapir, hvorfra der rejser sig en 3-dimensionel papirskulptur, som så efterlader sig en negativ tegning af det bortklippede. Jeg finder det interessant at arbejde med A4-papiret; Det er stadig i dag et af de mest brugte medier til bærere af information, Read more

  Udgangspunktet for mine seneste papirskulpturer er som oftest et almindeligt stykke hvidt A4 kopipapir, hvorfra der rejser sig en 3-dimensionel papirskulptur, som så efterlader sig en negativ tegning af det bortklippede. Jeg finder det interessant at arbejde med A4-papiret; Det er stadig i dag et af de mest brugte medier til bærere af information, hvilket gør materialet kendt af alle, men derfor også let overset som et materiale i sig selv. Denne fraværende opmærksomhed på det uprætentiøse materiale, kombineret med den lille skala, giver mig en frihed til at fortælle store og dramatiske fortællinger ind i små og romantiske papirlandskaber. Foruden det fortællende element, fungerer skulpturerne som undersøgelser af forholdet mellem flade og rum – illusion og virkelighed. Mine seneste papirklip har taget form som billedobjekter, hvor det fraklippede papir er faldet ud af billedet og er transformeret til 3-dimensionelle objekter, der ligger i bunden af rammen. Men for mig rummer materialiseringen af et stykke papir fra noget 2-dimensionelt til noget 3-dimensionelt ikke blot formelle undersøgelser – men ligeså meget en slags magi, som peger på et poetisk og eventyrligt element. Minimer

• Capetillo, Henrik
• Carlsen, Jesper
• Christensen, Lotte Fløe
• Clemmesen, Christine
• Creutz, Andrea
• Dahlgaard, Søren

  Søren Dahlgaard studied at the Slade School of Fine Arts in London and graduated in 2002. His teachers were Professors Phyllida Barlow, Stuart Brisley, Bruce McLean. History of art and theory professor Norman Bryson and lecture Andrew Renton. In the work of Søren Dahlgaard, method is challenged though narrative. He incorporates a type of un Read more

  Søren Dahlgaard studied at the Slade School of Fine Arts in London and graduated in 2002. His teachers were Professors Phyllida Barlow, Stuart Brisley, Bruce McLean. History of art and theory professor Norman Bryson and lecture Andrew Renton. In the work of Søren Dahlgaard, method is challenged though narrative. He incorporates a type of understated slapstick in his work. This is mostly apparent in his performances and staged photography series. Visually he draws from the aesthetics of minimalism. Recently he has exhibited at P.S.1 Contemporary Arts Center MoMA New York, Ileana Tounta Contemporary Arts Center, Athens, International Prize for Performance, Galleria Civica Museum of contemporary art, Trento, Italy and Statens Museum for Kunst - the National Gallery, Copenhagen. He lives in Copenhagen (DK) www.sorendahlgaard.com Minimer

• Degett, Karen
• Denhart, Lene
• Desmentik, Lene
• Domke, Johanna

  Johanna Domke´s approach to work with film/video is about walking the line between authenticity and fictionalization in order to talk about our construction of reality and its representation as image. Her practice derives from an observing origin and a fascination in social/urban contexts, focusing on the individual in relation to its social environment Read more

  Johanna Domke´s approach to work with film/video is about walking the line between authenticity and fictionalization in order to talk about our construction of reality and its representation as image. Her practice derives from an observing origin and a fascination in social/urban contexts, focusing on the individual in relation to its social environment, public space and power structures. Her work implies both documentary and fictional strategies of filmmaking, resulting in a mixture of hyperrealism and artificiality. She creates a plane of references to reality which has fiction discernibly woven into it. She is not interested in purely documentary films, but often borrows their conventions, that she uses as potential for fictionalization. Minimer

• Dysgaard, Morten
• Ebbesen, Torben
• Ehlers, Jeannette

  Among other things Ehlers is concerned with creating computer manipulated video works on the basis of existing video and film material – so-called found footage. The principle behind her approach consists of taking single scenes from classic films or popular TV-shows and deconstructing the narrative contents of the scenes in question by, for instance Read more

  Among other things Ehlers is concerned with creating computer manipulated video works on the basis of existing video and film material – so-called found footage. The principle behind her approach consists of taking single scenes from classic films or popular TV-shows and deconstructing the narrative contents of the scenes in question by, for instance, leaving out or adding a character. With the meticulous precision of a surgeon Ehlers works her way through the selected material frame by frame. The technique demands extreme patience, for each second consists of about 25 frames and each frame has to be treated individually. If just one frame is skipped, the manipulation becomes too evident and the desired ”vanishing act” is rendered impossible. Jeannette Ehlers is especially interested in the removal or manipulation of the human body. Jeannette Ehlers is educated from the Royal Danish Academy of Fine Arts 2006. She lives and works in Copenhagen. Minimer

• Eistrup, Michelle
• Ejdrup Hansen, Elle-Mie

  Elle-Mie Ejdrup Hansen arbejder i flere forskellige medier som tegning, det klassiske oliemaleri og ikke mindst i store site-specifikke arbejder, der kredser omkring rum, teknologi og mennesker. Udgangspunktet for de store arbejder er en særlig topografi. Det kan være strandstrækningen fra Skagen til Sild, en stubmark i Vestjylland, eller et bygningsk Read more

  Elle-Mie Ejdrup Hansen arbejder i flere forskellige medier som tegning, det klassiske oliemaleri og ikke mindst i store site-specifikke arbejder, der kredser omkring rum, teknologi og mennesker. Udgangspunktet for de store arbejder er en særlig topografi. Det kan være strandstrækningen fra Skagen til Sild, en stubmark i Vestjylland, eller et bygningskompleks som Gellerup Parken i Brabrand eller en kirke. Fælles for de store værker er anvendelsen af ny teknologi, som kan være forskellige former for lys, video, eller helt ny software, udviklet særligt til værket. I de store arbejder involveres ofte komponister og musikere, men også andre discipliner, som programmører, interaktions designere og teknikkere. Et særligt kendetegn for de store værker er, at de er skabt i tæt samarbejde med og involverer en række forskellige mennesker. Minimer

• Eken, Rose

  I work in a variety of media focusing on video installation, drawing, painting, embroidery and sculpture. My work addresses the nature of particular interior spaces and the aura, fragility and physical detritus surrounding a concert or a performance is a major source of inspiration. Drawing on the melancholy and romance of popular music I aim to unpick the Read more

  I work in a variety of media focusing on video installation, drawing, painting, embroidery and sculpture. My work addresses the nature of particular interior spaces and the aura, fragility and physical detritus surrounding a concert or a performance is a major source of inspiration. Drawing on the melancholy and romance of popular music I aim to unpick the processes through which certain places or pop-cultural objects have become embedded within the collective consciousness. Minimer

• Ellgaard, Jette
• Enevoldsen, Bjørn Pierri

  landskab konceptuelt maleri bjerglandskab kuglepens tegning

  landskab konceptuelt maleri bjerglandskab kuglepens tegning Minimer

• Enghoff, Tina
• Falsnaes, Christian

  Christian Falsnaes (b. 1980 in Copenhagen) studied philosophy and was active in the graffiti-, and squatting- scene before he began his studies at the Academy of fine Arts in Vienna. He lives and works in Vienna and Copenhagen.

