A

• A Kassen
• a Billedkunstner jurvinart

  Kunstner er en generel betegnelse for en person, der producerer kunst uanset hvilken genre, det drejer sig om... Uddannet som kunstner på Det Kongelige Danske Kunstakademi 24 December 1981 Jurij Vinogrodskij Arturij født i Vilnius Lituaen opvokset i Danmark. Hans kunstnerisk navn er jurvinart. Uddannet som kunstner på Det Kongelige Danske Kunstakademi. Read more

  Kunstner er en generel betegnelse for en person, der producerer kunst uanset hvilken genre, det drejer sig om... Uddannet som kunstner på Det Kongelige Danske Kunstakademi 24 December 1981 Jurij Vinogrodskij Arturij født i Vilnius Lituaen opvokset i Danmark. Hans kunstnerisk navn er jurvinart. Uddannet som kunstner på Det Kongelige Danske Kunstakademi. Afgang 2010. Arbejder med maleriets udtryksform olie ratning på nuverener tilspunk er NAIVISME. Billedekunst olie maling er primere renskab at framstile kunst men skulprur har også store infliuelse på jurvinart. Han arbejdet meget med svaisning jern. Skabt uteliger tel små skulpture i metal. Til skulpture brugt often glas. Hans studietid arbejdet med skulpturen. Granit bronser tree glas og jern. Uddannelser og kurser 2000 Haderslev Kommunale Ungdomsskole 2002 VUC Kolding 2004-2010 Det Kongelige Danske Kunstakademi 2005-2006 Vilnius Academy of Art See jurvinart`s youtube Channel Minimer

• Abrahamsson, Anette
• Agerbo, Bjarne
• Agerbæk, Mette
• Ahlmann, Per
• Alibadi, Mahmoud
• Andersen, Ann Louise
• Andersen, Christoffer Munch
• Andersen, Else Elisabeth
• Andersen, Lise Blomberg
• Andersen, Lykke
• Andersen, Mette Høyen
• Andersen, Mika
• Andersen, Pia

  oliemaleri - glas - keramik

  oliemaleri - glas - keramik Minimer

• Andersen, Thorbjørn

  Installation, maleri, stedsspecifik installation, arkitektur, maleri i et udvidet felt, geometri, hellig geometri, Objektbaseret kunst.

  Installation, maleri, stedsspecifik installation, arkitektur, maleri i et udvidet felt, geometri, hellig geometri, Objektbaseret kunst. Minimer

• Andersson, Thomas
• Andreasson, Pärra
• Ankarfeldt, Søren
• Arendal, Lone
• Armsrock
• Asbury, Kim
• Ask, Kristina

  "Som en afspejling af min praksis indeholder websitet www.kristinask.net både eksempler på samarbejder, projektorienteret arbejde, kontinuerlige, medieorienterede projekter samt min skrivende praksis. De forskellige aspekter er relateret og ofte overlappende. En vedvarende udfordring i mit arbejde er, at nedbryde grænserne mellem teori og en praksis, der Read more

  "Som en afspejling af min praksis indeholder websitet www.kristinask.net både eksempler på samarbejder, projektorienteret arbejde, kontinuerlige, medieorienterede projekter samt min skrivende praksis. De forskellige aspekter er relateret og ofte overlappende. En vedvarende udfordring i mit arbejde er, at nedbryde grænserne mellem teori og en praksis, der udvikler sig mellem aktivisme og andre former for kritisk og subversiv billedproduktion." . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Reflecting my practice the site www.kristinask.net consists of examples of both collaborations, project based work, ongoing and media based projects as well as writings. The different aspects are related and often overlapping. A continuous challenge of the works is to break down the barriers between theory and a practice developing between activism and other kinds of critical and subversive image productions." Minimer

• Askholm, Martin
• Atla, Augusta

  Art as a language reflecting human emotional existence. The condition of human existence, and an individual’s emotions, actions, responsibilities, and thoughts, – existential obstacles and distractions including despair, angst, absurdity, alienation, and boredom. I work visually in all mediums of art, since I am from a Post-modern generation and educ Read more

  Art as a language reflecting human emotional existence. The condition of human existence, and an individual’s emotions, actions, responsibilities, and thoughts, – existential obstacles and distractions including despair, angst, absurdity, alienation, and boredom. I work visually in all mediums of art, since I am from a Post-modern generation and education, what is essential to my artwork is not the tradition nor the history of a medium of art, but on the other hand what is essential to my work is the content of the artwork and the process of making. I work freely between performance, installation, short film, video-installation, sculpture, graphic, collage, drawing, photo and painting. As a visual artist and as an individual I am interested in the inner and emotional life of humanity, our existential conditions, and our collective taboos. My artwork has naturally sprung from an individual necessity to express myself with freedom and with attention to collective psychological conditions. My artwork springs and grows from a need to express and further make public ideas of intimacy between people, problems of identity, individual freedom, and with a wish to be able to visually give language to our rich and complex inner life and hearts. My fundamental point of view on Art is that it is free platform of speech, and thus also political even though the artwork itself may not have direct dialog of politics within its content; – Art promotes to express life with freedom and awareness. My artwork deals with emotions in order to further an awareness of inner life, on both sexes and all sexualities, the inter-relationships of humanity and individual self-introspection. The work deals with intimacy between humans, complexities of psychology, tragedy, sensitivity, intuition, identity struggles, emotional and existential states, such as angst, love, compassion and despair. The work is funded on a moral of a need of introspection, show poetics sides of humanity, honesty of emotions, scrutiny of self-exposure, gender issues and existential confession. My work is also developed through an ongoing interest in representation of the ‘female figure’ and sensitivity of the body, both as a cultural idea and research on contemporary gender issues and sexualities, and on issues in art history as combating the normalised idea in painting and sculpture of the ‘pleasurable female object’. Because I am a woman artist, I find it very necessary to comment on the patriarchy in art history – e.g. ‘the female figure’ as an idealised and/or pleasurable object. Women and myself are currently my subjects for art, and opposed to previous ideas in art history, I want the model to be alive rather than being controlled or composed (by the artist). I intend to give life to a new imagery of the female body without rejecting or denying all the layers of trauma and oppression in history. I don’t want to produce another ideal of women, nor do I want to reject gender altogether theoretically, so I am in some kind of limbo where pain of history and heterosexual social awareness is combined with a hope for a freer understanding of the body and a more complex psychological imagery with deeper emotions than that of pop culture. My performance work are artworks where visual mediums are mixed (poetry, dance, music, painting, collage and video) and such works are an impulsive emotional experience for the viewer. The performance work celebrates the preciousness of ‘one moment’ and thus can not be repeated entirely. Art may be a way to produce awareness of preciousness of time and existence. The artist is a responsive participant of public activities, culture and pop visual media, and since ‘Art is my everyday ritual to clean my heart’ the artwork illuminates freedom and an individual process in relation to the surrounding society. Minimer

• AVPD, -

  AVPD was initiated in 1997 and is the working label of visual artists Aslak Vibæk (b. 1974) and Peter Døssing (b. 1974). AVPD works within an interdisciplinary field where we unite knowledge from fine arts, architecture, science and the humanities. At this point we have our main focus on the perceptual relation between man and space. Our discourse and ph Read more

  AVPD was initiated in 1997 and is the working label of visual artists Aslak Vibæk (b. 1974) and Peter Døssing (b. 1974). AVPD works within an interdisciplinary field where we unite knowledge from fine arts, architecture, science and the humanities. At this point we have our main focus on the perceptual relation between man and space. Our discourse and physical work is very influenced by Sci Fi and first shooter computer games which take place in virtual 3-dimensional environments. These fictional domains turn out to be a strange kind of laboratories where there is a unique interest in creating new extraordinary constellations between space and man. These space-body phenomenons are normally fixed in the domain of fiction but our artistic approach is to draw these fictive spatial experiments into a physical reality with the human as an experimental/experiencing object, left to experience a yet unknown space. We define our spatial works as meta-architectures where the normal perception of the spectator is challenged and displaced and a new experience of space is made possible. In our works, we try to rethink the triangular constellation of the subject, the object and the context. We are interested in how spatial constructions effect the perception of the spectator and how she/he grasps the space in a cognitive, emotional and intellectual way. Our domain is reality and our artistic praxis is a spatial laboratory. http://www.avpd.net Minimer

• Aabille, Jesper

  I see myself as a an artist who work with variety of strategies: social and urbane interventions and sculptures as well as drawings and textoriented pieces of work. The common thread within these practices is the focus on the social life, whether it is solutions to mundane problems by making bridges to avoid stepping in a water pit or whether it is the Read more

  I see myself as a an artist who work with variety of strategies: social and urbane interventions and sculptures as well as drawings and textoriented pieces of work. The common thread within these practices is the focus on the social life, whether it is solutions to mundane problems by making bridges to avoid stepping in a water pit or whether it is the refinement in illustrating a practical act as for example making an apple pie. Through the insistent attention to the often hidden and nonexposed details of social life I often enter the borderline between reality and fiction because my solutions or projects often take on the form of the absurd, and here I try to search for the point where this line becomes unstable. A central part here is a very specific and insisting interpretation of the world which because of it's limited and defined scope never will be adequate in a complex modern reality and thereby the failure is an immanent follower of the work right from the begining, but it only shows its grim face when I have exhausted any other oppportunity. Minimer

• Aagaard, Grete
• Aagaard, Troels