  Christian Falsnaes (b. 1980 in Copenhagen) studied philosophy and was active in the graffiti-, and squatting- scene before he began his studies at the Academy of fine Arts in Vienna. He lives and works in Vienna and Copenhagen. Minimer

• Finn, Maria

  Maria Finn’s work deals with the relationship between image and text. Her projects revolve around existing film narratives, deconstructed and re-enacted by the artist herself or by actors in an attempt to highlight the duplicitous nature of filmic language. By shifting perspective from male to female as well as by replacing and transforming scenes in diffe Read more

  Maria Finn’s work deals with the relationship between image and text. Her projects revolve around existing film narratives, deconstructed and re-enacted by the artist herself or by actors in an attempt to highlight the duplicitous nature of filmic language. By shifting perspective from male to female as well as by replacing and transforming scenes in different time and allowing for a more porous narration, Finn poses questions on authorship and the construction of meaning. Minimer

• flensberg, rikke
• Fog, Jørgen
• Fomsgaard, Jes
• Frankel, Bernhard
• Friderichsen, Frederikke

  Artist Statement My work is concerned with an attraction of layers and texture, a photographic touch seen in reflections, patterns or surfaces in the actual image. A transparent cover of various layers can make an image appear slightly incomprehensible at first and at times unpredictable. I work with expressing a notion of discovering the s Read more

  Artist Statement My work is concerned with an attraction of layers and texture, a photographic touch seen in reflections, patterns or surfaces in the actual image. A transparent cover of various layers can make an image appear slightly incomprehensible at first and at times unpredictable. I work with expressing a notion of discovering the secretive found in public spaces or urban situations. What I choose becomes an important issue when looking for profound obscurity on an emotional level. Through a constant dialogue between my ideas and my senses, I strive to construct compositions through which I can express an emotional perception where I can move away from a more conventional approach to making images. Occasionally I go back again and again to engage with the same space, looking for instances of reflections, fragments or continuations, taking many photographs, constantly reflecting on the process to analyse the ideas I assemble from the place I photograph. Frederikke Friderichsen 2012 Minimer

• Fromm, Jonas
• Funder, Søren Thilo

  Soren Thilo Funders' works deal with diverse cultural fields and integrates aspects of critical theory, sociology, psychoanalysis, art theory, history, literature, metaphysics, theater, cinema, Sci-Fi, Horror, political activism and various counter-cultural disciplines. The works are formal investigations of the power relations of modern day soci Read more

  Soren Thilo Funders' works deal with diverse cultural fields and integrates aspects of critical theory, sociology, psychoanalysis, art theory, history, literature, metaphysics, theater, cinema, Sci-Fi, Horror, political activism and various counter-cultural disciplines. The works are formal investigations of the power relations of modern day society. Through the use of cinematic narratives, choreography and mise en scène, the works strive to expose the precariousness of contemporary society and the broken link between politics and the political. In the works the nostalgic is juxtaposed with the current and unpredictable lifeworld of the political subject, often moving beyond the mere present and into the yet-to-come or the parallel now. Soren Thilo Funder creates visual communiqués dissecting and revealing the invisibles of urban society, using the fictional and extra-real to pose new questions and generate a new potential space , a third place, for political contemplations and counter-memory. Minimer

• Galschiøt, Jens
• Gleerup, Trine Mee Sook
• Grahn, Lennard

  Lennard Grahn is a generous and attentive lover, a brilliant cook, drives a BMW 730d Sport, holds PhD's in psychology, bio chemestry and nuklear physics and lives in a fully restored 18'th century mansion just outside a major European metropolis (with an international airport)

  Lennard Grahn is a generous and attentive lover, a brilliant cook, drives a BMW 730d Sport, holds PhD's in psychology, bio chemestry and nuklear physics and lives in a fully restored 18'th century mansion just outside a major European metropolis (with an international airport) Minimer

• Guttormsen, Signe
• Hanne Nielsen & Birgit Johnsen
• Hansen, Lone Høyer
• Hansen, Marianne Holm
• Hansen, Mikael
• Hartmann, Malene
• Hasle, Gudrun
• Haslund, Molly

  “I mine performances, objekter og installationer søger jeg at udfolde et humoristisk, absurd og surreelt univers. Jeg finder glæden og problemerne i paradokser, som findes i dagligdagsobjekter og hverdagssituationer, i kulturelle handlinger og i popkulturen. Gennem personlige ytringer eller konkrete konstruktioner skaber jeg poetiske og visuelle tableau Read more

  “I mine performances, objekter og installationer søger jeg at udfolde et humoristisk, absurd og surreelt univers. Jeg finder glæden og problemerne i paradokser, som findes i dagligdagsobjekter og hverdagssituationer, i kulturelle handlinger og i popkulturen. Gennem personlige ytringer eller konkrete konstruktioner skaber jeg poetiske og visuelle tableauer, der indeholder glædesfuld melankoli; Man kan kalde dette for ’’feel good performances” om emner som død, skuffelse og selvmord.” (Molly Haslund, 2011) Molly Haslund er uddannet fra Det Kgl. Danske Kunstakademi (årgang 2005) og Glasgow School of Art (2003-2005). Hun arbejder i et krydsfelt mellem skulptur, installation og performance med tråde til både billedkunst, scenekunst, varieté, stand up, litteratur og musik. Haslund arbejder sideløbende med forskellige projekter, der spænder over personlige ritualer til socialt engagerende workshops og interaktionsdesign, der har publikumsdeltagelse i fokus. Haslund arbejder både solo og som del af performancegrupperne Lone Twin Theatre (2005-2010) og Molly and Me (2007-pt.). I de seneste år har performanceopførelser været helt centrale i hendes kunstneriske virke, hvor emner om eksistentielle problemstillinger fremføres med et glimt i øjet. En ukulele (firstrenget mini-guitar) – enten akustisk eller elektrisk – er her ofte hendes følgesvend. Haslunds personlige historie og baggrund sættes i spil, ligesom både berømte og mindre kendte kunstneres personlighed og værker inddrages på forskellig vis. Det stedspecifikke er kendetegnende for Haslunds kunst, som hun enten udarbejder lokalt eller tilpasser nye lokaliteter, f.eks. performances, som aldrig genopføres efter nøjagtigt samme manuskript. Ethvert møde med Molly Haslunds kunst er dermed både overraskende og unikt. Minimer

• Haslund-Christensen, Charlotte

  Jeg arbejder fortrinsvis med fotografi, men har også lavet videoinstallationen No airport to travel from. I mit seneste projekt "De indfødte" vender jeg det koloniale blik og kigger på danskerne som en stamme. Jeg drager på ekspeditioner i Danmark og undersøger hvad det vil sige at være dansk. Selve repræsentationen i fotografiet bliver udfordret.

  Jeg arbejder fortrinsvis med fotografi, men har også lavet videoinstallationen No airport to travel from. I mit seneste projekt "De indfødte" vender jeg det koloniale blik og kigger på danskerne som en stamme. Jeg drager på ekspeditioner i Danmark og undersøger hvad det vil sige at være dansk. Selve repræsentationen i fotografiet bliver udfordret. Minimer

• Heiberg, Lars
• Heilmann, Hannah
• Heise, Henriette
• Henckel, Peter Holst

  Peter Holst Henckel installation æstetik politik poesi Konceptuel ny fotografi baghuset globe

  Peter Holst Henckel installation æstetik politik poesi Konceptuel ny fotografi baghuset globe Minimer

• Henningsen, Nanna Gro
• Hertz, Emil Westman
• Hesselholdt & Mejlvang, Sofie / Vibeke

  Sofie Hesselholdt and Vibeke Mejlvang has been working as a duo since 1999. They live and work in Copenhagen, Denmark.

  Sofie Hesselholdt and Vibeke Mejlvang has been working as a duo since 1999. They live and work in Copenhagen, Denmark. Minimer

• Hjerl, Sophie

  Sophie Hjerl Born 1971, Copenhagen, Denmark. Educated at the Royal Danish Academy of Fine Arts 1993-2000 with an MA in Art Theory and Art Communication 2000-02. Sophie Hjerl's primary medium is video, but she also uses a wide range of other media. She works with a sensual, direct and poetic touch in the synthetic world of the new media. Her work br Read more

  Sophie Hjerl Born 1971, Copenhagen, Denmark. Educated at the Royal Danish Academy of Fine Arts 1993-2000 with an MA in Art Theory and Art Communication 2000-02. Sophie Hjerl's primary medium is video, but she also uses a wide range of other media. She works with a sensual, direct and poetic touch in the synthetic world of the new media. Her work brings the viewer into a journey of meditative own reflection, concerning the visible as we (think we) know it. She has exhibited and had her videos screened at museums, galleries and festivals in Denmark and abroad. Minimer

• Hoeck, Honza
• Holm, Anni
• Holm, Uffe
• Holmgren, Camilla
• Holmgren, Louise
• Hove, Heidi

  Heidi Hove (b.1976) is an interdisciplinary artist, who is living and working in Copenhagen (DK). She graduated at Funen Art Academy (DK) and California College of the Arts (US). Beside her artistic practice, she has been curating various projects and is co-director of the artist-run, exhibition site, Koh-i-noor (DK).

  Heidi Hove (b.1976) is an interdisciplinary artist, who is living and working in Copenhagen (DK). She graduated at Funen Art Academy (DK) and California College of the Arts (US). Beside her artistic practice, she has been curating various projects and is co-director of the artist-run, exhibition site, Koh-i-noor (DK). Minimer

• Howalt, Nicolai
• Hunosøe, Jakob

  Over the past couple of years, Hunosøe has photographed everyday objects in situations seeming both commonplace and unpredictable and, moreover, unnatural. His photographs are characterized by something oddly unreal despite their plainness and easily recognizable objects.

  Over the past couple of years, Hunosøe has photographed everyday objects in situations seeming both commonplace and unpredictable and, moreover, unnatural. His photographs are characterized by something oddly unreal despite their plainness and easily recognizable objects. Minimer

• Høy, Jytte
• Ingen Frygt, _

  Ingen Frygt har eksisteret som kunstgruppe og fælles bevidsthed siden 2001. Igennem otte år har Ingen Frygt søgt at skabe vedkommende popkunst baseret på en blanding af kulturelle klichéer og selvoplevelser, for herigennem at udforske og beskrive selvets magt og positurer. Ingen Frygts kunstneriske produktion foregår som en konstant spejling mellem to ver Read more

  Ingen Frygt har eksisteret som kunstgruppe og fælles bevidsthed siden 2001. Igennem otte år har Ingen Frygt søgt at skabe vedkommende popkunst baseret på en blanding af kulturelle klichéer og selvoplevelser, for herigennem at udforske og beskrive selvets magt og positurer. Ingen Frygts kunstneriske produktion foregår som en konstant spejling mellem to verdener: En jordbunden og en mere fantastisk. Selviscenesættelsen og de ambivalente symboler går igen i en manende retorik, en slags skizofren ekspressionisme hvori fraktaler af kulturelle referencer opløses og stivner igen i betydningshallucinationer. Et nøglemotiv er f.eks. eksotisme som medium for følelsen af skyld – men også længsel. Et andet er den freudianske tænknings dybe forankring i den vestlige verdens forestillinger om selvet, der nærmest grænser til en slags overtro. Penge er en tredje tilbagevende besættelse, gennem hvilket Ingen Frygt søger at beskrive samfundsmæssige magtstrukturer som de udspiller sig i det individuelle liv. Vi kalder det ”følelsespolitik”. Den seneste tid har vi søgt at fremmane billeder af selvets overlevelsesstrategier som de kommer til udtryk i fantasmeagtige mentale forskydninger. Hvordan ser bevidstheden overhovedet ud? Dette elektriske sorte ingenting som trækker med tankernes flugt i mørke skygger? Hvad er præmisserne for at få to hjernehalvdele, der er uhjælpeligt badet i mørke, til at passe sammen og ind i tilværelsens trummerum? Minimer

• Ingerslev, Maja
• Irmgard, Marie

  ARTIST STATEMENT 1) I do not see my paintings differing in style but I understand if you do 2) I think it is a cliché to view artist such as Jackson Pollock as clichés 3) I live half of my life in passive astonishment 4) I live a quarter of my life in frantic indifference 5) I live a quarter of my life in silent rage 6) I believe a painting can c Read more

  ARTIST STATEMENT 1) I do not see my paintings differing in style but I understand if you do 2) I think it is a cliché to view artist such as Jackson Pollock as clichés 3) I live half of my life in passive astonishment 4) I live a quarter of my life in frantic indifference 5) I live a quarter of my life in silent rage 6) I believe a painting can change the world 7) I don’t think Denmark is a very healthy place to be 8) I sometimes consider to make myself a tinfoil hat 9) I don’t believe everything can be conceptualized or contextualized 10) I am serious about my paintings 11) Irony is good in humor sometimes, mostly it is not good in art 12) I don’t really understand Duchamp but I like his work 13) I prefer a visible boss to hegemony any day 14) I believe that images are worth repeating 15) I left university and applied for Fine Arts Academy because of the novel “Beloved” 16) I don't think a painting is justified by referring to another painting 17) America terrifies me but I miss it every day 18) I believe Nike’s slogan to be today’s most relevant philosophy 19) I think it is a shame Esperanto didn’t catch on 20) I miss cassette tapes 21) I miss the desert 22) Almost daily people tell me that “I shouldn’t worry so much” 23) Almost daily I think that people ought to worry more 24) I agree with both Peter Weibel and Clement Greenberg 25) I have a mirror in each room which makes me very uncomfortable and self-conscious but Karen Blixen recommends it as a way to stay present 26) I wish I was more like Jim Morrison and sometimes I am 27) I sometimes think about Lenny Bruce 28) I think about Huckleberry Finn almost daily 29) I believe that A Chacun son Paradis 30) I (too) often say to myself: “oh Toto we’re a long way from Kansas” 31) I think analysis can be paralysis and often is 32) J'veux pas finir comme Kurt Cobain 33) I tend to trust women who wear cowboy boots 34) I am not afraid of the dark 35) I am afraid of people in pastels 36) Johnny Cash was mine exactly two decades before he was yours 37) I still have Kris Kristofferson to myself but it is not quite the same 38) I wish someone would just fix things but I always roll up my sleeves 39) I believe painting is an idiotic discipline 40) I believe painting is the most important discipline 41) I believe the sound is there even if there is no one around to hear it 42) I believe in Kenneth Noland 43) My favorite word is "Godspeed" 44) Patti Smith told me that anything is possible and I believe her Minimer

• Isaksen, Else Ploug
• Iversen, Marie Kølbæk

  Marie Kølbæk Iversen’s installations employ closed circuit video technology and various cybernetic systems to explore ideas of perception and representation. By foregrounding the technical process and the creative potential of the viewer, her work focuses on the moment at which language stops and immediate perception takes over.

  Marie Kølbæk Iversen’s installations employ closed circuit video technology and various cybernetic systems to explore ideas of perception and representation. By foregrounding the technical process and the creative potential of the viewer, her work focuses on the moment at which language stops and immediate perception takes over. Minimer

• J&K / Janne Schäfer og Kristine Agergaard

  The artist-duo J&K (Janne Schäfer, D / Kristine Agergaard, DK) have been working in collaboration since 1999 and are based in Berlin and Copenhagen. J&K work with mixed media installations, performance and interventions in public and institutional spaces. Travel, rituals and mythologies majorly inspire their work in which they play with signs, clichés and ident Read more

  The artist-duo J&K (Janne Schäfer, D / Kristine Agergaard, DK) have been working in collaboration since 1999 and are based in Berlin and Copenhagen. J&K work with mixed media installations, performance and interventions in public and institutional spaces. Travel, rituals and mythologies majorly inspire their work in which they play with signs, clichés and identities in a fiercely entertaining and colour-saturated universe. With humour and a surprising and almost shameless pilfering of symbolism from different cultures, audiences are lead into constructed worlds where neo-colonial and cross-cultural problems are examined and thematized. J&K explore the creative potential that underlies any modeling of reality and playfully question concepts of truth production, writing of history and cultural identity. Minimer

• Jacobi, Frans
• Jacobsen, Stine Marie
• Jafri, Maryam
• Jarle, Flemming
• Jensen, Astrid Kruse
• Jensen, Jakob

  installation photography sculpture video a.o. working in Denmark - Vestsjælland and in Berlin

  installation photography sculpture video a.o. working in Denmark - Vestsjælland and in Berlin Minimer

• Jespersen, Michael Sand

  Jeg er uddannet på Det kongelige danske kunstakademi ved professor Paul Gernes, Skolen for mur og rum kunst. Jeg har siden 1989 arbejdet profesionelt med kunstnerisk udsmykning, og har erfaring med udsmykning af mange forskellige slags rum. Dette spænder fra private stuer over hospitals- og skolegange til kontorer, mødelokaler og aulaer. Read more

  Jeg er uddannet på Det kongelige danske kunstakademi ved professor Paul Gernes, Skolen for mur og rum kunst. Jeg har siden 1989 arbejdet profesionelt med kunstnerisk udsmykning, og har erfaring med udsmykning af mange forskellige slags rum. Dette spænder fra private stuer over hospitals- og skolegange til kontorer, mødelokaler og aulaer. Jeg arbejder desuden med maleri, men også fotografi, skulptur, computergrafik og thangka maling Jeg er medlem af DBF. Jeg har boet seks år i det asiatiske kongerige Bhutan, hvor jeg studerede buddhistisk filosofi, sprog og kunst. Disse år har i høj grad også haft indflydelse på mit kunstneriske virke. Jeg går ind for skønhed, provokation med mening, kunst der også er vedkommende for brugerne og bliver høj på buddha, naturen og min lækre kvinde. Minimer

• Jessen, Jacob
• Johansen, Andreas Stoubye
• Juul, Mette
• Jørgensen , Elle Klarskov

  Elle Klarskov-jorgensens sculptures are signs,tools,instruments and proposals. It is integrated art concerned with buildings,public space and environment.Her sculptural works are an engagement with architecture.She examines buildings through models, containing references to functional details such as windows and doors. She pursues the meanin Read more

  Elle Klarskov-jorgensens sculptures are signs,tools,instruments and proposals. It is integrated art concerned with buildings,public space and environment.Her sculptural works are an engagement with architecture.She examines buildings through models, containing references to functional details such as windows and doors. She pursues the meaning of signs and behavior in relation to space and matter.Through the act of sculpture Elle turns the study of models and signs into a creative research.The sculpture has no fixed scale.With curiosity Elle explore and mediate sculpture as building integrated art of free scale. Minimer

• Jørgensen, Henrik Lund
• Kaisen, Jane Jin

  http://janejinkaisen.org Jane Jin Kaisen is a visual artist working in a project-based manner within the mediums of film, video installation, performance and text. From a transnational feminist and postcolonial perspective, she is interested in the re-writing of history and official narratives in order to suggest new genealogies and readings.

  http://janejinkaisen.org Jane Jin Kaisen is a visual artist working in a project-based manner within the mediums of film, video installation, performance and text. From a transnational feminist and postcolonial perspective, she is interested in the re-writing of history and official narratives in order to suggest new genealogies and readings. Minimer

• Kalsmose-Hjelmborg, Mille

  The Quest for (a new) identity Text by: Art historian and Art Critic Trine Ross The Works of Mille Kalsmose-Hjelmborg evolves around the concept of TRANSFORMING IDENTITY both in her private research and in site specific assignments. We tend to forget that our personal identity is negotiable and is constantly being negotiated around and Read more

  The Quest for (a new) identity Text by: Art historian and Art Critic Trine Ross The Works of Mille Kalsmose-Hjelmborg evolves around the concept of TRANSFORMING IDENTITY both in her private research and in site specific assignments. We tend to forget that our personal identity is negotiable and is constantly being negotiated around and inside us. But when we forget, the artworks of Mille Kalsmose-Hjelmborg are here to remind us. One such work is the ongoing project ’All My Suicides’ which has so far resulted in both a Part One and a Part Two. The first part consists of Kalsmose-Hjelmborg’s many new name certificates – from the name, ”Henriette Olesen”, she was christened through several variations until she reached her present name, ”Mille Kalsmose-Hjelmborg”, in 2008. The name we are given by our parents reveals many aspects of our selves. Most names are gender specific, but they often also reveal our nationality, age and background. But names can be changed and maybe we can change with them. And behind each new name taken by Kalsmose-Hjelmborg lies a wish for change and a will to take charge of her own destiny – and identity. In ’All My Suicides - Part Two’ Kalsmose-Hjelmborg lies her former identities to rest and carves a headstone in memory of each and every one of them. Thereby reminding us, that even as we change, evolve or just grow older, we still carry our past as part of the present, painful or joyous as it may be. And only by facing this fundamental fact we can truly ... change. The works of Kalsmose is based on classical stories about the family-concept, and "Happiness" related to the stereotype illusions hereof created via the media and the general society. In Her work she seeks to decode the story of what it means to be part of a family, to be someone's daughter or mother. Accordingly, her artwork becomes an almost anthropological survey of the romantic family-dream, where she applies the nuclear family as a readymade. It is a piece of work that tells the story of a reality that amalgamates with the illusion of the person to which she tries to construct a new reality, via the wishful image. Mille Kalsmose has been exhibited nationally in juried exhibitions and solo shows. Internationally she has exhibited in places such as Chelsea Art Museum in New York and ITAMI, Museum for arts And Craft in Hygo and been featured in publications and TV-shows. Minimer

• Karlström, Line Skywalker
• Keck, Kirsten Otzen

  Jeg arbejder med fotocollager og animation,tegning, installation, og video baseret på eget og eksisterende biledmateriale. I mit arbejde er jeg interesseret i hvordan den personlige erfaring med virkeligheden og omverdenen udvikler sig i sammenhæng med de medierede opfattelser af virkeligheden og normerne i samfundet. I work with photo collage Read more

  Jeg arbejder med fotocollager og animation,tegning, installation, og video baseret på eget og eksisterende biledmateriale. I mit arbejde er jeg interesseret i hvordan den personlige erfaring med virkeligheden og omverdenen udvikler sig i sammenhæng med de medierede opfattelser af virkeligheden og normerne i samfundet. I work with photo collages, animation, drawing, installation and video based on my own and existing image material. In my work I am interested in how our individual notion of reality evolves along with the mediated versions of reality and the norms in society. Minimer

• Kilsmark, Nikolaj

  I work in collaboration / partnership with Nynne Haugaard. We have been working together in art projects in a mixed field of relations between dokumentary, fiction, political, social, journalistic, and aesthetic considerations since 1999. We began our artistic collaboration in Gellerup (a suburb of Aarhus, with a high percentage of immigrants and Read more

  I work in collaboration / partnership with Nynne Haugaard. We have been working together in art projects in a mixed field of relations between dokumentary, fiction, political, social, journalistic, and aesthetic considerations since 1999. We began our artistic collaboration in Gellerup (a suburb of Aarhus, with a high percentage of immigrants and refugees), where we were living at the time. Our aim was to differentiate the media produced image of Gellerup by presenting other images and stories than the ones offered by the established media at that time. Since then we have produced “Montage from the Middle East ” in conjunction with Aarhus Festival 2001, in which we portrayed families in Turkey and Lebanon with family relations in Denmark, with the intention of distinguishing between the situation of refugees and the situation of immigrants. In 2001, we were invited to participate in the project CUDI ( Center of Urban Culture, Dialogue and Information) in Vollsmose (a suburb of Odense, Denmark – similar to Gellerup in Aarhus ). Our project attempted to investigate and uncover the possibilities for resident initiatives in the housing complex, and facilitate actions/initiatives on dreams. Since then we have taken part in 20 Minutes in Denmark, a project launched by DR (Danish Broadcasting Corporation) and Aarhus Film Workshop addressing Danish identity, and in the exhibition project Running in the Family for which the proposals of societal utopian ideas within a familiar context. We represented the Danish prisoner in Guantanamo in the Danish media by way of an interview made in Gellerup in 2000. In March 2003, when the identity of the Danish prisoner became known to the public, we decided to air the interview on the two Danish television channels, DR 1 and DR 2 - an interview in its full length. The intention was to attract attention to the Dane's case, as to Danish government pressure to act on claiming rights for a Danish citizen. Minority report – Aarhus Festival of contemporary Art 2004: We Participated with “Where do you believe from? ” 2004 a Site-specific video projections out from the local library and in Billund airports main gate area. “Where do you believe from?” constitutes an analysis of media realities and realities perceived through media and elements of fiction. Here and now we are based in Katmandu - Nepal, where we are investigating and working on how art can be a tool in development work and how to create other communication strategies together with Nepali citizens. - How to use artistic methods to communicate within different contexts both culturally and in specific areas e.g. to create conceptual strong images that create dialogues in different environments. In our work we are highly interested in different issues around migration and globalization. Our concern lies within using aesthetic language to communicate political issues in conceptual ways. Minimer

• Kjærgård, Helle
• Kleivan, Nina Maria
• Koldbech Fich, Pernille
• Kristensen, Birgitte
• Kristiansen, Jesper
• Kristoffersen, Sian

  The critic is he or she who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are Read more

  The critic is he or she who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty. Oscar Wilde. Minimer

• Kromann, Elin Kristine
• Krøyer, Dagmar

  Dagmar Krøyer graduated from the Jutland Academy of Fine Arts in 2006. She mainly works with video, sound and installation. In her art the most common themes are narration, underlying structures, homemade experiments and humour. Food is often used as ingredient in her work. (stop-motion-films and photos).

  Dagmar Krøyer graduated from the Jutland Academy of Fine Arts in 2006. She mainly works with video, sound and installation. In her art the most common themes are narration, underlying structures, homemade experiments and humour. Food is often used as ingredient in her work. (stop-motion-films and photos). Minimer

• Kær , Morten
• Kærn, Simone Aaberg

  Simone Aaberg Kærn, in the early 1990s, began working with projects relating to surveillance and control. This, however, soon turned into a fascination for the unreachable and impossible task of floating: flying in the space. Through animated flying videos, such as Air (1994), wanna fly (1995), and Royal Greenland (196), Simone Aaberg Kærn investi Read more

  Simone Aaberg Kærn, in the early 1990s, began working with projects relating to surveillance and control. This, however, soon turned into a fascination for the unreachable and impossible task of floating: flying in the space. Through animated flying videos, such as Air (1994), wanna fly (1995), and Royal Greenland (196), Simone Aaberg Kærn investigated and soon found a symbolic free space in the air. At first, it was animated spaces, in which she flew across the skies of Copenhagen, New York and Greenland seeking the limits of gravity and individual unassisted human flight. Soon after Simone Aaberg Kærn achieved her own flight certificate in order to produce the work, Sisters in the Sky. This was demanded by Anne Noggle, one of the female pilots, who also was portrayed in the work Sisters in the Sky (1997). Simone Aaberg Kærn’s painted portraits of female fighter pilots from Second World War was shown at and acquired by Louisiana Museum of Modern Art, Humlebæk. Sisters in the Sky is an impressive aesthetic and intellectual peephole of how women at that time could realize their dream of flying in a time of hardship. In the painting and sound installation, Simone Aaberg Kærn narrated their stories with a poetic, political and feministic gesture and introduced the notion of aero feminism – an aero feministic sisterhood across cultures and generations. One of Simone Aaberg Kærn’s most spectacular projects started in 2002. One day the artist read an article in a Danish newspaper about the girl Farial from Kabul in Afghanistan. Farial’s greatest wish was to become a fighter pilot. Simone Aaberg Kærn had no doubts; she had to attempt to reach her and show her how to fly. In Micro-Global Performance (2002-03) Aaberg Kærn took off in her fragile Piper Colt flight from Little Skensved, Denmark, to Kabul, Afghanistan. Micro-Global Performance is produced in collaboration with Magnus Bejmar. They flew across borders; crossing the enormous mountain range Hindukush (the Hindu Killer) to Kabul with the risk of the American Air Force would attack them. In the film Smiling in a War Zone (2005) Simone Aaberg Kærn crosses war zones and defies the military power in order to make contact to the girl Farial. She risked her own life so she could give Farial a journey in the air. In the film Farial flies the plane over Kabul. From a global perspective, the sky and the airspace are a place of battles – over power, prestige and politics. At the same time, the sky is a place of refuge for individuals, a place onto which you may project your own wishes and dreams. by Lars Grambye, Jacob Fabricius & Lotte Juul Petersen from the exhibition catalogue Simone Aaberg Kærn: Open Sky, Malmö Konsthall (Sweden) 2006 Used with permission of the authors and Galerie Asbæk © The authors Minimer

• Larsen, Jacob Tue
• Lassen, Lotte Tauber

  Uddannet på Det Kongelige Danske Kunstakademi og Skolen for Mediekunst og Kunstformidling. Har fra begyndelsen af 90erne arbejdet med fotografiet og fra år 2000 med store stedsspecifikke ruminstallationer, med brug af det levende billede, lys og lyd. Værkerne inddrager beskueren som den aktivt sansende, og fungerer ofte som en slags meditative Read more

  Uddannet på Det Kongelige Danske Kunstakademi og Skolen for Mediekunst og Kunstformidling. Har fra begyndelsen af 90erne arbejdet med fotografiet og fra år 2000 med store stedsspecifikke ruminstallationer, med brug af det levende billede, lys og lyd. Værkerne inddrager beskueren som den aktivt sansende, og fungerer ofte som en slags meditative (mellem)rum. Som udsagn, der ansporer publikums indre orienteringssans og appellerer til egenskaber som åbent, sanseligt nærvær og introspektiv erkendelse. Nødvendigheden af, at vende blikket mod det indre for at kunne navigere og orientere sig i det ydre. Minimer

• Lau , Lasse

  Biography (english version) Lasse Lau (born 1974 Denmark) is a queer and social activist, visual artist and filmmaker based in Brussels and Copenhagen. He studied at the Whitney Museum of American Art Independent Study Program in New York and at the Funen Academy of Fine Art in Denmark. "Agency of Public Resources" (APR) is the imaginary common subject Read more

  Biography (english version) Lasse Lau (born 1974 Denmark) is a queer and social activist, visual artist and filmmaker based in Brussels and Copenhagen. He studied at the Whitney Museum of American Art Independent Study Program in New York and at the Funen Academy of Fine Art in Denmark. "Agency of Public Resources" (APR) is the imaginary common subject matter from which most of Lau's recent interdisciplinary art projects originate. It is an agency that through the means of art and collectiveness accumulates on site knowledge, and through dialogue facilitates re-negotiations of space and democracy. His work continues to expose the amnesia of today's crises in the global economy, and the parallel social displacement of people in spatial terms. Lau often insists on the participation of the viewer in the aesthetic production. He believes that this will opens up the possibility for art to resonate in a different and more critical relation to the subject matter. He seeks to utilize aesthetics as a framework that can open dialogical paths for social change. Lau has exhibited in Westfälischer Kunstverein, Hamburger Bahnhof and Wolfsburg Kunstverein in Germany, Aarhus Art Museum and Brandts Klaedefabrik in Denmark, The Museum of Contemporary Art in Croatia, The Turin Biennial of Contemporary Art in Italy, the Contemporary Museum in Baltimore, Smack Mellon Gallery and PS1 Contemporary Art Center in New York. Beside his exhibition activity Lau is the editor of the www.c-m-l.org - an online archive for social engaged art. Further he is a founding member of Kran Film Collective - www.kranfilm.net Minimer

• Lauta, Lærke
• Lind, Peter
• Lislegaard, Ann
• Ljungdalh, Stine

  Stine Ljungdalh is an artist based in London and Copenhagen. She graduated in 2005 with a MA in Printmaking from The Royal College of Art. Stine has exhibited in Europe and the US and are about to start her Ph.D at Kingston University. By working with a number of alter egos or personas - all drawn to idea of capturing the hidden or invisible – she ai Read more

  Stine Ljungdalh is an artist based in London and Copenhagen. She graduated in 2005 with a MA in Printmaking from The Royal College of Art. Stine has exhibited in Europe and the US and are about to start her Ph.D at Kingston University. By working with a number of alter egos or personas - all drawn to idea of capturing the hidden or invisible – she aim to create an experimental zone. Her art practice includes writing, photography, films and props from these personas - all evidence of the existence of the imaginary zone and questioning the subjective reality of the autonomous self. Minimer

• Lose, Søren

  Danish visual artist Søren Lose (1972) lives and works in Copenhagen and Berlin. Through photography, film, and installation Søren Lose explores matters of private and collective memory, narrative, history, architecture, tourism, and belonging.

  Danish visual artist Søren Lose (1972) lives and works in Copenhagen and Berlin. Through photography, film, and installation Søren Lose explores matters of private and collective memory, narrative, history, architecture, tourism, and belonging. Minimer

• Lundme, Tomas Lagermand

  Arbejder som forfatter, dramatiker, scenograf og billedkunstner

  Arbejder som forfatter, dramatiker, scenograf og billedkunstner Minimer

• Lysholt-Hansen , Nanna

  Nanna Lysholt-Hansen graduated at the Royal Danish Academy of Fine Art in Copenhagen, 2011 She is working with video installation and photography deriving from a performative art practice

  Nanna Lysholt-Hansen graduated at the Royal Danish Academy of Fine Art in Copenhagen, 2011 She is working with video installation and photography deriving from a performative art practice Minimer

• Madsen, Hans E
• Madsen, Pernille With
• Maegaard, Pernelle
• Malmros, Janne

  Janne Malmros is a Slade School of Fine Art Graduate (MFA). She is based in London and Copenhagen.

  Janne Malmros is a Slade School of Fine Art Graduate (MFA). She is based in London and Copenhagen. Minimer

• Meander, Isis

  Educated from: Malmö Art Academy 2003-2008 UIC, Chicago 2007

  Educated from: Malmö Art Academy 2003-2008 UIC, Chicago 2007 Minimer

• Mortensen, Liv Carlé

  My instrument is woman, her ultimate being and strength, the fine balance of creating, hunting and birthing creatures. The scream of pain, the fully borne. I use a woman’s map, from the near intimate sphere, warmly embracing in the family. Forth to the scream of the Amazon, when she cuts the cord, child/children under her torn-off breast, and goes Read more

  My instrument is woman, her ultimate being and strength, the fine balance of creating, hunting and birthing creatures. The scream of pain, the fully borne. I use a woman’s map, from the near intimate sphere, warmly embracing in the family. Forth to the scream of the Amazon, when she cuts the cord, child/children under her torn-off breast, and goes to war. To war with the family to war as a provider. Because this war must be fought alone, the offering of the creating artist is that the war becomes the gift. Heart’s blood dripping from inner sexes. The vulva of the menstrual phase, to the essential bloodstream of birth, making patterns with the pain, a map of our meeting with this world. Minimer

• Mølgaard, Bo

  Med baggrund i den klassiske trykgrafik arbejder jeg med de formsprog jeg finder passende til det, der skal siges - fra tidstung farvefotogravure til balloner. Aktuelt mest med pigmenttryk baseret på det oplevede fotografiske udgangspunkt. Gerne i en stram fortælleramme relaterende til den kontekst værkerne skal indgå i.

  Med baggrund i den klassiske trykgrafik arbejder jeg med de formsprog jeg finder passende til det, der skal siges - fra tidstung farvefotogravure til balloner. Aktuelt mest med pigmenttryk baseret på det oplevede fotografiske udgangspunkt. Gerne i en stram fortælleramme relaterende til den kontekst værkerne skal indgå i. Minimer

• Møller Schiødt, Pelle

  I mine tegninger og malerier arbejder jeg med kontrasterende form og farve som et grundlæggende visuelt udtryk, hvor en livagtig, organisk og rumlig figur møder det flade og ofte abstrakte mønster. Kontrasten sigter på at udfordre afkodningen af mine billeder, således at motivet ikke fører til en selvindlysende, ”automatisk” afkodning. Min kompositio Read more

  I mine tegninger og malerier arbejder jeg med kontrasterende form og farve som et grundlæggende visuelt udtryk, hvor en livagtig, organisk og rumlig figur møder det flade og ofte abstrakte mønster. Kontrasten sigter på at udfordre afkodningen af mine billeder, således at motivet ikke fører til en selvindlysende, ”automatisk” afkodning. Min komposition varierer fra en enkelt centralt placeret figur til en mere kompliceret komposition, der bryder med rammen og det klassiske perspektiv i rum opbygningen. Motiverne i mine værker er dels hentet fra omverdenen, fx mytologiske og religiøse motiver, dels fra min egen verden. Mine billeder kan delvist opfattes som stille billednedslag i en flydende verden af oplevelser og tanker, dvs. at mine motiver føjer sig ind i en mere kompliceret sammenhæng eller forløb. Minimer

• Naumann, Katrine
• Nielsen, Mogens Otto
• Niemann, Mikkel

  Architectural visions and failures: I make sculptures, installations and paintings that are concerned with architectural visions and failures. The environments I create are mosaics consisting of elements from the real world. They are based on a mixture of spatial experiences from my own everyday life as well as architectural and industrial drawings. Read more

  Architectural visions and failures: I make sculptures, installations and paintings that are concerned with architectural visions and failures. The environments I create are mosaics consisting of elements from the real world. They are based on a mixture of spatial experiences from my own everyday life as well as architectural and industrial drawings. I am interested in how the spaces we are surrounded by are juxtaposed and interconnected. Minimer

• Nilsson, Morten
• Nilsson, Rikke Ehlers
• Noel, Jacob

  A consistent theme of my art, is the interest for spaciality and "spaces-in-between", intervals in/of space. My artistic project spreads out into an international context, that, on a conceptual level, seeks to deepen the understanding of the detail of space as something universal — a language that is seen more than spoken. Through sculptures, drawings and Read more

  A consistent theme of my art, is the interest for spaciality and "spaces-in-between", intervals in/of space. My artistic project spreads out into an international context, that, on a conceptual level, seeks to deepen the understanding of the detail of space as something universal — a language that is seen more than spoken. Through sculptures, drawings and photography, I am working on the outer rim of terms as scale, spaciality and function. Terms that normally is tied to an architectural praxis. But with this optic, I want to describe a different world, than that one usually associates with architecture. I want to define the significance of space in a functional meaning through a strongly subjective approach to the material, where the detail of the moment, time and place is expressed in fragments and streams of surfaces. The project "un-arcitecture and fumes" is to be seen as a conceptual adaptation of the detail as an aesthetic materialization of the transient. Minimer

• Norre, Michael
• Nørring, Jonas Engbirk

  Operating 77m3 RumForKunst Art of Kailas

  Operating 77m3 RumForKunst Art of Kailas Minimer

• Oksbjerg, Tine
• Ozmec, Karen

  Emne: mennesket som genteknologisk eksperimentarium. Medie: Maleri, foto, print på lærred og akrylplader

  Emne: mennesket som genteknologisk eksperimentarium. Medie: Maleri, foto, print på lærred og akrylplader Minimer

• Pedersen, Anne-Marie
• Pedersen, Ditte Lyngkær
• Pedersen, Stefan A.
• Petersen, Karen
• Pind, Mr.
• Plaetner, Lone

  Et 2 ugers ophold i New York City (USA) i maj, hvor jeg var på research med mit digitale Camera. Derudover havde jeg mulighed for at arbejde med flerfarve tushtegninger henimod det udtryk, jeg arbejder med nu. Rejsen blev støttet af Statens Kunstfond (2011)

  Et 2 ugers ophold i New York City (USA) i maj, hvor jeg var på research med mit digitale Camera. Derudover havde jeg mulighed for at arbejde med flerfarve tushtegninger henimod det udtryk, jeg arbejder med nu. Rejsen blev støttet af Statens Kunstfond (2011) Minimer

• Poulsen, Tanja Nellemann
• Ramadan, Khaled

  Artist statement My fields of specialties are the culture and history of documentary and experimental film aesthetics, with interests in the fields of aesthetic journalism and documentary film history research. I produce video and documentaries that explore how political, cultural, and scientific systems change the ways we think about the world ar Read more

  Artist statement My fields of specialties are the culture and history of documentary and experimental film aesthetics, with interests in the fields of aesthetic journalism and documentary film history research. I produce video and documentaries that explore how political, cultural, and scientific systems change the ways we think about the world around us. My films reflect the work of a transformative film archivist not a traditional filmmaker, I often apply my theoretical knowledge in my production to learn and be inform about communities, people and the evolving social / human system. I consider my work to be a geographical mapmaking, a transformative committed work to social equality and representation. I make out of the personal and ordinary an extraordinary. I am particularly interested in memory in relationship to history. I work as informative filmmaker, as an archivist who wishes to record the unknown and the neglected histories. I find in the book, The Language of New Media by media theorist Lev Manovich a reconceptualization of filmmaking a very useful tool to of engagement to understand the power relation between film critic, media production and contemporary art and culture. My videos and film projects have been shown around the world. About Khaled Ramadan Born Khalil Dawood Ramadan in Damascus in 1965, artist name Khaled Ramadan. He is an archivist and a documentarist whose work is greatly influenced by social history, scientific research and critical theory. He moved to Europe in 1991 and has since become an influential figure in international art circles. He utilizes a deep knowledge of internationalism and the history of visual aesthetics to comment upon the socio-cultural mobility of contemporary art and identity. He makes use of video, archives, film and photography to construct work that explores our perceptions of personal identity and community. Ramadan uses his art as a vehicle for empowering and engaging people from different backgrounds and communities. He intends to reveal the danger inherent in blind acceptance of everyday ‘reality’ – whether the context is the socio-politics of the Middle East or post-modern European identity. Khaled Ramadan is also adept at exploring contemporary art’s role in modern society and at considering the implications of globalisation, media and new internationalism for visual artists and society as a whole. Ramadan’s work, as both curator and filmaker, has often focused critically on some of the deep-set motivations of social and historical life in the Middle East and Europe. His objective in doing so is to facilitate a shift in the contemporary understanding of contemporary film practice from the national and regional to the more trans-national. Minimer

• Ramdas, Anu
• Rasborg, Camilla

  Camilla Rasborg (f. 1974) er uddannet fra Det Jyske Kunstakademi i 2002. Hendes værker tager ofte udgangspunkt i hverdagens evindelige rystelser, der giver følelsesmæssige forviklinger, og truer vores funktionsdygtighed. Værkerne undersøger overlap mellem utilsigtede hændelser, kontrolleret præcisionsarbejde, uheld, iscenesættelse, proces og manipulat Read more

  Camilla Rasborg (f. 1974) er uddannet fra Det Jyske Kunstakademi i 2002. Hendes værker tager ofte udgangspunkt i hverdagens evindelige rystelser, der giver følelsesmæssige forviklinger, og truer vores funktionsdygtighed. Værkerne undersøger overlap mellem utilsigtede hændelser, kontrolleret præcisionsarbejde, uheld, iscenesættelse, proces og manipulation. Camilla Rasborg arbejder med fotocollage, installationer, tegning og skulptur. Minimer

• Rasmussen, Jesper

  Jesper Rasmussen, f. 1959 billedkunstner, arbejder fortrinsvis med installation, skulptur og fotografi, hovedsageligt med udgangspunkt i rum og arkitektur. Har siden 1981 redigeret og udgivet kunsttidsskiftet Pist Protta sammen med Jesper Fabricius og Åse Eg Jørgensen. Var 1986-91 med i kunstnergruppen Solkorset, der arbejdede kollektivt med store ruminstallationer. Rektor ved Det Jyske Kunstakademi.

  Jesper Rasmussen, f. 1959 billedkunstner, arbejder fortrinsvis med installation, skulptur og fotografi, hovedsageligt med udgangspunkt i rum og arkitektur. Har siden 1981 redigeret og udgivet kunsttidsskiftet Pist Protta sammen med Jesper Fabricius og Åse Eg Jørgensen. Var 1986-91 med i kunstnergruppen Solkorset, der arbejdede kollektivt med store ruminstallationer. Rektor ved Det Jyske Kunstakademi. Minimer

• Rasmussen, Steen

  Visual Artist works in the field of Graphic, Photo, Installation, Sculpture and Painting separately or in different combinations . since 2001 Steen Rasmussen has been working together with the Japanese artist Rikuo Ueda about the project with the main title "Wind -catching the Immaterial" this project is constantly developing Steen Rasmussen als Read more

  Visual Artist works in the field of Graphic, Photo, Installation, Sculpture and Painting separately or in different combinations . since 2001 Steen Rasmussen has been working together with the Japanese artist Rikuo Ueda about the project with the main title "Wind -catching the Immaterial" this project is constantly developing Steen Rasmussen also work together with the Artistgroup "Hotel Vanitas" mainly about intervention of rooms/Spaces mostly by using 3 dimentional graphic installations and alvays in this collaboration using "Vanitas and Vanity as theme Minimer

• Recke, Nikolaj
• Reuter Christiansen, Thorbjørn
• Rex, Jytte
• Rex, Rosemaria
• Rosenmunthe, Johan
• Rude, Mille

  Jeg arbejder med en blanding storytelling, dokufiktive hændelsesforløb, performative såvel som skulpturelle praksisser, billeder, tekst, tap dance og lyd.

  Jeg arbejder med en blanding storytelling, dokufiktive hændelsesforløb, performative såvel som skulpturelle praksisser, billeder, tekst, tap dance og lyd. Minimer

• Rød, Jakob
• Salto, Emil

  Emil Saltos arbejde er, selvom det ikke er medie-specifikt, ofte ensartet i sin æstetik, ofte i flade dimensioner, enkle former i toner af grå/sort/hvid. I hans seneste værker, har han skabt fotografiske billeder uden brug af kamera. De er blevet til i den klassiske mørkekammerproces udelukkende ved brug af lys, kemi og fotopapir. Værker er ofte selvre Read more

  Emil Saltos arbejde er, selvom det ikke er medie-specifikt, ofte ensartet i sin æstetik, ofte i flade dimensioner, enkle former i toner af grå/sort/hvid. I hans seneste værker, har han skabt fotografiske billeder uden brug af kamera. De er blevet til i den klassiske mørkekammerproces udelukkende ved brug af lys, kemi og fotopapir. Værker er ofte selvrefererende og inkarnerer deres egen tid, idet processen bliver billedet. Salto er optaget af geometriens grundformer, af tid, form, faser og dimensioner. Han ønsker bl.a. at tematisere, hvad man kan kalde for en ”elastisk tid”, et form for uafgrænset tids-rum. Intentionen er, at man sammen med værkerne i en vis forstand kan træde ud af hverdagens funktionsopdelte tidsoplevelse og ind en fænomenologisk erfaring af tiden. Det handler om formelle størrelser, der helt naturligt vedrører os alle, men som i værkerne sjældent refererer til noget genkendeligt eller konkret. Minimer

• Sansour, Larissa

  Born 1973 in Jerusalem, Larissa Sansour studied Fine Art in Copenhagen, London and New York, and earned her MFA from New York University. Often centered around the situation in the Middle East, her work is interdisciplinary, immersed in the current political dialogue and utilizes video art, digital photography, experimental documentary and the internet.

  Born 1973 in Jerusalem, Larissa Sansour studied Fine Art in Copenhagen, London and New York, and earned her MFA from New York University. Often centered around the situation in the Middle East, her work is interdisciplinary, immersed in the current political dialogue and utilizes video art, digital photography, experimental documentary and the internet. Minimer

• Sass, Julie

  Abstract painting has been my concern and the main focus in my work for over a decade. I relate to painting as matter and the painting process itself to establish functions and relations, painting as a way of being and approaching the boundaries, the expansion and space inside my thinking process. A strong interest has always been the process of painting Read more

  Abstract painting has been my concern and the main focus in my work for over a decade. I relate to painting as matter and the painting process itself to establish functions and relations, painting as a way of being and approaching the boundaries, the expansion and space inside my thinking process. A strong interest has always been the process of painting and increasingly, as a side track of this: painting as Matter. Julie Sass, December 2008 Minimer

• Schmidt, René
• Schou, Jeanette Land

  JLS har siden 1995 deltaget i adskellige gruppeudstillinger i ind- og udland med video, installation og fotografi. Hun har vist fotografi og videoværker, bl.a. på “Galleri Image” i Århus, “No9” i Oslo, i Malmø Konsthal og i “Le pont” galleriet i Aleppo i Syrien. Fra 1996-2001 deltog hun i det kunstnerstyrede North-Udstillingssted både som kunstne Read more

  JLS har siden 1995 deltaget i adskellige gruppeudstillinger i ind- og udland med video, installation og fotografi. Hun har vist fotografi og videoværker, bl.a. på “Galleri Image” i Århus, “No9” i Oslo, i Malmø Konsthal og i “Le pont” galleriet i Aleppo i Syrien. Fra 1996-2001 deltog hun i det kunstnerstyrede North-Udstillingssted både som kunstner og kurator og i 1999 var hun med til at starte foreningen Fast Video. Hun demitterede fra Kunstakademiet i København i 1998, hvor hun nu underviser i bla. video -kunst og -produktion. JLS arbejder har generelt poetiske og eksistentielle problematiker, og er altid båret at en stærkt visualitet. I mange af video- og fotoværkerne udfoldes en metafysisk realisme, som åbner sig for fortolkning. Landskaberne er indre landskaber. Det er en visuels tegnsætning, der giver JLS’s værker deres relevans. Selv når hun forholder sig til det stedspecifikke og til interaktion med betragteren, vil det være på billedets og mediets præmis. Minimer

• Schrader, Louise
• Seeberg, Jonas
• Seest, Thomas
• Selwyn-Gray, Alexandra

  My present practice is mainly informed by spirituality encompassing iconography and influenced by philosophy and theory, which responds to specific areas, traditions and cultures, questioning of moral and social values and sometimes a sense of the irony in the ridiculous. I mainly work in artist video, performance, sculpture and installatio Read more

  My present practice is mainly informed by spirituality encompassing iconography and influenced by philosophy and theory, which responds to specific areas, traditions and cultures, questioning of moral and social values and sometimes a sense of the irony in the ridiculous. I mainly work in artist video, performance, sculpture and installation. Recently a bridge has formed between all my disciplines which explore the notion of mediated presence and allow me to investigate the gaze and different ways of involving an audience. I am continually questioning with work that I hope is thoughtful and provocative, revealing what lies beneath the surface, often in many layers of interpretation. Minimer

• Serber, Katja
• Sivager, Carina Jo
• Skovgård, Jan

  Jeg har et godt billede af en mand på en øde ø, der sidder og kigger ud over havet. Derude på havet går der en anden mand og pløjer med 2 heste. Det er mig, der er begge mænd. Det er den vekselvirkning, jeg ønsker at opnå, som jeg efterstræber.

  Jeg har et godt billede af en mand på en øde ø, der sidder og kigger ud over havet. Derude på havet går der en anden mand og pløjer med 2 heste. Det er mig, der er begge mænd. Det er den vekselvirkning, jeg ønsker at opnå, som jeg efterstræber. Minimer

• Sohn, Bodil
• Steinbock, Kristina
• Stürup, Jasper Sebastian
• Stærk, Ann Sophie
• Svarre, Daniel
• Sviatchenko, Sergei
• Søndergaard, Trine
• Tanderup, Fie
• Tardrup, Malene Nors

  I min generelle praksis arbejder jeg med fotografi og video. Mit arbejde spænder over fiktive og non-fiktive universer, hvor kultur og identitet i parallelle- og reélle verdener er omdrejningpunktet.

  I min generelle praksis arbejder jeg med fotografi og video. Mit arbejde spænder over fiktive og non-fiktive universer, hvor kultur og identitet i parallelle- og reélle verdener er omdrejningpunktet. Minimer

• test, test

  This is some words or a short description of the artist

  This is some words or a short description of the artist Minimer

• Thams, Marie

  My practice is conceptual, I work in installation, sculpture, photography, video and tekst. My work often moves between sculpture/installation and props, and I aim for this because of the opening it creates: the work moving from being mere object towards being an actual event. My aim is to create work that exists as a vehicle for experiencing both the giv Read more

  My practice is conceptual, I work in installation, sculpture, photography, video and tekst. My work often moves between sculpture/installation and props, and I aim for this because of the opening it creates: the work moving from being mere object towards being an actual event. My aim is to create work that exists as a vehicle for experiencing both the given interest area, which the work departs from, and for looking into the very mechanisms of the nature of art. Minimer

• Theilgaard, Nikolas M.

  Mit kunstneriske arbejde bevæger sig mellem to medier, der ved første blik tilsyneladende ikke har meget med hinanden at gøre: tegning og fotografi. I det tegning for mig er et analytisk medie er fotografi først og fremmest baseret på intuition. Begge medier betinger hinanden, og supplerer hinanden. I både tegningen og fotografiet beskæf Read more

  Mit kunstneriske arbejde bevæger sig mellem to medier, der ved første blik tilsyneladende ikke har meget med hinanden at gøre: tegning og fotografi. I det tegning for mig er et analytisk medie er fotografi først og fremmest baseret på intuition. Begge medier betinger hinanden, og supplerer hinanden. I både tegningen og fotografiet beskæftiger jeg mig med det samme tema, som man overordnet kunne kalde "det tidsløse landskab". Bagom landskabets abstrakte overflade gemmer sig en dybde som jeg forsøger at synliggøre ved hjælp af kameraets fokus eller liniens abstraktion. Med dybde mener jeg dels dybderumligheden som først kommer til fuld udfoldelse gennem det analoge billede, og dels den subjektive dybde som opstår intuitivt ved motivvalget og altid er et spejlbillede af indre landskaber. Denne dybde er for mig det substantielle bag tingene, en tidsløs sandhed. Minimer

• Thomsen, Hanne Lise

  Has been creating site-specific slide and video projections since 2003

  Has been creating site-specific slide and video projections since 2003 Minimer

• Thordarson, Liné Ringtved

  Bachelor of Fine Art. Med speciale i skulptur. Uddannet fra Icelandic Academy of Fine Art 2006.

  Bachelor of Fine Art. Med speciale i skulptur. Uddannet fra Icelandic Academy of Fine Art 2006. Minimer

• Thorsen, Sofie

  Mit arbejde fokuserer på rum og de måder de bruges på. De er baseret på research omkring og analyse af steder, deres arkitektur og de narrativer der er forbundet med dem. Med fotografiet, tegningen og i nogen grad film og video analyserer jeg objekterne for min interesse og bruger disse medier til at dekonstruere dem. I værkerne opstår analyser men også Read more

  Mit arbejde fokuserer på rum og de måder de bruges på. De er baseret på research omkring og analyse af steder, deres arkitektur og de narrativer der er forbundet med dem. Med fotografiet, tegningen og i nogen grad film og video analyserer jeg objekterne for min interesse og bruger disse medier til at dekonstruere dem. I værkerne opstår analyser men også nye narrativer. Jeg interesserer mig for byens rum, for den arkitektur som omgiver os, og for de fortællinger og magtforhold der ligger heri. Jeg interesserer mig for den måde arkitekturen performer på og for hvordan vi som aktører interagerer hermed. For de scener vi tilbydes og dem vi selv lægger til rette og skaber ved vores omgang med vores omgivelser. Her er jeg især interesseret i tegningen som beskrivende og analyserende medium med potentiale til abstraktion. Den dokumentariske fortælling kan bestå af et billede lige såvel som visualiseret statistik eller en optegnelse af hændelser. Jeg forstår mine værker i en konceptuel og dokumentarisk tradition. Indholdet og konteksten bestemmer mediet. Det kan betyde at værkerne består af billeder eller bliver på et rent analyserende niveau, men kan også betyde indgreb i rummet, udstillingsrummet, white cube såvel som det offentlige rum. Minimer

• Thrane, Charlotte
• Traberg, Carina

  Carina Traberg arbejder med udforskning af det moderne liv, med et fokus på arkitektur og visuelt at skabe alternative verdener til det bestående. Hendes seneste arbejder har centreret sig omkring collager skabt fra fotos taget fra rejser og byer hvor Carina Traberg har levet. Materialet til værkerne er taget fra et utal af forskellige situationer, o Read more

  Carina Traberg arbejder med udforskning af det moderne liv, med et fokus på arkitektur og visuelt at skabe alternative verdener til det bestående. Hendes seneste arbejder har centreret sig omkring collager skabt fra fotos taget fra rejser og byer hvor Carina Traberg har levet. Materialet til værkerne er taget fra et utal af forskellige situationer, områder og bygninger, såsom tyrkiske miniature malerier, modernismen, videospil og byliv. Minimer

• Tækker, Jacob
• Ulrich, Kjeld
• Vad, Signe
• Vind, Christian

  Hermetic, intellectual, and full of art historical references – playful and tongue-in-cheek. Both statements seem to fit Christian Vind’s paintings and paper works equally. All in all Vind’s work must be said to constitute some of the most unique young art found in Scandinavia right about now. Especially in the two books from Vind’s own publishin Read more

  Hermetic, intellectual, and full of art historical references – playful and tongue-in-cheek. Both statements seem to fit Christian Vind’s paintings and paper works equally. All in all Vind’s work must be said to constitute some of the most unique young art found in Scandinavia right about now. Especially in the two books from Vind’s own publishing house “HVIDPAPIRFEBER” (Whitepaperfever) does Vind’s labyrinthine approach to art making become apparent. With a sort of pedantic emotionality, drawings consisting of equal part William Blake, Edvard Munch and Harley Davidson collide and crash with photos of the Danish countryside and found objects of mysterious origin. Since his graduation from The Royal Academy of Fine Arts, Christian Vind has found a niche in the Danish art world with his works which for a large deal focus on tracing origin – in art history as well as in concrete media. Minimer

• Vodder, Anna Fro
• Vaaben, Kirstine
• Wandel, Maria

  maleri, tegning, tusch, tekst, vægmaleri, filmmaleri sensualitet portrætter tekst

  maleri, tegning, tusch, tekst, vægmaleri, filmmaleri sensualitet portrætter tekst Minimer

• Weck, Ulrik
• Westh , Marie Rømer

  I mit arbejde beskeftigerer jeg mig gennemgående med individet og det offentlige rum. Forholdet mellem representationen af os selv som individer og hvordan vi formidler det til fællesskabet. Min kunst omfatter forskellige medier: Video, fotografi, installation, tegning mm.

  I mit arbejde beskeftigerer jeg mig gennemgående med individet og det offentlige rum. Forholdet mellem representationen af os selv som individer og hvordan vi formidler det til fællesskabet. Min kunst omfatter forskellige medier: Video, fotografi, installation, tegning mm. Minimer

• WILLIAMS, PERNILLE KAPPER
• Wittrup, Ebbe Stub
• Wolsing, Thomas
• Zahle, Maria
• Zaragoza, Joaquin
• Zunino, Carina
• Øvlisen, Thomas Hallas
• Aabille, Jesper

  I see myself as a an artist who work with variety of strategies: social and urbane interventions and sculptures as well as drawings and textoriented pieces of work. The common thread within these practices is the focus on the social life, whether it is solutions to mundane problems by making bridges to avoid stepping in a water pit or whether it is the Read more

  I see myself as a an artist who work with variety of strategies: social and urbane interventions and sculptures as well as drawings and textoriented pieces of work. The common thread within these practices is the focus on the social life, whether it is solutions to mundane problems by making bridges to avoid stepping in a water pit or whether it is the refinement in illustrating a practical act as for example making an apple pie. Through the insistent attention to the often hidden and nonexposed details of social life I often enter the borderline between reality and fiction because my solutions or projects often take on the form of the absurd, and here I try to search for the point where this line becomes unstable. A central part here is a very specific and insisting interpretation of the world which because of it's limited and defined scope never will be adequate in a complex modern reality and thereby the failure is an immanent follower of the work right from the begining, but it only shows its grim face when I have exhausted any other oppportunity. Minimer